Drawing upon her love of '60s- and '70s-style power pop, drag star
Trixie Mattel dives into the ebullient, escapist fun of her 2022 double-LP
The Blonde & Pink Albums. Long before rising to fame as the winner of RuPaul's Drag Race in 2018,
Mattel (aka
Brian Firkus) was an aspiring singer/songwriter with a sound steeped in '90s acoustic pop, country, and early-2000s alt-rock. As a drag performer,
Mattel has made music an integral aspect of her work, juxtaposing her high-camp visual style with her knack for folky, country-tinged balladry, as on 2020's
Barbara and 2018's
Two Birds, One Stone. While there are certainly folky acoustic moments here,
Blonde & Pink is primarily a burst of pure guitar-pop, unapologetically evoking the infectious rock and new wave of iconic groups like
Cheap Trick,
Blondie, and
the Romantics.
Mattel explicitly underlines the influences with a faithful cover of
Cheap Trick's classic "I Want You to Want Me," one that doesn't so much reinvent the song as re-frame it, pulling it into
Mattel's aesthetic and transforming it into an anthem for drag queen empowerment. It's a wry trick she pulls off from the start with her own "Goner," a breezy, '90s-meets-'70s acoustic pop anthem in the
Sheryl Crow fashion that celebrates the cheeky, can-do drag queen pageant attitude.
Mattel sings, "She's so hypnotizing/She's so stunning/She's out here monetizing, oh honey hi/Guess I never really sawâ??itâ??coming/She got theâ??game again, so stunning." Equally engaging tracks follow, including "Boyfriend," "C'Mon Loretta," and "Love You in Hi-Fi."
Mattel also pairs with singer
Michelle Branch for the twangy "White Rabbit'' and dips back into her folky roots on "This Town" with
Shakey Graves. Part of
Mattel's appeal is that while her drag style is often over-the-top high-concept glam, her music is charmingly straightforward and
The Blonde & Pink Albums are hooky, sugar-coated pop fun. ~ Matt Collar