The author of The Critics Versus Shakspere (Shakespeare) sets out to defend the credibility of William Shakespeare against those who claim him as unimportant, a hack, or a fraud.
Many years ago, the author was retained in the great case of The Critics against Shakspere, the most celebrated on the calendar of history during three centuries. Unlike other cases, it has been repeatedly decided, and as often reopened and reheard before the most eminent judges, who have again and again non-suited the plaintiffs. Appeals have availed nothing to reverse those decisions. New actions have been brought on the ground of newly discovered evidence; counsel have summed up the testimony from all lands, from whole libraries and literatures, and the great jury of mankind have uniformly rendered a verdict of no cause of action.
Ben Jonson said that Shakspere "wanted art"; the highest appellate court decided that "Lear" was a greater work than Euripides or Sophocles ever produced. Voltaire, the presiding Justice in the court of French criticism, decided that Shakspere was "votre bizarre sauvage;" the world has reversed his decision, and everywhere, except perhaps in France, the "Henriade" is neglected for "Hamlet."
During the seventeenth century, English criticism sought to put Beaumont and Fletcher, Massinger, Otway, Wycherly, Congreve, Cowley, Dryden, and even the madman Lee, above Shakspere. The author believes this to be ridiculous.
