The Curious Humanist: Siegfried Kracauer in America
During the Weimar Republic, Siegfried Kracauer established himself as a trenchant theorist of film, culture, and modernity, and he is now considered one of the key thinkers of the twentieth century. When he arrived in Manhattan aboard a crowded refugee ship in 1941, however, he was virtually unknown in the United States and had yet to write his best-known books, From Caligari to Hitler and Theory of Film. Johannes von Moltke details the intricate ways in which the American intellectual and political context shaped Kracauer’s seminal contributions to film studies and shows how, in turn, Kracauer’s American writings helped shape the emergent discipline. Using archival sources and detailed readings, von Moltke asks what it means to consider Kracauer as the New York Intellectual he became in the last quarter century of his life. Adopting a transatlantic perspective on Kracauer’s work, von Moltke demonstrates how he pursued questions in conversation with contemporary critics from Theodor Adorno to Hannah Arendt, from Clement Greenberg to Robert Warshow: questions about the origins of totalitarianism and the authoritarian personality; about high and low culture; about liberalism, democracy, and what it means to be human. From these wide-flung debates, Kracauer’s own voice emerges as that of an incisive cultural critic invested in a humanist understanding of the cinema. 
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The Curious Humanist: Siegfried Kracauer in America
During the Weimar Republic, Siegfried Kracauer established himself as a trenchant theorist of film, culture, and modernity, and he is now considered one of the key thinkers of the twentieth century. When he arrived in Manhattan aboard a crowded refugee ship in 1941, however, he was virtually unknown in the United States and had yet to write his best-known books, From Caligari to Hitler and Theory of Film. Johannes von Moltke details the intricate ways in which the American intellectual and political context shaped Kracauer’s seminal contributions to film studies and shows how, in turn, Kracauer’s American writings helped shape the emergent discipline. Using archival sources and detailed readings, von Moltke asks what it means to consider Kracauer as the New York Intellectual he became in the last quarter century of his life. Adopting a transatlantic perspective on Kracauer’s work, von Moltke demonstrates how he pursued questions in conversation with contemporary critics from Theodor Adorno to Hannah Arendt, from Clement Greenberg to Robert Warshow: questions about the origins of totalitarianism and the authoritarian personality; about high and low culture; about liberalism, democracy, and what it means to be human. From these wide-flung debates, Kracauer’s own voice emerges as that of an incisive cultural critic invested in a humanist understanding of the cinema. 
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The Curious Humanist: Siegfried Kracauer in America

The Curious Humanist: Siegfried Kracauer in America

by Johannes von Moltke
The Curious Humanist: Siegfried Kracauer in America

The Curious Humanist: Siegfried Kracauer in America

by Johannes von Moltke

Paperback(First Edition)

$34.95 
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Overview

During the Weimar Republic, Siegfried Kracauer established himself as a trenchant theorist of film, culture, and modernity, and he is now considered one of the key thinkers of the twentieth century. When he arrived in Manhattan aboard a crowded refugee ship in 1941, however, he was virtually unknown in the United States and had yet to write his best-known books, From Caligari to Hitler and Theory of Film. Johannes von Moltke details the intricate ways in which the American intellectual and political context shaped Kracauer’s seminal contributions to film studies and shows how, in turn, Kracauer’s American writings helped shape the emergent discipline. Using archival sources and detailed readings, von Moltke asks what it means to consider Kracauer as the New York Intellectual he became in the last quarter century of his life. Adopting a transatlantic perspective on Kracauer’s work, von Moltke demonstrates how he pursued questions in conversation with contemporary critics from Theodor Adorno to Hannah Arendt, from Clement Greenberg to Robert Warshow: questions about the origins of totalitarianism and the authoritarian personality; about high and low culture; about liberalism, democracy, and what it means to be human. From these wide-flung debates, Kracauer’s own voice emerges as that of an incisive cultural critic invested in a humanist understanding of the cinema. 

Product Details

ISBN-13: 9780520290945
Publisher: University of California Press
Publication date: 06/21/2016
Edition description: First Edition
Pages: 336
Product dimensions: 5.90(w) x 8.90(h) x 0.60(d)

About the Author

Johannes von Moltke is Professor of Screen Arts and Cultures and Professor and Chair of Germanic Languages and Literatures at the University of Michigan. He is the author of No Place Like Home: Locations of Heimat in German Cinema and the editor of two volumes of writings by and about Siegfried Kracauer.

Table of Contents

Acknowledgments vii

Introduction: Siegfried Kracauer and the Politics of Film Theory 1

1 Metropolitan Contact Zones: Kracauer in New York 26

2 Totalitarian Propaganda 44

3 Nazi Cinema 63

4 Freedom from Fear? 79

5 From Hitler to Caligari: Spaces of Weimar Cinema 93

6 Authoritarian, Totalitarian 109

7 Reframing Caligari: The Politics of Cinema 132

8 Theory of Film and the Subject of Experience 148

9 The Curious Humanist 169

10 History and Humanist Subjectivity 186

Epilogue: Siegeried Kracauer and the Emergence of Film Studies 200

Notes 221

Bibliography 283

Index 303

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