The Best Damn Thing

The Best Damn Thing

by Avril Lavigne
The Best Damn Thing

The Best Damn Thing

by Avril Lavigne

CD

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Overview

Well, that awkward goth phase didn't last long! With all the impatience of an ADD-riddled teen rebel, Avril Lavigne ditched the gloomy facade of her sophomore Under My Skin and dove back into the well-scrubbed mosh pit for her third album, The Best Damn Thing. Frankly, the change in pace comes as a bit of a relief. The serious Avril on Under My Skin never felt genuine -- the shift from the exuberance of "Sk8er Boi" to the meandering ruminations of "Don't Tell Me" and "My Happy Ending" seemed sudden and forced, a misguided attempt to prove that Lavigne was a serious songwriter -- so as soon as The Best Damn Thing opens with the bright bubblegum blast of "Girlfriend" and its cheerleader chant, everything within Avril's world seems right again. If anything, this third album feels even more adolescent than her aggressively catchy-n-shallow debut, Let Go, perhaps because this is an album where Avril is allowed to run wild. She can curse, spit, and strut to her heart's content, she can taunt her rivals and steal their boyfriends, then bitch out the boy for not understanding her once he belongs to her. She impatiently rushes through the power ballads -- there are only three of them, all impeccable melodic anthems designed to keep the crossover adult audience Let Go won, all better than their equivalents on Under My Skin -- because she can't wait to get back and raise hell like the spoiled brat that she's thrilled to be. Avril swears like she's just discovered profanity, cheerfully spitting out four-letter words (and their compounds) with glee, but everything she does here she does with unrestrained glee. She truly believes she's the best damn thing you've ever seen, she knows it's all about her -- or, as she shouts on "I Don't Have to Try," "I wear the pants!" -- and if you don't agree, she knows you're wrong and you can go to hell (actually, she'd probably say something a lot stronger). This sense of entitlement will surely rankle anybody who's just a little bit older than Avril's 22 years, who will also find that the perennial Lavigne complaint holds: she ain't no punk, she's a brat that any grizzled old punk will want to beat with a baseball bat. (How do you know if you're one of the old guys? If you recognize the chorus of "Girlfriend" as a total lift from the Rubinoos' "I Wanna Be Your Boyfriend," you're an old guy, even if you're 20.) But The Best Damn Thing wasn't made for them, nor was it made with any sense (or even regard) for the past: it was made to exist totally in the moment, in a time when a moment speeds by faster than light. And, frankly, that's what's good about The Best Damn Thing: it's as exuberant, irreverent, and exciting as any other bubblegum pop, defiantly silly and shallow, but also deliriously hooky. If Lavigne didn't have the hooks -- if neither "Girlfriend" nor the title track weren't driven by cheerleader chants, if "Everything Back But You" didn't snarl like prime Green Day, if "I Can Do Better" didn't soar on its chorus -- her snotty attitude would be unbearable, but these are terrific, addictive pop songs that are harder and tougher yet feel fresher and lighter than her big hits from Let Go. True, this is far from deep, but Under My Skin proved that a deep Avril is a dull Avril. The Best Damn Thing, in contrast, builds on every one of her bratty strengths, which makes for ridiculously catchy pop -- the kind of music that provides a soundtrack for teens and guilty pleasures for everyone else. [The Best Damn Thing is available in a deluxe edition containing a bonus CD. The non-deluxe edition is a clean version of the album without the numerous profanities.] ~ Stephen Thomas Erlewine

Product Details

Release Date: 02/24/2015
Label: Smcmg / Sony Special Products
UPC: 0888750721921
Rank: 3567

Tracks

  1. Girlfriend [Radio Edit]
  2. I Can Do Better
  3. Runaway
  4. The Best Damn Thing
  5. When You're Gone
  6. Everything Back But You
  7. Hot
  8. Innocence
  9. I Don't Have to Try
  10. One of Those Girls
  11. Contagious
  12. Keep Holding On

Album Credits

Performance Credits

Avril Lavigne   Primary Artist,Vocals,Vocals (Background)
Lil Mama   Primary Artist
Butch Walker   Guitar,Keyboards,Percussion,Vocals (Background),Bass
Abe Laboriel, Jr.   Drums
Tim Pierce   Guitar
Stevo   Drums
Steven Wolf   Drums
Travis Barker   Drums
Greg Suran   Guitar
Jamie Muhoberac   Piano,Keyboards
Leon Pendarvis   Conductor
Josh Freese   Drums
Dan Chace   Keyboards
Lukasz Gottwald   Bass,Piano,Guitar
Paul Bushnell   Bass
Larry Corbett   Cello
Kenny Aronoff   Drums
Chris Chaney   Bass
Deryck Whibley   Bass,Guitar
Rob Mathes   Conductor

Technical Credits

Rob Cavallo   Audio Production,Producer
Deryck Whibley   Audio Production,Mixing,Producer,Cover Photo,Photography
Dr. Luke   Audio Production
Butch Walker   Audio Production,Composer,Producer,Programming
Avril Lavigne   Audio Production,Composer,Executive Producer
Isobel Griffiths   Contractor
Chris Holmes   Engineer
Tim Roberts   Assistant
Tom Lord-Alge   Mixing
Steven Wolf   Producer,Production Coordination
Tom Syrowski   Engineer
Seth Waldmann   Engineer
Suzie Katayama   Contractor
Ken Allardyce   Engineer
Chris Lord-Alge   Mixing
Karl Egsieker   Engineer
Keith Gretlein   Engineer
Rouble Kapoor   Assistant Engineer,Engineer
Robb Dipple   Cover Art,Logo Design
Leon Pendarvis   Arranger
Josh Wilbur   Engineer
Scott Gutierrez   Assistant Engineer
Wesley Seidman   Engineer
Nik Karpen   Assistant,Assistant Engineer
David Campbell   String Arrangements
Aniela Gottwald   Engineer,Assistant
Tatiana Gottwald   Engineer,Assistant
Chris Soper   Engineer
Sonia d'Aloisio   Logo Design
John Rummen   Art Direction
James Ingram   Assistant
Becky Scott   Production Coordination
Cheryl Jenets   Production Coordination
Michael Caffery   Engineer
Mark Liddell   Photography
Terry McBride   Management
Matt Mecley   Producer
Dan Chace   Programming
Lukasz Gottwald   Composer
Serban Ghenea   Mixing
Stephen Marcussen   Mastering
Paul David Hager   Engineer
Scott Moore   Assistant Engineer
Mike Fasano   Drum Technician
Evan Taubenfeld   Composer
Matt Beckley   Engineer
Doug McKean   Engineer
John Hanes   Digital Editing
Rob Mathes   String Arrangements
Brian Gardner   Mastering
Kara DioGuardi   Composer
Max Martin   Composer
Keith Armstrong   Assistant
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