One of Renkl’s skills as a writer is to transfer her ability to perceive the nuances of the natural world, things most of us overlook, onto the page. In The Comfort of Crows . . . her powers of perception are on full display. . . . Paying attention to the living things in her backyard helps her cope with climate change, political strife and cultural upheaval—and she hopes it will help the reader, too.”—New York Times
“[A] beautiful tangle of human and other-animal lives . . . Starting in winter and continuing through the seasonal round, Renkl brings alive in 52 chapters her love for the animals and plants in her half-acre yard in Tennessee and in nearby parks. Equally moving, she confesses her despair at the human-caused crises the natural world faces, and her determination not to sit idle.”—NPR.org
“Above all, The Comfort of Crows is a full-throated ode to the hopefulness of regeneration. . . . It is a paean not just to the natural world, but to paying attention and doing one’s bit to nurture it. . . . The Comfort of Crows is beautifully enhanced by 52 lavish, full-color illustrations by Billy Renkl, the author’s brother. His lush, multilayered drawings of spiders, hummingbirds and pileated woodpeckers shown in both natural and unnatural habitats evoke Asian scrolls, collages and intriguing exercises in perspective.”—Wall Street Journal
"The Comfort of Crows is a howling love letter to the world, the story of what we’ve lost and what we can save and the abundance of wonder in our own backyard. Margaret Renkl is a singular, spectacular writer, and this book, like life itself, is a cause for celebration.”—Ann Patchett, author of The Dutch House
“Reading Margaret Renkl always connects me more deeply to the natural world and to my own heart. The Comfort of Crows is an elegy, a provocation, and above all a love letter to the magnificence that still surrounds us, if only we are awake enough to look. I want to press it into the hands of everyone I know.”—Dani Shapiro, author of Inheritance
“Whether describing bluebird nests or her own empty one, Renkl is part poetic prophet, part your down-home friend. In essays adorned by her brother’s art, she meditates on family, loss and nature under siege. ‘The world is full of song,’ she writes—wake up and listen!”—People
“Contains enough beauty, heartache and hope to fill a Russian novel . . . I am a big fan of good nature writing, and Renkl is among the best at it. I’m still marveling at the way she rhapsodizes over a toad, describing it as being ‘as soft as a great-grandmother you can hold in your hand.’”—Atlanta Journal-Constitution
“The Comfort of Crows is [Renkl’s] best yet. Quietly, poetically, she writes of the natural cycle of a year in her backyard, as well as of her own passage into the final third of her life. . . . Many a plant or creature inspires Renkl’s appreciation, and as a result, our own. It is possible that after reading this deceptively simple, charming book, you will plant a chair in a . . . backyard and discover things you’ve never seen before. And what could be more buoying than that?”—Minneapolis Star-Tribune
"Margaret Renkl has the mind of a naturalist and the soul of a poet. Let this magnificent devotional be your eye-opening, heart-expanding daily companion, and it will change how you see the world.”—Mary Laura Philpott, author of Bomb Shelter
“This is a lovely prayer book centered on plants and animals, an important reminder of grace and of the necessity of placing public green spaces in reach of everyone.”—Catherine Raven, author of Fox & I
“Infused with empathy, The Comfort of Crows reminds us to treasure the living beings who surround us with each breath we take. Renkl’s insights root us within our world. . . . The book can be read straight through or stretched across the calendar as a weekly literary devotional. Billy Renkl’s stunning collages provide an invitation to meditate, to pray, to breathe.”—BookPage (starred review)
“Luminous . . . Elegant, lucid essays follow the changing seasons, Renkl musing on the migratory and nesting patterns of birds, the encroaching effects of climate change, her own evolving family structure, and the incremental shifts of flora, fauna, and light. . . . The Comfort of Crows celebrates the beauty and durability of nature’s age-old cycles and the habits of wild creatures, and it urges human beings to care for these same creatures—before some of them disappear altogether.”—Shelf Awareness
“Renkl invites readers along on a year of loving outdoor observations in this gently moving memoir. . . . This gorgeous reflection on humanity’s symbiotic relationship with the outdoors will transform the way readers interact with their own backyards.”—Publishers Weekly
“This triumph of a book gives us a charming and wise friend to guide us over the course of a year, but I am certain Margaret Renkl’s enchanting voice will echo for lifetimes to come. The Comfort of Crows is an instant classic, not just for the planet, but—and most importantly—for our hearts too.”—Aimee Nezhukumatathil, author of World of Wonders
“Insightful . . . Among the touching and relatable moments that nature lovers will appreciate are Renkl’s memories of catching tadpoles in spring with her brother as a child in Alabama, the sound of summer thunderstorms and cicadas, and the unparalleled beauty of autumn light, ‘the loveliest light there is’. . . . A welcome escape from the hectic world.”—Kirkus
“Sprinkled liberally throughout are ‘praise songs’ . . . These little extras, just like the epigrams at the beginning of each essay, pack an extra punch into this tidy volume. . . . Readers can return to these pages often, through the seasons of their own lives.”—Booklist
2023-07-21
Serene reflections on the changes of the seasons.
In her third book of essays, following Late Migrations and Graceland, At Last, Renkl turns her attention to her own backyard. In 52 chapters, she contemplates the changes that take place in the wild over the course of the four seasons. Although she views her life as a “linear narrative,” she experiences the natural world as a “repeating pattern.” Rather than writing about a single year, Renkl gathers bits from across several years, and offers insightful observations related to those repetitions. By immersing herself in the natural world, the author maintains that she is able to cope with the toxic politics of today’s world—not to hide, but to achieve balance. Particularly during the early days of the pandemic, she found that while TV news was “full of terror,” the trees were “full of music” from blue jays, chickadees, and redbirds. One polarizing topic that Renkl cannot avoid by a trip outdoors is climate change. Throughout, she discusses the shifts she witnessed in nature as a result, including the reduction in the bee population. This is one reason she does not use poisonous chemicals on her lawn and prefers planting wildflowers to maintaining a manicured landscape. “I can’t change Americans’ love affair with poison, and I can’t solve the problems of climate change,” she writes, “but I can plant a garden.” Among the touching and relatable moments that nature lovers will appreciate are Renkl’s memories of catching tadpoles in spring with her brother as a child in Alabama, the sound of summer thunderstorms and cicadas, and the unparalleled beauty of autumn light, “the loveliest light there is.” Despite the death that comes with winter, which she once considered her least favorite season, she finds comfort that there “will always be a resurrection.”
A welcome escape from the hectic world.
