The Best American Short Stories 2016
“This terrific and surprising collection of tales by a diverse group of writers lives up to Diaz’s ‘rah-rah’ (his term) rallying cry for the form.” —USA Today

“If the novel is our culture’s favored literary form, upon which we heap all our desiccated literary laurels, if the novel is, say our Jaime Lannister, then the short story is our very own Tyrion: the disdained little brother, the perennial underdog. But what an underdog,” writes Junot Diaz in his introduction to The Best American Short Stories 2016.

From a Nigerian boy’s friendship with his family’s former houseboy to a sweatshop girl’s experience as a sister wife, from love and murder on the frontier to a meltdown in the academe, these stories, for Diaz, have the economy and power to “break hearts bones vanities and cages.”

“The literary ‘Oscars’ features twenty outstanding examples of the best of the best in American short stories.” —Shelf Awareness

“Its strongest installment yet . . . Díaz’s compilation is the most diverse and inclusive entry to date of any of the major annual story collections—reason enough to get it in the classroom, and a good vehicle for readers to see what’s up in neighborhoods they may not be familiar with. Essential for every student of the short story form.” —Kirkus Reviews (starred review)

“This year’s collection brings together fine stories by famous fiction writers like Chimamanda Ngozi Adichie and Karen Russell . . . [while] a great deal of the magic is generated by the appearance of less familiar names.” —The National Book Review
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The Best American Short Stories 2016
“This terrific and surprising collection of tales by a diverse group of writers lives up to Diaz’s ‘rah-rah’ (his term) rallying cry for the form.” —USA Today

“If the novel is our culture’s favored literary form, upon which we heap all our desiccated literary laurels, if the novel is, say our Jaime Lannister, then the short story is our very own Tyrion: the disdained little brother, the perennial underdog. But what an underdog,” writes Junot Diaz in his introduction to The Best American Short Stories 2016.

From a Nigerian boy’s friendship with his family’s former houseboy to a sweatshop girl’s experience as a sister wife, from love and murder on the frontier to a meltdown in the academe, these stories, for Diaz, have the economy and power to “break hearts bones vanities and cages.”

“The literary ‘Oscars’ features twenty outstanding examples of the best of the best in American short stories.” —Shelf Awareness

“Its strongest installment yet . . . Díaz’s compilation is the most diverse and inclusive entry to date of any of the major annual story collections—reason enough to get it in the classroom, and a good vehicle for readers to see what’s up in neighborhoods they may not be familiar with. Essential for every student of the short story form.” —Kirkus Reviews (starred review)

“This year’s collection brings together fine stories by famous fiction writers like Chimamanda Ngozi Adichie and Karen Russell . . . [while] a great deal of the magic is generated by the appearance of less familiar names.” —The National Book Review
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The Best American Short Stories 2016

The Best American Short Stories 2016

The Best American Short Stories 2016

The Best American Short Stories 2016

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Overview

“This terrific and surprising collection of tales by a diverse group of writers lives up to Diaz’s ‘rah-rah’ (his term) rallying cry for the form.” —USA Today

“If the novel is our culture’s favored literary form, upon which we heap all our desiccated literary laurels, if the novel is, say our Jaime Lannister, then the short story is our very own Tyrion: the disdained little brother, the perennial underdog. But what an underdog,” writes Junot Diaz in his introduction to The Best American Short Stories 2016.

From a Nigerian boy’s friendship with his family’s former houseboy to a sweatshop girl’s experience as a sister wife, from love and murder on the frontier to a meltdown in the academe, these stories, for Diaz, have the economy and power to “break hearts bones vanities and cages.”

“The literary ‘Oscars’ features twenty outstanding examples of the best of the best in American short stories.” —Shelf Awareness

“Its strongest installment yet . . . Díaz’s compilation is the most diverse and inclusive entry to date of any of the major annual story collections—reason enough to get it in the classroom, and a good vehicle for readers to see what’s up in neighborhoods they may not be familiar with. Essential for every student of the short story form.” —Kirkus Reviews (starred review)

“This year’s collection brings together fine stories by famous fiction writers like Chimamanda Ngozi Adichie and Karen Russell . . . [while] a great deal of the magic is generated by the appearance of less familiar names.” —The National Book Review

Product Details

ISBN-13: 9780544867093
Publisher: HarperCollins Publishers
Publication date: 11/21/2023
Series: Best American Short Stories Series
Sold by: Barnes & Noble
Format: eBook
Pages: 352
Sales rank: 720,104
File size: 2 MB

About the Author

About The Author
Pulitzer Prize–winner Junot Díaz had established himself as a major writer with Drown before his novel, The Brief Wondrous Life of Oscar Wao, was named Time's #1 Fiction Book of the Year and spent more than one hundred weeks on the New York Times bestseller list. Díaz has won a host of major awards and prizes, including the National Book Critics Circle Award, the PEN/Malamud Award, the PEN/O. Henry Prize, the Dayton Literary Peace Prize, and the Anisfield-Wolf Award.
 
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor for The Best American Short Stories since 2007. She is the author of the novels The Birthdays and The Daylight Marriage.
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