He is as solitary in the history of the novel as Shakespeare in the history of poetry.

'… the Cambridge Edition reproduces James’s fiction as it originally appeared to his contemporary book-buying public, collectively charting a half century of artistic development, stylistic invention, and cultural history. It gives readers options, and in the case of The Ambassadors the choice of the Cambridge Edition is a deeply satisfying one. … One of the Cambridge Edition's many strengths is the attention the editors pay to textual history and the historical development of James’s fiction within biographical, literary, and cultural contexts … many will agree that the Cambridge Edition is ‘quite the best, 'all round' edition …' Sarah Wadsworth, Review of English Studies

'[One of] two handsome volumes in their Cambridge maroon cloth covers with gilt stamping on the binding and James’s familiar signature on the covers are crucial additions to the resources scholars will use for generations to study the greatest novelist of the modern period.' John Carlos Rowe, The Henry James Review

'Given that the 'textual condition' of The Ambassadors (to use McGann’s phrase) is an excursion into chaos (to use James’s phrase), Nicola Bradbury should be crowned in laurels for guiding us with such precision through its various incarnations. The Cambridge edition gives us the evolution of The Ambassadors from 'dropped seed', as James called it, to full-flowering.' Frances Wilson, The Times Literary Supplement