The Beatles: Get Back

by The Beatles, Peter Jackson (Foreword by), Hanif Kureishi (Introduction), John Harris (Editor), Ethan Russell (Photographer)

Overview

Notes From Your Bookseller

A Beatles book to end all Beatles books. The official account of The Beatles' last year together as they recorded their final album, Let It Be. In a year full of emotional turmoil, the Fab Four gathered together and, feeling like this was the end, recorded some of their very best music. Alongside the production of the album was their idea of one last performance on the roof of Apple Records. Hundreds of hours of never made public video and recorded conversations and transcripts of these sessions will be in this book. Fittingly, a documentary produced by Disney and directed by Peter Jackson of Lord of the Rings fame will expand on this event in a landmark cinematic moment.

NEW YORK TIMES BESTSELLER

The most anticipated book in more than a decade by the legendary band, The Beatles: Get Back is the official account of the creation of their final album, Let It Be, told in The Beatles’ own words, illustrated with hundreds of previously unpublished images, including photos by Ethan A. Russell and Linda McCartney. Half a century after the 1970 Let It Be album and film, this milestone book coincides with the global release of Peter Jackson’s documentary feature film, The Beatles: Get Back.

The book opens in January 1969, the beginning of The Beatles’ last year as a band. The BEATLES (The White Album) is at number one in the charts and the foursome gather in London for a new project. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every day’s work and conversations, the band rehearse a huge number of songs, culminating in their final concert, which famously takes place on the rooftop of their own office building, bringing central London to a halt.

The Beatles: Get Back tells the story of those sessions through transcripts of the band’s candid conversations. Drawing on over 120 hours of sound recordings, leading music writer John Harris edits the richly captivating text to give us a fly-on-the-wall experience of being there in the studios. These sessions come vividly to life through hundreds of unpublished, extraordinary images by two photographers who had special access to their sessions—Ethan A. Russell and Linda Eastman (who married Paul McCartney two months later). Also included are many unseen high-resolution film-frames, selected from the 55 hours of restored footage from which Peter Jackson’s documentary is also drawn.

Legend has it that these sessions were a grim time for a band falling apart. However, as acclaimed novelist Hanif Kureishi writes in his introduction, “In fact this was a productive time for them, when they created some of their best work. And it is here that we have the privilege of witnessing their early drafts, the mistakes, the drift and digressions, the boredom, the excitement, joyous jamming and sudden breakthroughs that led to the work we now know and admire." Half a century after their final performance, this book completes the story of the creative genius, timeless music, and inspiring legacy of The Beatles.

Product Details

ISBN-13:	9780935112962
Publisher:	Callaway Arts & Entertainment
Publication date:	10/12/2021
Pages:	240
Sales rank:	17,733
Product dimensions:	10.10(w) x 11.70(h) x 1.10(d)

About the Author

THE BEATLES are the bestselling music act of all time. Between 1962 and 1970 John Lennon, Paul McCartney, George Harrison and Ringo Starr released thirteen albums as a band, made five films together, and topped the charts all over the world. Until 1966 they toured the world to unprecedented mass acclaim, inspiring the phenomenon of Beatlemania. Their creativity stretched the possibilities of popular music and — working with their producer George Martin — they revolutionized studio recording processes. They had an unrivalled impact on the music industry, fashion, popular culture and society in the 1960s and beyond, and their influence persists today.

PETER JACKSON is an Academy Award winning director, producer and screenwriter. His films include The Lord of the Rings and The Hobbit trilogies as well as the BAFTA nominated World War One documentary They Shall Not Grow Old. In 2018 he began work on a new documentary about The Beatles' 1969 Let It Be sessions, making use of the 55 hours of footage that have never been seen.

HANIF KUREISHI is the author of The Buddha of Suburbia, which won the Whitbread Prize for Best First Novel, The Black Album, Intimacy, The Last Word, The Nothing, and What Happened? His screenplay for My Beautiful Laundrette received an Oscar nomination for Best Screenplay. Kureishi has been awarded the Chevalier de l’Ordre des Arts et des Lettres, the PEN Pinter Prize, and is a Commander of the Order of the British Empire. His work has been translated into thirty-six languages.

JOHN HARRIS writes for The Guardian and Mojo magazine. His books include The Last Party, about the culture of the 1990s, and the definitive account of Pink Floyd’s The Dark Side Of The Moon. In 2018, he contributed an essay to the 50th anniversary edition of The Beatles’ White Album.

ETHAN A. RUSSELL is a multiple Grammy®-nominated photographer, director and author of four books. He is the only photographer to have shot covers for The Beatles, The Rolling Stones and The Who. He was invited by The Beatles to photograph the band’s recording sessions in January 1969 and his images adorn the sleeve of the Let It Be album.

LINDA McCARTNEY was a prolific photographer and began her four decade career chronicling the musical revolution of the 1960s. In 1967 she was voted US Female Photographer of the Year and in 1968 she became the first female photographer to shoot the cover of Rolling Stone magazine. Her photographic work went on to focus predominantly on the themes of social commentary, domesticity, nature and the experimentation of printing techniques. Linda’s exhibitions have been exhibited in over 70 cities and feature in the collections of the Victoria & Albert Museum and National Portrait Gallery. Between 1967 and 1969 Linda frequently photographed The Beatles, including the Get Back sessions, and she married Paul McCartney in March 1969. As well as her photographic career, Linda was a cookbook author, vegetarian pioneer, musician and mother of four.

Editorial Reviews

"The book has Russell and McCartney photos, text from Peter Jackson and Hanif Kureishi, but best of all, verbatim transcripts from the sessions, which read on the page almost like Samuel Beckett dialogue." —Rob Sheffield, Rolling Stone

"It's remarkable how much of Get Back reads like it could be adaptable into an off-Broadway play, full of dark comedy and rich insight about what can and can't emerge out of ego and compromise among longtime partners approaching a crossroads." —Chris Wilman, Variety

The Get Back book is curiously fascinating, even (especially?) at its most mundane, like a full page of the band debating their lunch orders." —Alan Light, Vanity Fair

"Get Back will prove to be thoroughly absorbing for most Beatles followers, since it does loosely tell a story — not to mention the fact that John Lennon and Paul McCartney are just damned funny fellows, left to their own jocular devices as unwitting dialogue writers." —Chris Wilman, Variety

"Most of all, they found joy in the music again, something they’d been missing for a while. Despite how the story is often told, the songs of Let It Be weren’t about a band falling apart, but a group of old friends discovering that they still liked making music together." —Eric Spitznagel, New York Post

"Lavishly illustrated with photos and film stills, this ultra-specialized volume from editor Harris transcribes the studio banter among the Beatles in January 1969 as they created the Let It Be album and the Get Back documentary." —David P. Szatmary, Library Journal

"So there is tension and conflict in these transcripts, but there is also a lot of love. That balance is what might make the book The Beatles: Get Back the ultimate document of the Get Back sessions" —Mike Segretto, Psychobabble

"The book, beautifully produced by Callaway, is nothing like the rushed job that accompanied Let It Be." —Michael Lindsay-Hogg, Air Mail

"It would be fair to say that today Let it Be symbolizes the breaking-up of The Beatles. That’s the mythology, the truth is somewhat different. The real story of Let It Be has been locked in the vaults of Apple Corps for the last 50 years." —Peter Jackson

From the Publisher

10/08/2021

Lavishly illustrated with photos and film stills, this ultra-specialized volume from editor Harris (The Last Party) transcribes the studio banter among the Beatles in January 1969 as they created the Let It Be album and the Get Back documentary. The tension among the group is clear during the first sessions at Twickenham Film Studios: Paul McCartney desperately wants the band to perform their new songs on tour; George Harrison adamantly refuses to consider a concert; John Lennon favors a performance and at one point suggests replacing Harrison with guitarist Eric Clapton; and Ringo Starr affably bends to the majority. The Fab Four only agree on the band's directionless drift after the untimely death of manager Brian Epstein, Harris's volume posits. Their next sessions at Apple Studios demonstrated the group's creative process and Lennon's growing interest in slippery businessman Allen Klein, who (according to this book) eventually tore the Beatles apart. The book's final section highlights the London rooftop concert where the Beatles unveiled their new compositions. VERDICT This work illuminates both the camaraderie and growing dissatisfaction among the creative Beatles. Because the book is so in-depth, casual music fans likely won't pick it up, but Beatlemaniacs will find it a strong companion to the upcoming three-part documentary Get Back by director Peter Jackson, who also contributes the book's foreword.—David P. Szatmary, formerly at Univ. of Washington, Seattle

Library Journal