The Book of American Negro Poetry

by James Weldon Johnson

Overview

James Weldon Johnson declares here in his preface that there is a need for African-American poets to "work out a new and distinctive form of expression," and he predicts that "the undeniable creative genius of the Negro is destined to make a distinctive and valuable contribution to American poetry." His anthology went on to become a historic event, for in his selection of the forty poets collected here, he gathered not only the best of the Harlem Renaissance writers, but also the post-World War I poets such as Countee Cullen and Langston Hughes, who went on to challenge racial stereotypes in an effort to be recognized simply as poets.

Product Details

ISBN-13:	9781986308670
Publisher:	CreateSpace Publishing
Publication date:	03/10/2018
Pages:	98
Sales rank:	737,870
Product dimensions:	5.98(w) x 9.02(h) x 0.20(d)

About the Author

James Weldon Johnson (1871-1938) was an African American writer and civil rights activist. Born in Jacksonville, Florida, he obtained an education from a young age, first by his mother, a musician and teacher, and then at the Edwin M. Stanton School. In 1894, he graduated from Atlanta University, a historically black college known for its rigorous classical curriculum. With his brother Rosamond, he moved to New York City, where they excelled as songwriters for Broadway. His poem “Lift Ev’ry Voice and Sing” (1899), set to music by Rosamond, eventually became known as the “Negro National Anthem.” Over the next several decades, he dedicated himself to education, activism, and diplomacy. From 1906 to 1913, he worked as a United States Consul, first in Puerto Cabello, Venezuela, and then in Nicaragua. He married Grace Nail, an activist and artist, in 1910, and would return to New York with her following the end of his diplomatic career. While in Nicaragua, he wrote and anonymously published The Autobiography of an Ex-Colored Man (1912), a novel exploring the phenomenon of racial passing. In 1917, Johnson began his work with the NAACP, eventually rising to the role of executive secretary. He became known as a towering figure of the Harlem Renaissance, writing poems and novels as well as compiling such anthologies as The Book of American Negro Poetry (1922). For his contributions to African American culture as an artist and patron, his activism against lynching, and his pioneering work as the first African American professor at New York University, Johnson is considered one of twentieth century America’s leading cultural figures.