The Boy From the Basement
For Charlie, the cold, dark basement is home. Father has kept him locked in there as punishment. Charlie doesn’t intend to leave, but when he is accidentally thrust outside, he awakens to the alien surroundings of a world to which he’s never before been exposed. Though haunted by hallucinations, fear of the basement, and his father’s rage, Charlie must find a way to survive in his new world. He has escaped his past, but his journey has just begun.
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The Boy From the Basement
For Charlie, the cold, dark basement is home. Father has kept him locked in there as punishment. Charlie doesn’t intend to leave, but when he is accidentally thrust outside, he awakens to the alien surroundings of a world to which he’s never before been exposed. Though haunted by hallucinations, fear of the basement, and his father’s rage, Charlie must find a way to survive in his new world. He has escaped his past, but his journey has just begun.
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The Boy From the Basement

The Boy From the Basement

by Susan Shaw
The Boy From the Basement

The Boy From the Basement

by Susan Shaw

Paperback(Mass Market Paperback - Reprint)

$6.99 
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Overview

For Charlie, the cold, dark basement is home. Father has kept him locked in there as punishment. Charlie doesn’t intend to leave, but when he is accidentally thrust outside, he awakens to the alien surroundings of a world to which he’s never before been exposed. Though haunted by hallucinations, fear of the basement, and his father’s rage, Charlie must find a way to survive in his new world. He has escaped his past, but his journey has just begun.

Product Details

ISBN-13: 9780142405468
Publisher: Penguin Young Readers Group
Publication date: 02/02/2006
Edition description: Reprint
Pages: 208
Product dimensions: 4.30(w) x 7.00(h) x 0.60(d)
Age Range: 12 Years

About the Author

Susan Shaw works as a music educator and is the author of one previous book for young readers. She lives with her family near Philadelphia, Pennsylvania.

Read an Excerpt

The staircase creaks again. A couple of words I don't understand rumble to Mother as Father walks through the dining room. A soft answer from her, the scuff of footsteps from the carpet to the kitchen tiles, and Father's at his desk. Right on the other side of the door at the top of the basement steps. An invisible but uncuttable line attached to him pulls on my chest. I crawl up the steps and touch the door. He must know I'm here.

I want to call him. Father! Do you feel me like I feel you? Is it hard for you to work knowing there's only a door between us? You would see me if you opened it. True and real. You could hear me breathe like I hear you -- if you tried. Is it hard not to open the door and say, "Charlie, come on up!"?

It has to be as hard for him as it is for me. So I don't call. I crawl down again -- silently. I have to wait until he says it's time. That's what he told me. I have learned to believe what he says.

I sit back on the floor, lean against the bottom step. The spider on the ceiling above me spins her web. How she takes her time! After all, why hurry? She's not going anywhere. As long as she doesn't weave a web to catch me -- that idea always lurks in the back of my mind. On my good days, I know I'm too big for her to want, but still I worry. As long as she has smaller things to catch, I'm all right.

She swells up while I look, then flattens down again so I can hardly see her. How did she do that? I watch to see if she'll do it again, but she doesn't. Then right as I turn my head, I see her puff up once more out of the corner of my eye. When I turn my head, though, it's like nothing happened. The spider taunts me with her sameness. I watch a long time this time, but she doesn't move at all.

I hear the leaves shifting under the wind, losing myself in the rolling, shhshhing sound.

I pick up my pencils from behind the steps. Mother sticks them under the door once in a while. Sharpens them for me sometimes. There's paper behind the steps, too -- old computer paper left by the people who lived here before. Stacks of it.

I feel the ridges in the wood of a pencil, touch the marks stamped in the yellow paint, let the blackness transfer from the point and stain my fingertips. Then I slide a paper into a patch of sunlight trapped by the window well and draw. I've drawn everything in the basement over and over -- the furnace, the water heater, the old red wagon with two wheels missing, and the gray clothesline still dotted with clothespins. All from the people who lived here before us.

I feel myself at the kitchen table when I draw, and it's the way things used to be. I'm there. Mother and Father work, and I draw -- there. But when the drawing ends, the table goes, and I am still, still here.

Today, I draw random lines without thinking too much about what it is. Like the spider, I'm in no hurry. There's plenty of time.

But right now, I don't feel like drawing. I'm tired of the endless stretch of time. I've been down here so long, and I don't feel real good. When is Father going to let me upstairs again? When will my punishment be over?

Was what I did this bad?

I drop my pencil and roll onto my back. I'm sick of drawing.

The spider's up on the ceiling, as always. Dark red with black markings like two bent fingers facing each other. And a bunch of black legs busy, always busy. The spider's head turns to look down. Father's face bulges out at me. I blink. No. It's only the spider. Father's upstairs, of course. What made my eyes play that trick?

After I lie here for a while, I begin to shiver. I'm colder suddenly. I pull the towel around me. Then I'm too hot, sweating, even. I blot my sweat with the towel, but that takes too much energy. So I just sweat, feeling the gathering liquid drip onto the floor. I'm cold again.

What's happening? I can't be sick. Can't. There's no extra energy for that. Only for just making it through the day.

Drowsiness creeps over me, and my body feels heavy, ready to sink into the floor. I gladly give in to sleep, the sweetest time taker. . . .

I wake up, holding onto the shield of sleep until I can no longer pretend. I'm still sick, and the presence of the spider and her web is strong. She's going to get me, and I'm afraid, so afraid.

Sick with a terrible thirst, and scared, scared.

Calm, Charlie -- stay calm. No energy to be upset. Don't have any to waste.

I lie still and wait. Upstairs, a clock chimes. I count four. Count five. Count six.

What People are Saying About This

From the Publisher

"Shaw’s simple language and sentence structure effectively contribute to the realism of her psychological tale….This affecting, ultimately uplifting examination of a boy’s recovery from extreme child abuse is a stunner and certain to attract readers." —Kirkus Reviews, starred review

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