*2023 Barnes & Noble Discover Prize Winner*
*Winner of the Andrew Carnegie Medal for Excellence in Fiction*
A Sarah Selects Book Club Pick
Named a Best Book of the Year by Amazon, Apple, People, Barnes & Noble, The New Yorker, Harper's Bazaar, Good Housekeeping, CrimeReads, Booklist, Debutiful, and more
"A harrowing tale of Indigenous family separation . . . [Peters] excels in writing characters for whom we can’t help rooting . . . With The Berry Pickers, Peters takes on the monumental task of giving witness to people who suffered through racist attempts of erasure like her Mi’kmaw ancestors. 'White folks been trying to take the Indian out of us for centuries,' a character tells Norma. 'But now that you know, you gotta let people know.' Peters is letting people know." —Eric Nguyen, The New York Times Book Review
"The strength of Amanda Peters’s novel lies in its understanding of how trauma spreads through a life and a family, and its depiction of the challenges facing Indigenous people . . . [A] powerful message about truth, forgiveness and healing." —Marion Winik, The Washington Post
"The Berry Pickers offers an unforgettable exploration of grief, love, and kin." —Jenny Bartoy, The Boston Globe
"The Berry Pickers displays a perceptive understanding of the lives of migrant workers in midcoast Maine . . . Although not marketed as a crime novel, The Berry Pickers generates its own brand of suspense. The alternating points of view propel the story forward in ways not easily allowed by a single perspective. Norma’s and Joe’s family members are seen from a distance, but the juxtapositions between the families—outsiders or insiders—are haunting. Readers will find Joe’s and Norma’s searches for the truth by turns heartbreaking, brave and often very funny, the humor off-setting the harrowing subject." —Michael Berry, Portland Herald Press
“A gripping read, a mystery and a moving narrative all in one book.” —A New York Post Best Book of the Year
"A lucid and assured debut." —The New Yorker
"A stunning debut about love, race, brutality and the balm of forgiveness." —People, A Best New Book
"The Berry Pickers by Amanda Peters completely broke my heart because it highlights how a moment, a decision by one person can change the course of another person’s life. It has this deep complexity surrounding a well-intentioned woman who acted in an irrational way out of desperation and the book is basically about the impact of her choices." —Jen Psaki, Elle
"Debut novelist Peters explores the lengths we go to for love, the cancerous impact of lies, and the unbreakable bonds of family. For fans of Celeste Ng and Ann Patchett, this quietly beautiful book will break, then mend, your heart." —Sarah Gelman, Amazon
"This book is a heartbreaking tale of family and loss, deathbed regrets and revelations. It's a force as powerful as any of those." —Good Housekeeping
"An un-put-down-able novel of identity, forgiveness, and insistent hope." —The Christian Science Monitor
"This book will appeal to readers who like character-driven stories, family sagas, and/or tales steeped in other cultures or locales. I highly recommend it." —Cindy Burnett, The Buzz Magazines
"Peters skillfully manages to hold the reader’s attention from the first page to the last . . . The Berry Pickers isn’t a mystery, it’s a truth telling by characters you can reach out and touch—characters whose misfortunes, regrets, feelings, and redemption most readers will relate to." —Diane Lechleitner, New York Journal of Books
"A touching and thoughtful novel about an Indigenous family broken apart and a young woman trying to find the truth about her ancestors. Peters’ poignant narration deftly brings readers into a layered story filled with heart. If you only have time for one book to finish before the holidays consume your life, read this book." —Adam Vitcavage, Debutiful
"This powerful debut novel examines the search for truth in the face of trauma and the enduring nature of family love." —Eliza Browning, Electric Literature
"A sensitive and devastating saga of families broken, children stolen, and fierce reckonings with the traumas of history . . . [Its] emotional climax will leave most readers with at least a tear in the eye." —Molly Odintz, CrimeReads
"Peters beautifully explores loss, grief, hope, and the invisible tether that keeps families intact even when they are ripped apart. A poignant debut from a writer to watch." —Kirkus Reviews (starred review)
"Peters' debut combines narrative skill and a poignant story for a wonderful novel to which many readers will gravitate . . . Indigenous stories like this matter." —Booklist
"Enthralling . . . Powerfully rendered . . . [A] cogent and heartfelt look at the ineffable pull of family ties." —Publishers Weekly
"One family’s secret is the source of another family’s pain in this poignant debut that reads like a modern literary classic. Moving, heartbreaking, and hopeful, The Berry Pickers is a powerful tale of haunting regret, bonds that will never be broken, and unrelenting love. Amanda Peters’s skilled storytelling evokes all the sensations of summer in Maine, singing around a fire, and the horror that takes hold when a child goes missing." —Nick Medina, author of Sisters of the Lost Nation
"With every sense engaged, and in a lyrical tribute to her father's stories, Amanda Peters manages to take you home to the east coast in the very best ways—through family love and personal grief and the precious accounting of minutes and memories. You cannot help but love these characters from the first chapter, they stay with you long after the last page.” —Cherie Dimaline, author of The Marrow Thieves
“A marvelous debut. The Berry Pickers has all the passion of a first book but also the finely developed skill of a well-practiced storyteller. I can’t believe Amanda Peters is just getting started. She writes like someone who has been doing this a long time, and no doubt she has, only now we get to share in the creativity of her amazing mind. She’s going to be the next big thing. I am placing my bets now. The Berry Pickers is a triumph.” —Katherena Vermette, author of The Strangers
“The thing about picking a handful of berries is that each one is different—some are sweet, some sour, some extra juicy. The Berry Pickers is just like a handful of berries. It’s an unassuming novel filled with so much sweet, so much sour, so much juice. Reading this book, I was only ever hungry when it ended.” —Morgan Talty, author of Night of the Living Rez
08/07/2023
Peters’s enthralling debut tracks the lives of two siblings from an Indigenous Canadian family working in Maine as seasonal berry pickers. In the summer of 1962, four-year-old Ruthie is kidnapped by a white New England woman, who renames her Norma and raises the girl as her daughter. Meanwhile, Ruthie’s brother Joe, who was six years old at the time of the kidnapping, never forgives himself for not keeping an eye on his sister. Joe’s perspective alternates with Norma’s, who shares her dim recollections of her real mother (“It’s just a dream,” she’s told by her new parents) with her imaginary friend, “Ruthie.” Joe spends most of his life guilt-ridden by his sister’s disappearance. Norma, meanwhile, is haunted by the puzzling gaps in her family history: there are no pictures of her before the age of five, and her skin is darker than her parents’ (she’s told that she takes after an “Italian great-grandfather”). Joe acts out in rage and resorts to alcohol to cope, while Norma builds a life for herself as a teacher and a wife. Peters traces their experiences over several decades, and their reunion, when it finally comes, is powerfully rendered. The result is a cogent and heartfelt look at the ineffable pull of family ties. Agent: Marilyn Biderman, Transatlantic. (Oct.)
★ 2023-08-26
An Indigenous family is forever changed after one of their own goes missing.
Peters’ debut novel explores the lives of a Mi’kmaq family from Nova Scotia as they grapple with their decades-old trauma. In 1962, Ruthie, the family’s youngest daughter, goes missing from the berry farm in Maine where they work every summer. Told from alternating perspectives, the novel follows Joe, Ruthie’s older brother and the last person to see her before she went missing, and Norma, a young girl living in Maine with an aloof father and overbearing mother. Lying on his deathbed, Joe thinks back on his life, which has been filled with grief, rage, and all-consuming guilt: “People have given me their time, their love, their bodies, their secrets. And I’ve given so little.” After a brutal act of violence, Joe spent the next few decades running from himself and his sins, so as not to inflict more harm onto the ones he loves the most. Meanwhile, Norma recounts her life, which was plagued by a different kind of guilt, one that caused her to always be the dutiful daughter—the daughter who didn’t ask too many questions, ignored the lack of baby pictures, and chose to forget the vivid and painful dreams that plagued her childhood (“Each time I woke, I grieved for the woman cloaked in darkness and I tried to call out to her”). Eventually, Norma goes to college, becomes a teacher, and falls in love—and she spends the next few decades finding a way to live with the unsettling feeling that something isn’t quite right with her life. As Norma’s true identity is barely concealed, the novel is less concerned with maintaining a mystery than with exploring how brutality ripples out, touching everything and everyone in its wake. Peters beautifully explores loss, grief, hope, and the invisible tether that keeps families intact even when they are ripped apart.
A quiet and poignant debut from a writer to watch.
