Major label
Universal, which controls the catalog of
Mercury Records, has taken a welcome, if belated, interest in the recordings made for
Mercury by
the Stanley Brothers during their tenure there from 1953 to 1958, issuing a full-priced compilation,
Angel Band: The Classic Mercury Recordings in 1995, and an entry in the midline-priced
20th Century Masters/The Millennium Collection series of artist best-ofs in 2002. Annotator
Mary Katherine Aldin makes no bones about the reason for
Universal's decision to plump for this two-disc set of
the Stanley Brothers' complete
Mercury recordings, mentioning the appearance of the track
"Angel Band" on the multi-million-selling
O Brother, Where Art Thou? soundtrack in the opening paragraph of her liner notes. The success of that 2000 album has opened the reissue floodgates for more than one
bluegrass act, and this is one of the happier results.
The Stanley Brothers (with the varying personnel of their three-or four-piece backing group,
the Clinch Mountain Boys), were still-young
bluegrass veterans when they arrived at
Mercury in 1953, guitarist
Carter about to turn 28, and banjoist
Ralph 26. Recording was not the primary element in their career; they managed only 46 tracks in 12 sessions in four-and-a-half years (the last two selections come from an undated session for
Smash, a label acquired by
Mercury). But that gave them time to come up with excellent original material; 37 of the songs here were written by one or both of the brothers. The cover songs include
standards like
"Orange Blossom Special" and
"Blue Moon of Kentucky." The subject matter consisted mostly of songs of love gone wrong, with religious statements providing some relief from the romantic grief. The playing, fast or slow, is consistently impressive
bluegrass picking on guitar, banjo, mandolin, fiddle, and bass, and
Carter's lead vocals, with
Ralph chiming in on high tenor, are the epitome of
bluegrass singing. This is classic work of its type. (The collection includes four tracks previously unreleased in the U.S.) ~ William Ruhlmann
