The Angel

by M. J. Trow

Overview

Nineteenth century private investigators American Matthew Grand and Englishman James Batchelor investigate the murder of Charles Dickens.

June, 1870. The world-famous author Charles Dickens has been found dead in his summerhouse where he had been hard at work on his final, unfinished novel, The Mystery of Edwin Drood. Did he die of natural causes – or is there something more sinister behind his sudden demise? George Sala, Dickens’ biographer, is convinced his friend was murdered – and he has hired Grand and Batchelor to prove it.

Could Dickens’ death have something to do with his unconventional private life? Who is the mysterious woman who appears at his funeral?

If they are to uncover the truth, Grand and Batchelor must leave no stone unturned. But are they prepared for the shocking secrets some of those unturned stones will reveal . . .?

Product Details

ISBN-13:	9781780295725
Publisher:	Severn House Publishers
Publication date:	11/30/2017
Series:	A Grand & Batchelor Victorian mystery , #3
Edition description:	Reprint
Pages:	224
Product dimensions:	5.50(w) x 8.75(h) x (d)

About the Author

M J Trow is a military historian by training and the author of the long-running Inspector Lestrade and 'Mad Max' Maxwell detective series, as well as several non-fiction books, including Who Killed Kit Marlowe? He lives on the Isle of Wight.

Read an Excerpt

The Angel

A Grand and Batchelor Victorian Mystery

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By M J Trow

Severn House Publishers Limited

Copyright © 2016 MJ Trow and Maryanne Coleman
All rights reserved.
ISBN: 978-1-78029-572-5

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CHAPTER 1

It wasn't often James Batchelor had the house to himself, but just sometimes he could persuade Matthew Grand that the Muse must take precedence over finding lost dogs and other footling pursuits. Today was such a day. When he had first had the news of the death of Charles Dickens he had, like most of the English-speaking world and a decent proportion of the rest, been stunned. Yes, the old boy wasn't a spring chicken and yes, he had been ill on and off for a while, as reported in the Telegraph but ... dead? It didn't seem possible that that great heart had stopped beating, that there would be no more deaths to wring men's withers, no more ghosts to haunt their nights. Batchelor had been working on his Great British Novel for some time and it wasn't going well. It seemed to him that every time he imagined a plot twist which would make his fortune, so it would appear in some weekly sheet and he would have to begin again. He had stopped talking about his opus; the walls clearly had ears. Grand reminded him sardonically from time to time that this happened to him because he couldn't actually write for taffy, but Batchelor maintained a lordly silence and retired to his little garret under the eaves whenever he got a moment.

Their new housekeeper, Mrs Rackstraw, had words to say on the subject of the garret, and some of them were fair enough, as Batchelor agreed when he was feeling generous. She rightly pointed out that there were many rooms much more congenial on the ground, first and even second floors. So why did she have to haul herself up another flight of stairs every time she needed to speak to the young gentleman? The best houses had bells for that sort of thing. Her cousin Mildred's eldest knew of a parlour maid in Stoke Newington who never had to put her foot to the floor unless her particular bell rang. Mrs Rackstraw had no truck with his answer that he couldn't write except in total solitude; when she was in a proper bate, as her friends called it, or an apoplexy, as her doctor tended to refer to it, she would go so far as to spit. But she could cook like an angel, cleaned the house as if the devil himself were after her and – perhaps most importantly – she hated and abhorred cats with an unusual fervour. Grand and Batchelor had not disliked Mrs Manciple, their previous housekeeper but one, but in the end her cat obsession had reached a level that no normal household could sustain. After she was carted away to the Colney Hatch Asylum, where she still lived in the lap of luxury, courtesy of Matthew Grand, it had taken them months to find homes for all of her pets. They seemed to be self-sustaining; as soon as three went to good homes, another had four kittens. But eventually they were all gone and, after a brief sojourn with a butler and a chef in charge, during which time they both gained a stone – or, rather, Batchelor gained a stone and Grand gained fourteen pounds – they found Mrs Rackstraw, who had many failings, but suited them most of the time.

Happily, on this beautiful June morning, marred only by the fact that Dickens was still dead, Mrs Rackstraw was in a moderately good mood. In anyone else it would have looked like a foul temper, but Batchelor was used to her little ways, so ignored most of the crashing, banging and foul oaths that preceded her up his little winding stair.

The door to the garret crashed back, leaving a deep gouge in the plaster behind it. Why they kept having it repaired, Batchelor never knew – it would only be there again in a few weeks.

'There's a sailor downstairs wants you.'

Batchelor looked up, another golden phrase dribbling from his brain, another gem forever lost to posterity, like King John's jewels in the Wash. 'I beg your pardon, Mrs Rackstraw. Did you say a sailor?'

'That's what I said,' she said, taking another step into the room. The climb had made her a little breathless, so she did no more. 'I asked him his name, like you always say I have to, though for the life of me I don't know why I bother. They always says it again when you come in. Or say it's personal and none of my business. I asked him his name and he says "Tell him I'm a sailor." So here I am, telling you. There's a sailor downstairs wants you.'

'Does he want to consult us professionally?' Batchelor was excited. A sailor could have any number of intriguing problems he needed them to solve. Missing cargo, perhaps. Piracy on the High Seas. Embezzled naval funds. Man overboard – now, that would be a challenge worthy of their mighty intellects.

'Don't know,' Mrs Rackstraw said, and Batchelor almost heard the unspoken 'don't care'. 'He'd go to the office, wouldn't he?'

Sometimes the woman came out with bursts of logic, and in this case she couldn't be faulted. Batchelor got up. There was clearly no way in which this present puzzle would be solved unless he went downstairs and confronted this sailor. 'How old is he, Mrs Rackstraw?' he asked, his foot on the second stair from the top. There would be little point, after all, in going downstairs to interview some cabin boy or other lowly seafarer. Time, in the largest city in the world, was money. And Grand and Batchelor had a fixed price for their services that was hardly, as Grand would say, bargain basement.

'Ooh, I dunno,' she said, pursing her already very pursed mouth. 'I'm no good on ages ... forty? Fifty? Sixty? Could be anything.' She turned on the stairs and looked up at Batchelor. 'He's a bit ...' she waved her hand in front of her face, vaguely sketching in details. 'Blobby.'

'Mrs Rackstraw! That's not a polite way to describe our guests.'

'No, but you wanted to know ...'

They were now on the landing of the first floor and Batchelor raised an admonitory finger. 'Ssshh! He'll hear us.'

'No, he won't,' she said, crossly. She didn't use so much breath going downstairs, so she could give her temperament freer rein. 'I put him in the drawing room.'

'Even so ... blobby, you say?'

'Yes.' She screwed her face up at him. 'Like a ... what's that animal?' She set off down the final flight of stairs. 'That animal, you know the one?'

By now Batchelor could hardly wait to meet his visitor. A sailor who looked like an animal. He was almost sure he could actually include such a creature in his Great British Novel.

Mrs Rackstraw reached the drawing-room door first and flung it open with her customary élan, remembering the animal as she did so. 'Gorilla!' she cried and stepped back.

The visitor half rose from his chair with commendable calm following her rather unusual introduction and turned to his host. 'James!' he said. 'You look well. It's good to see you again. How is the writing coming along?'

Batchelor covered the distance to the man's outstretched hand in three enormous strides. Everything fell into place. The carefully Macassared hair, the Savile Row suit, the air of the swell, the nose; especially the nose. It wasn't a sailor who looked like a gorilla at all. 'Mr Sala!' he said, shaking his hand enthusiastically. 'Mr George Sala! How can I help you?'

Mr George Sala's smile vanished instantly. 'Dickens,' he said.

'Yes.' Batchelor nodded solemnly. 'Tragic. Tragic. You worked for him, didn't you?'

Sala bridled a little. 'With, dear boy, with. To me, he was everything. In him I have lost all that I most revered and loved.'

'Oh, George,' Batchelor shook the man's hand again, 'I had no idea. That's quite beautiful.'

'Yes, it is, isn't it? It'll be in the Telegraph tomorrow.'

'Ah, you've done the obituary,' Batchelor realized. 'Who better?'

'Who indeed?' Sala sat down without invitation. 'But that's not why I'm here. I'm writing his biography – A Life Like No Other. Like it?' Sala looked down with an expression of what he assumed was modesty on his face. 'Just a working title for now, of course. Like it?'

'Love it,' Batchelor crooned. Ever since he had been a boy reporter on the Telegraph he had crept in George Sala's shadow. Everything that Bachelor had done or hoped to do, George Sala had been there already.

'But that's not why I'm here either.'

'God!' The door flew open and a large American burst in. 'Can this city get any hotter? I'll swear the sidewalks are smoking ... Oh, I'm sorry, I didn't realize ...'

'Matthew,' Batchelor extended a hostly arm. 'You remember George Sala?'

Sala had subsided back into his chair on Batchelor's entrance and didn't get up now, merely waving a lazy hand vaguely in Matthew Grand's direction. 'How's that woeful country of yours, Mr Grand? Got over its teething troubles yet?'

George Sala had witnessed those teething troubles himself. He had covered the Civil War for the Telegraph and, if his expense account at Washington's Willard's Hotel was a little on the outrageous side, he had stood in the trenches of Vicksburg and held the hands of dying boys at Shiloh. Matthew Grand had done that too, except that they had been his boys, from the Third Cavalry of the Potomac, and he had had to write the sad letters to their wives and mothers.

'I believe we're only eighteen hundred years or so behind you now,' Grand smiled. 'Is this a social call, Mr Sala?'

George Sala could be as sociable as the next man when the mood took him, but today was not one of those days. He flipped a card from his waistcoat pocket and held it up while Grand took a seat, loosening his tie and peeling the collar from his neck. 'It says here,' the doyen of journalists said, '"No stone unturned."'

It was one of Grand and Batchelor's calling cards, announcing to the world that they were 'Enquiry Agents', working out of number 41 The Strand, with their private address on the back for good measure. 'Yes.' Batchelor shifted a little uneasily and cleared his throat. 'It's not my best work, I admit. Somebody in America suggested it when we were there last and I, perhaps a little foolishly ...'

'Don't do yourself down, James, my boy,' Sala said. 'You see, I have a stone that needs to be turned. And it may be that you gentlemen are the ones to do it.'

'Can you be a little more precise, Mr Sala?' Grand asked.

'Very well.' Sala leaned back in his chair, allowing his girth free rein and letting the morning sun dazzle on his gold Albert. 'I will cut to the denouement. Charles Dickens was murdered.'

Miss Emmeline Jones sat at her desk as always, alert and ready for the sound of the love of her life approaching up the stairs. She had a lot of work to do because she had gradually, by means of bullying and genteel intimidation, managed to get rid of almost all of the other office employees, particularly any who were younger and more obviously attractive than she was herself; a long list, as Miss Jones was spectacularly plain and the conventional severe hair fashion of the old decade did her no favours. The gorgeous ringlets had gone and the bun ruled everywhere. But in her favour she had loyalty, efficiency and the neatest handwriting to be found the length and breadth of the Strand, so she knew her place with Chapman and Hall was secure.

Frederic Chapman – or Young Mr Frederic as he was always called, despite clear evidence to the contrary – ran the publishing house in the Strand with a benevolent hand and he was not famous for his work ethic. He made no bones about the fact that he was simply born into the job, having taken some of the reins on the death of his cousin's partner, Edward Hall, and then total control when said cousin retired. It wasn't a hard life but it was lucrative, thanks in the main to the fact that they had had Charles Dickens on their books on and off for over sixteen years – and sixteen years of Charles Dickens's output was a lot of books. Elizabeth Barrett hadn't done the company any harm either, and for some reason which Young Mr Frederic couldn't quite fathom, her work still sold in enough numbers to take his wife on her annual holiday to Spa, with all the trimmings.

But then, the previous Friday, Miss Jones had entered her beloved's office with dire news. Charles Dickens, that great writer but, more importantly, that great earner, was dead. She would never forget the look on Frederic's face when she told him the news. She wanted to fly to his side, to press his head into her bosom and give him succour. But, instead, she had stood still just inside the room as he went as white as ash and then gave vent to a string of epithets she had never thought to hear coming from those heavenly lips. When he had recovered a little, he had taken up his hat and cane and gone home, instructing her to close the office as a mark of respect. A black bow was to be tied to the brassware. And that, followed after a brief pause by the slamming of the street door, was the last she had heard of him.

A note had been delivered to her lodgings on the Sunday, carried by an urchin grinning from ear to ear at having been given a sixpenny piece for his trouble, telling her to call a meeting of the editors, sub-editors and copy editors in his office, Wednesday next at eleven o'clock, sharp. Oh, and the young idiot should be there as well. She had given the task her full attention and had managed to find most of them. A few had been last seen in various public houses and chop houses, drinking to speed the soul of the dead author on its way to that great scriptorium in the sky, and were not expected to emerge for a day or so. But she had started the grapevine twanging and she was fairly confident that everyone would be there at eleven o'clock, sharp. She sent a note to the young idiot, too, although she was careful to address it more respectfully to Henry Merivale Trollope, Chapman's partner in the firm.

Her head came up like a questing beast sniffing the air as she heard the street door open. With it came the sounds of the Strand; hawkers calling, carriage wheels rumbling and hot, tired cab horses shaking their harnesses at the flies which hung permanently around their heads. The month was only just beginning and already the heat was beginning to tell on London and on everyone who had to pound its streets. When Miss Jones was a girl, it would have been next to impossible to work this near the river because of the smell. But that clever little engineer Mr Bazalgette had worked his magic and built The Embankment, which effectively moved the Thames further away. Nowadays there was the odd waft on a very hot day and it was this that broke into the room now as Frederic Chapman came in.

No one knew of Emmeline Jones's passion, except perhaps the post boy; all of the editors, sub-and copy; the woman who 'did' and brought their tea; and Mrs Chapman, who found it all rather hilarious. Frederic Chapman, however, remained in the list of those who didn't know, and so barely noticed the frisson of excitement that set the wattles under the hairy chin of his secretary and amanuensis shaking.

'They here, Miss Jones?' he barked.

'Most of them, Mr Frederic,' she simpered.

'The young idiot?'

'Not as yet,' she said. Then her ears pricked up. Someone had let the street door go with a crash and was bounding up the stairs. No editor ever had that amount of energy, drinking to the shade of Dickens for the best part of five days straight or no. 'But I think that may be him now.'

Chapman had just enough time to step out of the way when the door banged open with as much fervour as the street door had banged closed, and Henry Merivale Trollope burst in. 'Em,' he carolled, 'Fred, sorry I'm late, dears. Horse collapsed on the bridge – heat stroke, poor thing. Made me think, have we got anyone who is a horsey writer? I don't mean looks like a horse, of course, although ...' He cast his eyes up, scanning some faces in his mind. 'No, we haven't really. Elizabeth Barrett Browning looked like her dog, of course, but she's no longer with us ... umm ...' He came back to the here and now and looked at the two faces before him and grinned. 'Sorry, letting my enthusiasm get the better of me again.' He pulled a sad face. 'Here to pay our respects, of course. Charles Dickens, of course. Dear Charles. Very sad. Sudden. I say, I heard a story at my club ...'

(Continues...)

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Excerpted from The Angel by M J Trow. Copyright © 2016 MJ Trow and Maryanne Coleman. Excerpted by permission of Severn House Publishers Limited.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Editorial Reviews

Good fun, gentle humor, historic detail, plenty of twists, and a likable pair of heroes make this a book well worth reading

Booklist

Good fun, gentle humor, historic detail, plenty of twists, and a likable pair of heroes make this a book well worth reading

Booklist