The City and the King: Architecture and Politics in Restoration London
The City of London is a jurisdiction whose relationship with the English monarchy has sometimes been turbulent. This fascinating book explores how architecture was used to renew and redefine a relationship essential to both parties in the wake of two momentous events: the restoration of the monarchy, in 1660, and the Great Fire six years later.

 

Spotlighting little-known projects alongside such landmarks as Christopher Wren’s St. Paul’s Cathedral, it explores how they were made to bear meaning. It draws on a range of evidence wide enough to match architecture’s resonances for its protagonists: paintings, prints, and poetry, sermons and civic ceremony mediated and politicized buildings and built space, as did direct and sometimes violent action. The City and the King offers a nuanced understanding of architecture’s place in early modern English culture. It casts new light not only on the reign of Charles II, but on the universal mechanisms of construction, decoration, and destruction through which we give our monuments significance.





Published for the Paul Mellon Centre for Studies in British Art
"1115087899"
The City and the King: Architecture and Politics in Restoration London
The City of London is a jurisdiction whose relationship with the English monarchy has sometimes been turbulent. This fascinating book explores how architecture was used to renew and redefine a relationship essential to both parties in the wake of two momentous events: the restoration of the monarchy, in 1660, and the Great Fire six years later.

 

Spotlighting little-known projects alongside such landmarks as Christopher Wren’s St. Paul’s Cathedral, it explores how they were made to bear meaning. It draws on a range of evidence wide enough to match architecture’s resonances for its protagonists: paintings, prints, and poetry, sermons and civic ceremony mediated and politicized buildings and built space, as did direct and sometimes violent action. The City and the King offers a nuanced understanding of architecture’s place in early modern English culture. It casts new light not only on the reign of Charles II, but on the universal mechanisms of construction, decoration, and destruction through which we give our monuments significance.





Published for the Paul Mellon Centre for Studies in British Art
55.0 In Stock
The City and the King: Architecture and Politics in Restoration London

The City and the King: Architecture and Politics in Restoration London

by Christine Stevenson
The City and the King: Architecture and Politics in Restoration London

The City and the King: Architecture and Politics in Restoration London

by Christine Stevenson

Hardcover

$55.00 
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Overview

The City of London is a jurisdiction whose relationship with the English monarchy has sometimes been turbulent. This fascinating book explores how architecture was used to renew and redefine a relationship essential to both parties in the wake of two momentous events: the restoration of the monarchy, in 1660, and the Great Fire six years later.

 

Spotlighting little-known projects alongside such landmarks as Christopher Wren’s St. Paul’s Cathedral, it explores how they were made to bear meaning. It draws on a range of evidence wide enough to match architecture’s resonances for its protagonists: paintings, prints, and poetry, sermons and civic ceremony mediated and politicized buildings and built space, as did direct and sometimes violent action. The City and the King offers a nuanced understanding of architecture’s place in early modern English culture. It casts new light not only on the reign of Charles II, but on the universal mechanisms of construction, decoration, and destruction through which we give our monuments significance.





Published for the Paul Mellon Centre for Studies in British Art

Product Details

ISBN-13: 9780300190229
Publisher: Yale University Press
Publication date: 11/12/2013
Pages: 400
Product dimensions: 7.70(w) x 10.30(h) x 1.30(d)

About the Author

Christine Stevenson is senior lecturer at the Courtauld Institute of Art, University of London.


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