The Best Horror of the Year

by Ellen Datlow (Editor)

Overview

From Ellen Datlow (“the venerable queen of horror anthologies” (New York Times) comes a new entry in the series that has brought you stories from Stephen King and Neil Gaiman comes thrilling stories, the best horror stories available. For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

Product Details

ISBN-13:	9781597806640
Publisher:	Start Publishing Llc
Publication date:	11/16/2021
Series:	Best Horror of the Year Series , #13
Sold by:	Barnes & Noble
Format:	eBook
Pages:	432
Sales rank:	418,137
File size:	2 MB

About the Author

Ellen Datlow, an acclaimed science fiction, fantasy, and horror editor, was born and raised in New York. She has been a short story and book editor for more than thirty years and has edited or co-edited several critically acclaimed anthologies of speculative fiction, including the Year’s Best Fantasy and Horror series and Black Thorn, White Rose (1994) with Terri Windling.

Table of Contents

Summation 2008 Ellen Datlow 1

Cargo E. Michael Lewis 35

If Angels Fight Richard Bowes 47

The Clay Party Steve Duffy 71

Penguins of the Apocalypse William Browning Spencer 87

Esmeralda Glen Hirshberg 109

The Hodag Trent Hergenrader 125

Very Low-Flying Aircraft Nicholas Royle 135

When the Gentlemen Go By Margaret Ronald 145

The Lagerstätte Laird Barron 153

Harry and the Monkey Euan Harvey 177

Dress Circle Miranda Siemienowicz 189

The Rising River Daniel Kaysen 197

Sweeney among the Straight Razors JoSelle Vanderhooft 211

Loup-garou R. B. Russell 213

Girl in Pieces Graham Edwards 221

It Washed Up Joe R. Lansdale 241

The Thirteenth Hell Mike Allen 243

The Goosle Margo Lanagan 245

Beach Head Daniel LeMoal 257

The Man from the Peak Adam Golaski 267

The Narrows Simon Bestwick 279

Honorable Mentions 311

About the Authors 315

Editorial Reviews

After 22 years of pulling the horror content for the now-discontinued Year's Best Fantasy and Horror series, Datlow (Lovecraft Unbound) goes solo with this stellar start to a new “best of” annual. As in the past, her picks confirm that “horror” is a storytelling approach with endlessly inventive possibilities. In E. Michael Lewis's “Cargo,” a haunting Twilight Zone–type tale, an airplane picks up something otherworldly as part of its latest transport. Euan Harvey's creepy “Harry and the Monkey” turns an urban legend into reality. R.B. Russell's “Loup-garou” is a highly original shape-shifter story with a subtle psychological twist, and Daniel LeMoal's “Beach Head” a bracing conte cruel with a Lord of the Flies cast. In addition to the richly varied stories, Datlow provides her usual comprehensive coverage of the year in horror in an introduction that's indispensable reading for horror aficionados. (Dec.)

Publishers Weekly

Adult/High School—This extraordinary compilation can be read as a coherent, unified text. Mainly composed of slow-burning tales with a deep sense of historical/political setting, the collection focuses on the horror to be found in the mundane facts of life, particularly family life: relatives who have died, broken homes, families struggling to hold together. The stories also challenge the traditional connection between horror and the supernatural. Many of them, such as Margo Lanagan's chilling "The Goosle," have no elements of the supernatural at all, and those that do, such as Steve Duffy's exquisite, heartbreaking "The Clay Party," often feature neutral or actively positive interactions with the Beyond. Instead, in almost every story, the horror comes directly from the evil or misguided intentions of humans. Inevitably, the pieces vary in quality, and one might have preferred a more critical introduction from Datlow, but this collection is not to be missed.—Mark Flowers, John F. Kennedy Library, Vallejo, CA

School Library Journal