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The Arts and Crafts of Older Spain, Volume III (of 3) (Illustrated)
by Leonard Williams
Leonard Williams
The Arts and Crafts of Older Spain, Volume III (of 3) (Illustrated)
by Leonard Williams
Leonard Williams
eBook
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Overview
Our earliest intelligence respecting textile fabrics of old Spain derives almost exclusively from Moorish sources, and shows, together with the silence of Saint Isidore, that until the subjugation of the Visigoths, the occupants of the Peninsula attached no great importance to this industry. Under the Moors, the south and east of Spain grew rapidly famous for the manufacture of all kinds of textile stuffs, and in particular those of silk. The origin of these silks, or of the most luxurious and artistic of them, may be traced to Almería. According to Al-Makkari, what made this Andalusian capital superior to all other cities of the world was her “various manufactures of silks and other dress materials, such as the dibaj, a silken fabric of many colours, surpassing, both in quality and durability, all other products made elsewhere, and also the tiraz, a costly stuff whereon[2] are inscribed the names of sultans, princes, and other personages, and for making which there used to be no fewer than eight hundred looms. Inferior fabrics were the holol (a kind of striped silk), and brocades woven upon a thousand looms, while as many more were employed continually in making the scarlet stuffs called iskalaton. Another thousand produced the robes called al jorjani (or ‘the Georgian’), and yet another thousand the Isbahani robes, from Isfahan, and yet another thousand the robes of Atabi. The making of damask for gay-coloured curtains and turbans for the women kept busy as many persons as the articles above-mentioned.”
Edrisi, a chronicler of the twelfth century, says of the same capital that she was the principal city belonging to the Moors in the time of the Moravides. In fact, she was then a great and prosperous industrial centre, possessing, together with other kinds of looms, eight hundred which produced the fabrics known as holla, debady, siglaton, espahani, and djordjani, curtains with a flowered decoration, cloths of a smaller size, and the stuffs which were denominated attabi and mi djar.
A similar notice is contained in the Chronicle of Rassis the Moor. Referring to the end of the[3] tenth century, this author wrote that “Almería is the key of profit and of all prosperity. Within her walls dwell cunning weavers who produce in quantities magnificent silken cloths inwoven with gold thread.” Other important centres of this trade and craft were Málaga, Baeza, Alicante, Seville, and Granada. Rassis wrote of Málaga: “She has a fertile territory, wherein is made the finest sirgo in the world. From here they trade in it with every part of Spain. Here too is made the finest of all linens, and that which the women best esteem.” Of Baeza he wrote: “She manufactures excellent and famous silken cloths of the kind which are called tapetes”; and of Alicante, “This city lies in the Sierra de Benalcatil, which in its turn is situated in the midst of other ranges containing prosperous towns where silken cloths of finest quality were made in other days; and the weavers of these cloths were skilled exceedingly.”
Málaga is described by the Cordovese historian Ash Shakandi (thirteenth century) as “famous for its manufactures of silks of every colour and design, some of them so costly that a suit is sold for thousands; such are the brocades of beautiful pattern, inwoven with the names of caliphs, emirs[4] and other wealthy personages…. As at Málaga and Almería, there are at Murcia several manufactories of silken cloth called al washiu thalathat, or ‘the variegated.’ This town is also celebrated for the carpets called tantili, which are exported to all countries of the east and west, as well as for a sort of bright-coloured mat with which the Murcians cover the walls of their houses.”
The ancient Illiberia or Illiberis, believed to have been situated not far from where is nowadays Granada, is described in Rassis' chronicle as “a city great and flourishing by reason of the quantity of silk that she exports to every part of Spain. She lies at sixty thousand paces distance from, and on the southward side of Cordova, and six thousand paces from, and to the north of the Frozen Sierra” (i.e. the Sierra Nevada).
Another chronicle—that of El Nubiense, who visited Spain towards the twelfth century—states that in the kingdom of Jaen alone were six hundred towns which produced and carried on a trade in silk.
The foregoing extracts show that under the Spanish Moors the manufacture of textile fabrics attained in mediæval times a very great importance. It is also certain that during the same[5] period the textile fabrics in use among the Christian Spaniards were strongly and continually influenced, and even to a large extent produced, by Spanish Moors, while, as the Moorish cities fell into the power of the enemy,
Edrisi, a chronicler of the twelfth century, says of the same capital that she was the principal city belonging to the Moors in the time of the Moravides. In fact, she was then a great and prosperous industrial centre, possessing, together with other kinds of looms, eight hundred which produced the fabrics known as holla, debady, siglaton, espahani, and djordjani, curtains with a flowered decoration, cloths of a smaller size, and the stuffs which were denominated attabi and mi djar.
A similar notice is contained in the Chronicle of Rassis the Moor. Referring to the end of the[3] tenth century, this author wrote that “Almería is the key of profit and of all prosperity. Within her walls dwell cunning weavers who produce in quantities magnificent silken cloths inwoven with gold thread.” Other important centres of this trade and craft were Málaga, Baeza, Alicante, Seville, and Granada. Rassis wrote of Málaga: “She has a fertile territory, wherein is made the finest sirgo in the world. From here they trade in it with every part of Spain. Here too is made the finest of all linens, and that which the women best esteem.” Of Baeza he wrote: “She manufactures excellent and famous silken cloths of the kind which are called tapetes”; and of Alicante, “This city lies in the Sierra de Benalcatil, which in its turn is situated in the midst of other ranges containing prosperous towns where silken cloths of finest quality were made in other days; and the weavers of these cloths were skilled exceedingly.”
Málaga is described by the Cordovese historian Ash Shakandi (thirteenth century) as “famous for its manufactures of silks of every colour and design, some of them so costly that a suit is sold for thousands; such are the brocades of beautiful pattern, inwoven with the names of caliphs, emirs[4] and other wealthy personages…. As at Málaga and Almería, there are at Murcia several manufactories of silken cloth called al washiu thalathat, or ‘the variegated.’ This town is also celebrated for the carpets called tantili, which are exported to all countries of the east and west, as well as for a sort of bright-coloured mat with which the Murcians cover the walls of their houses.”
The ancient Illiberia or Illiberis, believed to have been situated not far from where is nowadays Granada, is described in Rassis' chronicle as “a city great and flourishing by reason of the quantity of silk that she exports to every part of Spain. She lies at sixty thousand paces distance from, and on the southward side of Cordova, and six thousand paces from, and to the north of the Frozen Sierra” (i.e. the Sierra Nevada).
Another chronicle—that of El Nubiense, who visited Spain towards the twelfth century—states that in the kingdom of Jaen alone were six hundred towns which produced and carried on a trade in silk.
The foregoing extracts show that under the Spanish Moors the manufacture of textile fabrics attained in mediæval times a very great importance. It is also certain that during the same[5] period the textile fabrics in use among the Christian Spaniards were strongly and continually influenced, and even to a large extent produced, by Spanish Moors, while, as the Moorish cities fell into the power of the enemy,
Product Details
| BN ID: | 2940148968092 |
|---|---|
| Publisher: | Lost Leaf Publications |
| Publication date: | 12/28/2013 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| File size: | 3 MB |
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