The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain


This book offers the first full account of the film society movement in Britain and its contribution to post-World War Two film culture. It brings to life a lost history of alternative film exhibition and challenges the general assumption that the study of film began with university courses on ‘Film Studies’.
Showing how film societies operated and the lasting impression they made on film culture, The Appreciation of Film details the history of film education in Britain.  The book illuminates the changing relationship between volunteer-run societies and professionalised agencies promoting film art such as festivals, specialist commercial distributors and public bodies such as the British Film Institute.
Drawing on original archival research and oral history interviews the book acknowledges the vigour and dedication of volunteer film society activists and presents contemporary readers with a record of their achievement.
Written in an accessible style, this is a study of 16mm projectors, associational life and the making of film culture in Britain. It reclaims the marginalised civic cinephilia of volunteer film society activists whilst providing an alternative narrative of the emergence of film study in Britain.

 

 


 


 

1122271834
The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain


This book offers the first full account of the film society movement in Britain and its contribution to post-World War Two film culture. It brings to life a lost history of alternative film exhibition and challenges the general assumption that the study of film began with university courses on ‘Film Studies’.
Showing how film societies operated and the lasting impression they made on film culture, The Appreciation of Film details the history of film education in Britain.  The book illuminates the changing relationship between volunteer-run societies and professionalised agencies promoting film art such as festivals, specialist commercial distributors and public bodies such as the British Film Institute.
Drawing on original archival research and oral history interviews the book acknowledges the vigour and dedication of volunteer film society activists and presents contemporary readers with a record of their achievement.
Written in an accessible style, this is a study of 16mm projectors, associational life and the making of film culture in Britain. It reclaims the marginalised civic cinephilia of volunteer film society activists whilst providing an alternative narrative of the emergence of film study in Britain.

 

 


 


 

84.49 In Stock
The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain

The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain

by Richard Lowell MacDonald
The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain

The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain

by Richard Lowell MacDonald

eBook

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Overview


This book offers the first full account of the film society movement in Britain and its contribution to post-World War Two film culture. It brings to life a lost history of alternative film exhibition and challenges the general assumption that the study of film began with university courses on ‘Film Studies’.
Showing how film societies operated and the lasting impression they made on film culture, The Appreciation of Film details the history of film education in Britain.  The book illuminates the changing relationship between volunteer-run societies and professionalised agencies promoting film art such as festivals, specialist commercial distributors and public bodies such as the British Film Institute.
Drawing on original archival research and oral history interviews the book acknowledges the vigour and dedication of volunteer film society activists and presents contemporary readers with a record of their achievement.
Written in an accessible style, this is a study of 16mm projectors, associational life and the making of film culture in Britain. It reclaims the marginalised civic cinephilia of volunteer film society activists whilst providing an alternative narrative of the emergence of film study in Britain.

 

 


 


 


Product Details

ISBN-13: 9780859899895
Publisher: University of Exeter Press
Publication date: 07/31/2019
Series: Exeter Studies in Film History
Sold by: Barnes & Noble
Format: eBook
Pages: 248
File size: 2 MB

About the Author


Richard Lowell MacDonald is a lecturer in the Media and Communications department at Goldsmiths, University of London. His specific research interests include the history of cinema and visual culture, institutions of film criticism and pedagogy, the aesthetics of documentary and ethnographic film, and historic and contemporary modes of moving image exhibition beyond the cinema theatre.

 

 


Richard Lowell MacDonald is a lecturer in the Media and Communications department at Goldsmiths, University of London. His specific research interests include the history of cinema and visual culture, institutions of film criticism and pedagogy, the aesthetics of documentary and ethnographic film, and historic and contemporary modes of moving image exhibition beyond the cinema theatre.

Table of Contents


List of Illustrations
Acknowledgments

Introduction
1 Enthusiasm and Civic Duty: The Emergence of the Film Society Movement
2 The Postwar Transformation of the Film Society Movement
3 Popularising Film Appreciation: Roger Manvell’s Film
4 The British Film Institute, the Film Archive and Film Society Programming
5 Making the World Our Home: Affirmative Internationalism and Film Societies
6 Film Society Criticism, Middlebrow Taste and New Cinemas
7 Film Societies, Universities and the Emergence of Film Studies
Conclusion: What Was Film Appreciation?
Notes
Bibliography
Index

 

 

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