The Comedy of Errors
The Comedy of Errors has been popular on the stage during the last three centuries and has proved itself admirably suited to adaptation as pure farce and musical spectacle. For this updated edition, Ros King has provided a completely new Introduction to the existing text and commentary, in which she argues that the play cannot be regarded merely as a farcical romp based on a classical model, but belongs to the critically misunderstood genre of tragi-comedy. In stressing the seriousness which underlies the story, the Introduction picks out the play's religious imagery for special attention, whilst also engaging fully with the play's deft lightness of touch and its continuing popularity in the theatre. A fresh Reading List guides the reader towards further study.
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The Comedy of Errors
The Comedy of Errors has been popular on the stage during the last three centuries and has proved itself admirably suited to adaptation as pure farce and musical spectacle. For this updated edition, Ros King has provided a completely new Introduction to the existing text and commentary, in which she argues that the play cannot be regarded merely as a farcical romp based on a classical model, but belongs to the critically misunderstood genre of tragi-comedy. In stressing the seriousness which underlies the story, the Introduction picks out the play's religious imagery for special attention, whilst also engaging fully with the play's deft lightness of touch and its continuing popularity in the theatre. A fresh Reading List guides the reader towards further study.
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Overview

The Comedy of Errors has been popular on the stage during the last three centuries and has proved itself admirably suited to adaptation as pure farce and musical spectacle. For this updated edition, Ros King has provided a completely new Introduction to the existing text and commentary, in which she argues that the play cannot be regarded merely as a farcical romp based on a classical model, but belongs to the critically misunderstood genre of tragi-comedy. In stressing the seriousness which underlies the story, the Introduction picks out the play's religious imagery for special attention, whilst also engaging fully with the play's deft lightness of touch and its continuing popularity in the theatre. A fresh Reading List guides the reader towards further study.

Product Details

ISBN-13: 9781139836395
Publisher: Cambridge University Press
Publication date: 02/26/2004
Series: The New Cambridge Shakespeare
Sold by: Barnes & Noble
Format: eBook
File size: 4 MB

About the Author

About The Author
William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.

Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.

Paul Werstine is Professor of English at the Graduate School and at King’s University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare’s plays.

Date of Death:

2018

Place of Birth:

Stratford-upon-Avon, United Kingdom

Place of Death:

Stratford-upon-Avon, United Kingdom

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The Comedy of Errors
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Table of Contents

List of illustrations; Acknowledgements; Preface to first edition; Abbreviations; Introduction by Ros King: Shakespeare's main source: Plautus's Menaechmi; Shakespeare's first tragicomedy; Shakespeare's schooling and the construction of The Comedy of Errors; Casting the twins; Verse form and metrication; The first known performance: Gray's Inn 1594; Later productions; Note on the text; List of characters; THE PLAY; Appendixes: 1. The performance of 1594; 2. Passages from the Bible; Reading list.
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