11/01/2023
The two world wars of the 20th century put stress on publishers, booksellers, and libraries, but they also opened opportunities and accelerated changes in book production (see the ubiquity of paperback books among the armed forces) both during and after World Wars I and II. Pettegree (modern history, Univ. of St. Andrews; The Library: A Fragile History) draws on a vast, sprawling literature—books about and generated by war, plus letters and memos—from all the major participants. He discusses the use of books as weapons in war (patriotic literature; propaganda), mobilization of knowledge (science; cartography), the destruction and plunder of libraries, and the complicated history of postwar book-censorship. He shows how books changed reading patterns at home, in the army, and in POW camps. For example, POWs became confirmed, instead of desultory, readers who favored long books over short because reading them could be stretched out. This book could have been dry as dust but isn't: Pettegree humanizes his narrative with lively anecdotes and facts that change the way the subject is approached. VERDICT The writing is brisk, the scholarship formidable. This is an eminently approachable study that opens a new way of making sense of World Wars I and II.—David Keymer
2023-09-26
How printed matter has shaped the course of war throughout history.
British historian Pettegree offers a wide-ranging investigation of the role of books in warfare, considering ways that “print in all its manifestations” has inspired patriotism and justified conflict, contributed to the information and skills needed for waging war, supported civilians on the home front, and kept up the morale of troops. Drawing on published and archival material, including letters and diaries, Pettegree closely examines several treatises specifically addressed to warfare: Sun Tzu’s ancient classic The Art of War; Machiavelli’s The Art of War, from 1521; and Carl von Clausewitz’s On War, published in 1832. While these books focused on military strategy, other publications set the stage for justification: Harriet Beecher Stowe’s Uncle Tom’s Cabin, for example, proved influential in shaping Union support for the Civil War. In late-19th-century Britain, articles in magazines addressed to young men, such as The Boy’s Own Paper, nurtured a martial spirit. Pettegree discusses books that disseminated “poisonous ideologies,” as well as nations’ efforts to censor and control public access. Nazis, as is well known, burned books by Jews and others they considered undesirable. During World War I, pro-German books were cleared from U.S. libraries. In contrast, much effort has been devoted to finding safe havens for books vulnerable to bombings. The “books for Sammies” campaign distributed books to fighting men in WWI. During World War II, library associations and publishers—notably Penguin, in the U.K.—provided mountains of books for soldiers, none more so than the Armed Services Editions, which shipped 122 million copies of more than 1,300 titles to soldiers around the world. As in his recent history The Library, Pettegree makes a solid case for the endurance of books in daily life and during conflicts, “notwithstanding the domination of new technologies of war-making and information gathering.”
A richly detailed cultural history.