The Animated Bestiary: Animals, Cartoons, and Culture


Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto.

The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves.

Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films.

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The Animated Bestiary: Animals, Cartoons, and Culture


Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto.

The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves.

Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films.

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The Animated Bestiary: Animals, Cartoons, and Culture

The Animated Bestiary: Animals, Cartoons, and Culture

by Paul Wells
The Animated Bestiary: Animals, Cartoons, and Culture

The Animated Bestiary: Animals, Cartoons, and Culture

by Paul Wells

Paperback(None ed.)

$36.95 
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Overview



Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto.

The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves.

Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films.


Product Details

ISBN-13: 9780813544151
Publisher: Rutgers University Press
Publication date: 11/28/2008
Series: NA
Edition description: None ed.
Pages: 236
Product dimensions: 5.90(w) x 8.90(h) x 0.60(d)

About the Author



Paul Wells is the director of animation in the Animation Academy at Loughborough University. He is the author of several books, including Animation and America(Rutgers University Press), Understanding Animation, and Fundamentals of Animation.

Table of Contents


The bear who wasn't : bestial ambivalence
Of mice and men : what do animals mean?
"I don't care what you say, I'm cold" : anthropomorphism, practice, narrative
Which came first, the chicken or the egg? : performance, philosophy, tradition
Creature comforted : animal politics, animated memory
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