The Culture of Language in Ming China: Sound, Script, and the Redefinition of Boundaries of Knowledge

The Culture of Language in Ming China: Sound, Script, and the Redefinition of Boundaries of Knowledge

by Nathan Vedal
The Culture of Language in Ming China: Sound, Script, and the Redefinition of Boundaries of Knowledge

The Culture of Language in Ming China: Sound, Script, and the Redefinition of Boundaries of Knowledge

by Nathan Vedal

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Overview

Winner, 2023 Morris D. Forkosch Prize, Journal of the History of Ideas

The scholarly culture of Ming dynasty China (1368–1644) is often seen as prioritizing philosophy over concrete textual study. Nathan Vedal uncovers the preoccupation among Ming thinkers with specialized linguistic learning, a field typically associated with the intellectual revolution of the eighteenth century. He explores the collaboration of Confucian classicists and Buddhist monks, opera librettists and cosmological theorists, who joined forces in the pursuit of a universal theory of language.

Drawing on a wide range of overlooked scholarly texts, literary commentaries, and pedagogical materials, Vedal examines how Ming scholars positioned the study of language within an interconnected nexus of learning. He argues that for sixteenth- and seventeenth-century thinkers, the boundaries among the worlds of classicism, literature, music, cosmology, and religion were far more fluid and porous than they became later. In the eighteenth century, Qing thinkers pared away these other fields from linguistic learning, creating a discipline focused on corroborating the linguistic features of ancient texts.

Documenting a major transformation in knowledge production, this book provides a framework for rethinking global early modern intellectual developments. It offers a powerful alternative to the conventional understanding of late imperial Chinese intellectual history by focusing on the methods of scholarly practice and the boundaries by which contemporary thinkers defined their field of study.

Product Details

ISBN-13: 9780231200752
Publisher: Columbia University Press
Publication date: 04/12/2022
Pages: 336
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

Nathan Vedal is an assistant professor in the Department of East Asian Studies at the University of Toronto.

Table of Contents

Note on Language
Introduction
Part I. Sound and Script
1. The Number of Everything: Music, Cosmology, and the Origins of Language
2. Letters from the West: Sanskrit, Latin, and Phonetic Legibility in Ming China
3. Script, Antiquity, and Mental Training: Metaphysical Inquiry Into the Nondiscursive Potential of Writing
Part II. Singing and Speaking, Reading and Writing
4. Opera and the Search for a Universal Language
5. Reading the Classics for Pleasure: Prose as Verse, Verse as Music
Part III. Philology: The Making and Remaking of a Discipline
6. Afterlives: Ming Methods and Their Competition in the Eighteenth and Nineteenth Centuries
7. The Reinvention of Philology: Specialization, Disciplinarity, and Intellectual Lineage
Epilogue
Acknowledgments
Notes
Bibliography
Index
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