"The Coldest Warrior is a terrifically paced page-turner with convincing red herrings and a surprise ending. These feats are not to be understated . . . Without ever slowing the pace or detracting from the novel's central mystery or action, Vidich still manages to carve out time in his taut narrative to provide snapshots of men trapped in personal cold wars of their own making."-- "Shelf Awareness" "The Coldest Warrior reads like a le Carre novel for the postwar American moment. Vidich's writing is as assured as ever, and his handling of difficult, charged material is truly admirable, and a pleasure to read."-- "CrimeReads ("9 Novels You Should Read in February")" "A richly detailed work of investigative crime writing perfect for fans of procedurals and spy fiction alike."-- "LitHub" "A sizzling and troubling tale. The Coldest Warrior is more than mesmerizing, it is an eye opener about the underbelly of the CIA whose clandestine movements are executed in the name of the nation's best interest."-- "WBAI" "A terse and convincing thriller. Vidich proved his talent for noirish spy fiction in two earlier books. This stand-alone work reaches a new level of moral complexity and brings into stark relief the often contradictory nature of spycraft."--Tom Nolan "Wall Street Journal" "Based on the real-life case of biological warfare scientist Frank Olson, Vidich's lean, crisp third CIA novel recreates, then reimagines, the circumstances of Olson's still-unexplained death. Vidich, a former media industry executive with no spycraft background, writes with the nuanced detail and authority of a career spook. With this outing, Vidich enters the upper ranks of espionage thriller writers."-- "Publishers Weekly (starred)" "Compelling. The Coldest Warrior is more than an entertaining and well-crafted thriller; Vidich asks questions that remain relevant today."--Jefferson Flanders, author of The Republic of Virtue and of the Cold War First Trumpet trilogy (one of his top spy novels of 2020) "In the manner of Charles Cumming and recent le Carré, Vidich pits spies on the same side against one another in a kind of internal cold war."-- "Booklist" "In Paul Vidich's page-turning and well-written latest novel of espionage, he takes a hard look at how far people will go and which lines will be crossed in defense of the Holy Grail known as national security. Filled with action, haunting details and compelling characters. Highly recommended."--Brendan DuBois, award-winning and New York Times bestselling author "Inspired by the true story of the death of Frank Olson, The Coldest Warrior is at once a breathless Cold War thriller in the mode of John le Carré, a cold-case mystery, and a tale of moral accountability. Although historical--set in the '50s and the '70s--its central theme is strikingly relevant: the personal suffering that results when our government agencies and politicians conceal their crimes, when political self-preservation outweighs public interest. A chilling read, indeed."--John Copenhaver, author of Dodging and Burning "Reveals a shameful instance of postwar conduct and the arrogance of the powerful. A worthwhile thriller and a valuable exposé."-- "Kirkus Reviews" "The book spins quickly into risk and danger, and the final chapters, fast-paced and dark with threat, provide one of the best manhunt and intended escape sequences of current espionage fiction."-- "New York Journal of Books" "The inner workings of the US's actual deep state during the cold war--most of all, the CIA--is evocatively portrayed in The Coldest Warrior . Justly praised by his peers, Vidich is an espionage novelist who deserves to be more widely known. His noir cold war spy stories are laced with echoes of Graham Green and Eric Ambler. A finely written, taut novel."-- "Financial Times" "The tale Paul Vidich tells in The Coldest Warrior-- based on true events--could not be more chilling. Though the action of the book takes place nearly half a century ago, it reads as an allegory and a reminder for our time, a story about what is possible for bad people to accomplish if good people look away."--S. J. Rozan, bestselling author of Paper Son "Trench coats and fedoras abound in this old-school spy novel exploring one of the most infamous incidents in CIA history. Paul Vidich is on territory close to home here, because it's inspired by the death of his uncle, Frank Olson, a biological warfare scientist who died under mysterious circumstances in 1953. The Netflix series Wormwood also covered the case, but Vidich's novel stands on its own feet. Vidich perfectly captures the era's paranoid mood."-- "The Times (London)" "Vidich is quickly establishing himself as one of the best proponents of the Cold War espionage thriller and his new novel reinforces his position in this crowded field. A gripping tale of mixed morals, ruthless politics shrouded by all the ambiguities of the erstwhile Cold War. Both a gripping thriller and a testimony to the integrity of some of the actors of the drama who are only now being recognised."-- "Crime Time (UK)" "Vidich presents a fast-paced, historically accurate thriller, placing him alongside other great spy authors such as John le Carre´ and Alan Furst. Readers of the genre will want this slow-burn chiller that shows how far government will go to keep secrets."-- "Library Journal (starred)"
The Coldest Warrior reads like a le Carre novel for the postwar American moment. Vidich’s writing is as assured as ever, and his handling of difficult, charged material is truly admirable, and a pleasure to read.
CrimeReads (9 Novels You Should Read in February)
The Coldest Warrior reads like a le Carre novel for the postwar American moment. Vidich’s writing is as assured as ever, and his handling of difficult, charged material is truly admirable, and a pleasure to read.
CrimeReads (“9 Novels You Should Read in February”)
★ 11/18/2019
Based on the real-life case of biological warfare scientist Frank Olson, Vidich’s lean, crisp third CIA novel (after 2017’s The Good Assassin ) recreates, then reimagines, the circumstances of Olson’s still-unexplained death. In 1975, 22 years after scientific researcher Charles Wilson plunged to his death from the ninth floor of a Washington, D.C., hotel, agency inspector Jack Gabriel is assigned to re-open the case to determine whether it was a suicide, an accident, or something more sinister. Gabriel runs into resistance from the start. He knows that Wilson was secretly drugged by the CIA as part of the agency’s LSD experiments of the time, but had always figured Wilson leapt to his death or accidentally fell. Agents who were involved in the original case, most of whom have risen to positions of power at the CIA, not only won’t talk but actively warn him off the case. After a few of them die under suspicious circumstances, Gabriel starts to wonder: did the agency kill one of its own? Vidich, a former media industry executive with no spycraft background, writes with the nuanced detail and authority of a career spook. With this outing, Vidich enters the upper ranks of espionage thriller writers. Agent: Will Roberts, Gernert Company. (Feb.)
Vidich is quickly establishing himself as one of the best proponents of the Cold War espionage thriller and his new novel reinforces his position in this crowded field. A gripping tale of mixed morals, ruthless politics shrouded by all the ambiguities of the erstwhile Cold War. Both a gripping thriller and a testimony to the integrity of some of the actors of the drama who are only now being recognised.
In Paul Vidich’s page-turning and well-written latest novel of espionage, he takes a hard look at how far people will go and which lines will be crossed in defense of the Holy Grail known as national security. Filled with action, haunting details and compelling characters. Highly recommended.
If we’re going to choose a 21st century Graham Greene, I nominate Paul Vidich. Mysterioso, funny, elegant, noir . . . you name it, Greene wrote it. And so does Vidich. If you like your narrator-cum-investigator to throw in a few quotes from Shakespeare in the middle of his hardboiled take on American realpolitik, Vidich is your man.
The Coldest Warrior is a terrifically paced page-turner with convincing red herrings and a surprise ending. These feats are not to be understated . . . Without ever slowing the pace or detracting from the novel's central mystery or action, Vidich still manages to carve out time in his taut narrative to provide snapshots of men trapped in personal cold wars of their own making.
If there’s a better spy novel this year espionage fiction fans will be able to count themselves very lucky indeed. The best spy stories are always about emotions, love and grief and other powerful motivators of our behaviour. That depth puts this novel up there with works by le Carré, McCarry, and the very best spy writers. The emotional intensity and fierce intelligence of this tale make it a tense read, it is a thought provoking drama.
A sizzling and troubling tale. The Coldest Warrior is more than mesmerizing, it is an eye opener about the underbelly of the CIA whose clandestine movements are executed in the name of the nation’s best interest.
In the manner of Charles Cumming and recent le Carré, Vidich pits spies on the same side against one another in a kind of internal cold war.
A terse and convincing thriller. Vidich proved his talent for noirish spy fiction in two earlier books. This stand-alone work reaches a new level of moral complexity and brings into stark relief the often contradictory nature of spycraft.
Wall Street Journal - Tom Nolan
The inner workings of the US’s actual deep state during the cold war—most of all, the CIA—is evocatively portrayed in The Coldest Warrior . Justly praised by his peers, Vidich is an espionage novelist who deserves to be more widely known. His noir cold war spy stories are laced with echoes of Graham Green and Eric Ambler. A finely written, taut novel.
Compelling.
Sunday Times (London) - John Dugdale
I loved The Coldest Warrior . On one level it’s a straightforward spy thriller; halls of mirrors, spare prose, a hero with nowhere to turn. But like the best spy fiction it’s also about other stuff—above all a family tragedy and how resolving it might help a lost America find its way. Shades of Charles McCarry and Joseph Kanon, even classic post-Watergate conspiracy thrillers like James Grady’s Six Days of the Condor . Great stuff.
Inspired by the true story of the death of Frank Olson, The Coldest Warrior is at once a breathless Cold War thriller in the mode of John le Carré, a cold-case mystery, and a tale of moral accountability. Although historical—set in the ’50s and the ’70s—its central theme is strikingly relevant: the personal suffering that results when our government agencies and politicians conceal their crimes, when political self-preservation outweighs public interest. A chilling read, indeed.
The book spins quickly into risk and danger, and the final chapters, fast-paced and dark with threat, provide one of the best manhunt and intended escape sequences of current espionage fiction.
New York Journal of Books
A richly detailed work of investigative crime writing perfect for fans of procedurals and spy fiction alike.
Spring 1975: The once-invincible CIA cringes as its long-buried secrets are exhumed and denounced by the public, press and Congress. Inspired by real CIA malfeasance, Vidich memorably and vividly depicts the agency's inner circle, implacable men blind to the consequences of their pitiless actions, past and present, to wage the Cold War. A spy novel of the highest caliber, The Coldest Warrior could well be shelved in the history section, so masterful is Vidich's blending of fact and fiction.
The tale Paul Vidich tells in The Coldest Warrior— based on true events—could not be more chilling. Though the action of the book takes place nearly half a century ago, it reads as an allegory and a reminder for our time, a story about what is possible for bad people to accomplish if good people look away.
Trench coats and fedoras abound in this old-school spy novel exploring one of the most infamous incidents in CIA history. Paul Vidich is on territory close to home here, because it’s inspired by the death of his uncle, Frank Olson, a biological warfare scientist who died under mysterious circumstances in 1953. The Netflix series Wormwood also covered the case, but Vidich’s novel stands on its own feet. Vidich perfectly captures the era’s paranoid mood.
Compelling. The Coldest Warrior is more than an entertaining and well-crafted thriller; Vidich asks questions that remain relevant today.
The Coldest Warrior takes a true story of political/espionage intrigue and fictionalizes it in such a way that it reads like a deadly serious spy novel from the Cold War era. Taut, tense, and fascinating.
The Coldest Warrior succeeds on two levels. First, Vidich’s story has momentum and never flags. In addition, Vidich raises vexing moral issues through his storytelling. To what extent should we view questionable CIA activities from the 1950s in the context of the time? Do we have an obligation to deal with the misdeeds of our past? To attempt to right wrongs? And can we achieve these goals without a public reckoning?
The Coldest Warrior reads like a le Carre novel for the postwar American moment. Vidich’s writing is as assured as ever, and his handling of difficult, charged material is truly admirable, and a pleasure to read.
CrimeReads (“9 Novels You Should Read in February”)
A terse and convincing thriller. Vidich proved his talent for noirish spy fiction in two earlier books. This standalone work reaches a new level of moral complexity and brings into stark relief the often contradictory nature of spycraft.
The inner workings of the US’s actual deep state during the cold war—most of all, the CIA—is evocatively portrayed in The Coldest Warrior . Justly praised by his peers, Vidich is an espionage novelist who deserves to be more widely known. His noir cold war spy stories are laced with echoes of Graham Green and Eric Ambler. A finely written, taut novel.
In the manner of Charles Cumming and recent le Carré, Vidich pits spies on the same side against one another in a kind of internal cold war.
A terse and convincing thriller. Vidich proved his talent for noirish spy fiction in two earlier books. This standalone work reaches a new level of moral complexity and brings into stark relief the often contradictory nature of spycraft.
A cool, knowing, and quietly devastating thriller that vaults Paul Vidich into the ranks of such thinking-man’s spy novelists as Joseph Kanon and Alan Furst. Like them, Vidich conjures not only a riveting mystery but a poignant cast of characters, a vibrant evocation of time and place, and a rich excavation of human paradox.
An Honorable Man is an unputdownable mole hunt written in terse, noirish prose, driving us inexorably forward. In George Mueller, Paul Vidich has created a perfectly stoic companion to guide us through the intrigues of the red-baiting Fifties. And the story itself has the comforting feel of a classic of the genre, rediscovered in some dusty attic, a wonderful gift from the past.
A richly atmospheric and emotionally complex tale of spies versus spies in the Cold War. Vidich writes with an economy of style that acclaimed espionage novelists might do well to emulate. This looks like the launch of a great career in spy fiction.
Booklist (starred) [praise for Paul Vidich]
Cold War spy fiction in the grand traditionneatly plotted betrayals in that shadow world where no one can be trusted and agents are haunted by their own moral compromises.
Paul Vidich’s likable and reluctant spy will keep readers guessing in this eerily real Cuba of 1958. The Good Assassin is a keen historical adventure from the best noir tradition.
★ 02/01/2020
On November 27, 1953, bioweapons scientist Dr. Charles Wilson jumps—or is pushed—to his death from the ninth floor of a Washington, DC, hotel. Twenty-two years later, after the release of the Rockefeller Report detailing illegal activities performed by the CIA during that time, agent Jack Gabriel is asked to investigate the mysterious death. The investigation is Jack's last mission before he retires from the CIA, and it soon pushes him into the crosshairs of his employer, the FBI, and the office of the president, all of whom are eager to hide that Wilson was part of a top-secret germ warfare experiment carried out on civilians during the Korean War. Jack becomes a target as he looks into Wilson's death and soon discovers that the victim was given LSD before he died. But this truth only leads to more secrets that men in the government would kill to keep. VERDICT Nonfiction and fiction author Vidich (An Honorable Man ) presents a fast-paced, historically accurate thriller, placing him alongside other great spy authors such as John le Carré and Alan Furst. Readers of the genre will want this slow-burn chiller that shows how far government will go to keep secrets.—Bill Anderson, Scott Cty. P.L., Scottsburg, IN
2019-12-23 A CIA coverup slowly unravels.
In 1953, Dr. Charles Wilson either jumped or fell from a window of the Hotel Harrington. In 1975, at a Senate hearing, it was publicly revealed that he had been subjected to a CIA experiment involving LSD, but the fact that he had been a CIA employee and the details of his work for the agency went undiscovered. Internal records of the death were missing, and the director, himself unaware of the actual circumstances of Wilson's death, asks Jack Gabriel to investigate and report the real story if he can. Gabriel knew Wilson and that he worked in the germ warfare laboratories, and from that starting point he begins to explore the questions surrounding Wilson's death. As he works, potential witnesses die "accidentally," avenues of inquiry dry up, and a substantial coverup becomes apparent. Then an anonymous source offers a few tips, and Gabriel begins to understand the true extent of the CIA's crime: They murdered one of their own. There remain questions, though, and in the process of trying to assess who and why, Gabriel's own life becomes perilous. Overall, the novel's pace is a little slow and the plot one-dimensional, but the characters of Gabriel and his family and of Wilson's surviving family are vivid and sympathetic. Vidich (The Good Assassin , 2017, etc.) acknowledges that his novel is based on the story of Frank Olson, who "fell or jumped" from a New York City hotel room in November 1953, and fidelity to historical fact may account for the pace and plotting. But this fidelity also reveals a shameful instance of postwar conduct and the arrogance of the powerful.
A worthwhile thriller and a valuable exposé.