In the decade before the Civil War, Americans staged what was essentially a full dress rehearsal in the West. Neighbors were divided from one another by the single overriding issue of slavery, which rendered Kansas and Missouri a volatile mix of zealotry, violence and hatred. Smiley’s latest novel is a formidable feat of imagination that brings vivid complexity and passion to those turbulent times and regions. Fields’s narration is no less an accomplishment. Characters come powerfully to life in her reading. She makes them feel like they come from somewhere, that they each have histories and backgrounds and were not created out of thin air. This is especially true for Smiley’s heroine, Lidie Newton, who accompanies her new husband, an abolitionist, to the West, where she will lose everything and be tested well beyond her experience. Fields’s Lidie is a clever, spirited woman who makes any number of mistakes, some tragic. But the most moving impression left by Fields’s reading is the earnestness of Lidie’s self-inquiry and her yearning to discern the right path in ambiguous surroundings. M.O. Winner of AUDIOFILE Earphones Award ©AudioFile, Portland, Maine
The All-True Travels and Adventures of Lidie Newton
Narrated by Anna Fields
Jane SmileyUnabridged — 18 hours, 41 minutes
The All-True Travels and Adventures of Lidie Newton
Narrated by Anna Fields
Jane SmileyUnabridged — 18 hours, 41 minutes
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Overview
Her new novel, set in the 1850s, speaks to us in a splendidly quirky voice--the strong, wry, no-nonsense voice of Lidie Harkness of Quincy, Illinois, a young woman of courage, good sense, and good heart. It carries us into an America so violently torn apart by the question of slavery that it makes our current political battlegrounds seem a peaceable kingdom.
Lidie is hard to scare. She is almost shockingly alive--a tall, plain girl who rides and shoots and speaks her mind, and whose straightforward ways paradoxically amount to a kind of glamour. We see her at twenty, making a good marriage--to Thomas Newton, a steady, sweet-tempered Yankee who passes through her hometown on a dangerous mission. He belongs to a group of rashly brave New England abolitionists who dedicate themselves to settling the Kansas Territory with like-minded folk to ensure its entering the Union as a Free State.
Lidie packs up and goes with him. And the novel races alongside them into the Territory, into the maelstrom of "Bloody Kansas," where slaveholding Missourians constantly and viciously clash with Free Staters, where wandering youths kill you as soon as look at you--where Lidie becomes even more fervently abolitionist than her husband as the young couple again and again barely escape entrapment in webs of atrocity on both sides of the great question.
And when, suddenly, cold-blooded murder invades her own intimate circle, Lidie doesn't falter. She cuts off her hair, disguises herself as a boy, and rides into Missouri in search of the killers--a woman in a fiercely male world, an abolitionist spy in slave territory. On the run, her life threatened, her wits sharpened, she takes on yet another identity--and, in the very midst of her masquerade, discovers herself.
Lidie grows increasingly important to us as we follow her travels and adventures on the feverish eve of the War Between the States. With its crackling portrayal of a totally individual and wonderfully articulate woman, its storytelling drive, and its powerful recapturing of an almost forgotten part of the American story, this is Jane Smiley at her enthralling and enriching best.
Editorial Reviews
The Barnes & Noble Review
April 1998
Of Jane Smiley's new book, a work of historical fiction called The All-True Travels and Adventures of Lidie Newton, Kirkus Reviews writes, "Smiley scales another peak with this big-hearted and thoughtful picaresque novel"; she has created a heroine "whom Huck Finn would have been proud to claim as his big sister."
When Lidie Harkness of Quincy, Illinois, marries Thomas Newton, a New England abolitionist, and moves to Kansas Territory, she has no idea what lies ahead. The year is 1855, and her new home is about to become the battleground for the clash between the abolitionist Free-Staters and the slaveholding Missourians that would come to be known as "Bloody Kansas." It is the eve of civil war, and taking up the abolitionist cause, Lidie will find herself in great danger. Her husband will be murdered, and Lidie, disguised as a man, will venture into Missouri to find his killers — a spy in slave territory, a woman in a brutally male world, and a witness to the conflict from the other side. As Publishers Weekly writes, The All-True Travels and Adventures of Lidie Newton is a novel that "performs all the functions of superior fiction: in one woman's moving story we understand an historical epoch, the social and political conditions that produced it, and the psychological, moral and economic motivations of the people who incited and endured its violent confrontations."
A gripping story about love, fortitude, and convictions that are worth fighting for.
An immensely appealing heroine, a historical setting conveyed with impressive fidelity and a charming and poignant love story make Smiley's (A Thousand Acres) new novel a sure candidate for bestseller longevity. Lidie Harkness, a spinster at 20, is an anomaly in 1850s Illinois. She has an independent mind, a sharp tongue and a backbone; she prefers to swim, shoot, ride and fish rather than spend a minute over the stove or with a darning needle. That makes her the perfect bride for Bostonian abolitionist Thomas Newton, who courts and marries her in a few days while enroute to Lawrence, K.T. (Kansas Territory), with a box of Sharps rifles. As the newlyweds gingerly come to know each other, they are plunged into the turmoil between pro-slavery Border Ruffians from Missouri and K.T. Free Staters, an increasingly savage conflict that presages the Civil War. Smiley evokes antebellum life with a depth of detail that easily equals Russell Banks's exploration of the same terrain in Cloudsplitter (Forecasts, Dec. 1, 1997). Her scenes of quotidian domesticity on the prairie are as engrossing as her evocation of riverboat travel on the Mississippi. Through an exquisite delineation of physical and social differences, she distinguishes and animates settings as diverse as Lawrence, Kansas City, St. Louis and New Orleans. As Lidie and Thomas experience privation, danger and the growing pleasures of emotional intimacy, and as tragedy strikes and Lidie pursues a perilous revenge, Smiley explores the complex moral issues of the time, paying acute attention to inbred attitudes on both sides of the slavery question. Propelled by Lidie's spirited voice, this narrative is packed with drama, irony, historical incident, moral ambiguities and the perception of human frailty. Much of its suspenseful momentum derives from Smiley's adherence to plausible reality: this is not a novel in which things necessarily turn out right for the heroine, for women in general, for blacks or for the righteous. Lidie's character deepens as she gains insight into the ambiguous and complex forces that propel men and women into love and compassion, hatred and violence. In the end, this novel performs all the functions of superior fiction: in reading one woman's moving story, we understand an historical epoch, the social and political conditions that produced it and the psychological, moral and economic motivations of the people who incited and endured its violent confrontations.
A woman whose abolitionist husband is murdered in 1850s Kansas cuts her hair and tracks his killers to Missouri.
In a completely new voice for her she authentically mimics a 20-year-old mid-19th century woman...her novel impressively recreates a violently contenious period in American history.
— The New York Times
Until it lapses into a "feminist revenge fantasy," the novel is "consistently entertaining, filled with action and ideas.
— The New York Times Book Review
It is both funny and subtle, rich in ideas, low on dogma. Its reflections on men, women, and marriage are original and realistic; its thoughts on politics and war illuminate not only Lidie's epoch, but our own.
— The Wall Street Journal
Smiley (Moo) scales another peak with this big-hearted and thoughtful picaresque novel set mostly in the Kansas Territory shortly before the Civil War. Narrator Lydia "Lidie" Harkness grows up in Quincy, Illinois, a tomboyish burden to her several older stepsisters, and leaps at the chance to marry Thomas Newton, a soft-spoken abolitionist who's bent on helping the "free-staters" dedicated to protecting Kansas against those who would make it a slave state. Missourians crossing the border wreak havoc on such hotbeds of abolitionist activity as Lawrence (near which the Newtons settle), and Thomas is soon one of many casualties. The "disputacious" Lidie—who'd become an even more ardent free-stater than her husband—thereafter sets off on an eastward journey seeking revenge and finding instead an unexpected empowerment. Her adventures while disguised as a boy ("Lyman Arquette"), reporting for a proslavery newspaper, and helping a woman escape a plantation are recounted with a zest and specificity that beg comparison with Mark Twain's portrayal of the immortal Huck Finn. Lidie is a splendid creation: a forthright, intelligent woman who recognizes, long before she can articulate it, the kinship of women relegated to submissive housewifery with people who are literally bought and soldþand who acts to change things. Surrounding her are such agreeable supporting characters as silver- tongued, slave-owning widower "Papa" Day, "radical" Louisa Bisket (who considers corsets symbolic of male tyranny), and the superbly unctuous David Graves, blithely unimpeded by loyalties of any variety ("My principle is to serve both sides, to have no sides, indeed, but to serve all!").Not all of Smiley's obviously scrupulous research is transmitted successfully into story—Lidie does mull over political and social complexities a mite compulsively. Little else goes awry, though, in the richly entertaining saga of a woman who might have been well matched with Thomas Berger's Little Big Man, and whom Huck Finn would have been proud to claim as his big sister.
Consistently entertaining, filled with action and ideas.”—The New York Times Book Review
“Engaging . . . [a] harrowing adventure . . . This picaresque tale presents a series of remarkable characters, particularly in the inexperienced narrator, whose graphic descriptions of travel and domestic life before the Civil War strip away romantic notions of simpler times. . . . Smiley has created an authentic voice in this struggle of a young woman to live simply amid a swirl of deadly antagonism.”—The Christian Science Monitor
“A fine historical novel that describes a fascinating time and place . . . It is both funny and subtle, rich in ideas . . . Smiley has created a better all-around piece of fiction than any of her previous work.”—The Wall Street Journal
“Smiley is a writer of rare versatility who travels widely in her creative endeavors. . . . What her new novel shares with all [her past] works is its authorial intelligence.”—The Boston Sunday Globe
“Jane Smiley is nothing if not protean, a literary ventriloquist of incredible range. . . . This is a novel that manages to combine the evocative storyteller’s voice with the moviemaker’s sense of drama and visuals, an old-fashioned tale told with contemporary steam and panache.”—The Philadelphia Inquirer
“Not only is this a rollicking feminist tale of a woman who can handle herself in the thick of the Kansas Wars, The All-True Travels and Adventures of Lidie Newton is also a coming of age story as well as a lasting portrait of the genuinely tumultuous time just before the Civil War.”—The Raleigh News & Observer
“A tale of love and war, revenge and betrayal, Smiley's fictional memoir invites comparisons with Gone with the Wind, even War and Peace. . . . Lidie Newton has the ring of honesty and truth. It also carries the stamp of its author’s historical sense, stylistic verve, and moral passion.”—St. Louis Post-Dispatch
“Lidie is an unforgettable character . . . The All-True Travels is a showcase for Smiley's range and dexterity, dead-on in its emotional impact and resonant in the painful truths it conveys.”—San Diego Union-Tribune
“Rendered in sharply lucid prose and filled with wonderful period detail . . . Lidie’s story reads like a long and various dream, brightly colored and brilliantly observed—a journey into a world as troubled, ambiguous, and full of life as our own.”—Chicago Tribune
“Rousing . . . action-packed . . . A gripping story about love, fortitude, and convictions that are worth fighting for regardless of the outcome. . . . The voice Smiley creates for her sympathetic and wonderfully human heroine is sharp, engaging, wry, and wise.”—Los Angeles Times
“Like Cold Mountain and Beloved—and with more than a casual nod to Mark Twain—this sprawling saga by the Pulitzer-winning author of A Thousand Acres connects readers to the historical issues of the time.”—Glamour
In the decade before the Civil War, Americans staged what was essentially a full dress rehearsal in the West. Neighbors were divided from one another by the single overriding issue of slavery, which rendered Kansas and Missouri a volatile mix of zealotry, violence and hatred. Smiley’s latest novel is a formidable feat of imagination that brings vivid complexity and passion to those turbulent times and regions. Fields’s narration is no less an accomplishment. Characters come powerfully to life in her reading. She makes them feel like they come from somewhere, that they each have histories and backgrounds and were not created out of thin air. This is especially true for Smiley’s heroine, Lidie Newton, who accompanies her new husband, an abolitionist, to the West, where she will lose everything and be tested well beyond her experience. Fields’s Lidie is a clever, spirited woman who makes any number of mistakes, some tragic. But the most moving impression left by Fields’s reading is the earnestness of Lidie’s self-inquiry and her yearning to discern the right path in ambiguous surroundings. M.O. Winner of AUDIOFILE Earphones Award ©AudioFile, Portland, Maine
Product Details
| BN ID: | 2940172161421 |
|---|---|
| Publisher: | Penguin Random House |
| Publication date: | 07/05/2000 |
| Edition description: | Unabridged |
Read an Excerpt
Chapter 1
I Eavesdrop, and Hear Ill of Myself
Let every woman, then, bear in mind, that, just so long as her dress and position oppose any resistance to the motion of her chest, in just such proportion her blood is unpurified, and her vital organs are debilitated.
--Miss Catherine E. Beecher,
A Treatise on Domestic Economy,
for the Use of Young Ladies at Home, p. 117
I have made up my mind to begin my account upon the first occasion when I truly knew where things stood with me, that is, that afternoon of the day my father, Arthur Harkness, was taken to the Quincy graveyard and buried between my mother, Cora Mary Harkness, and his first wife, Ella Harkness. My father's death was not unexpected, and perhaps not even unwelcome, for he was eighty-two years old and had for some years been lost in a second childhood.
I could easily sit beside the floor grate in my small former room above the front parlor of my father's house and hear what my sisters were saying below. The little bed I had slept in as a child was pushed back against the wall to make room for discarded sticks of furniture and some old cases. I sat on a rolled-up piece of carpet.
Ella Harkness's daughters numbered six. Of those, two had gone back to New York State with their husbands. Our three, Harriet, Alice, and Beatrice, were all considerably older than I, the only living child of the seven my mother had borne. Miriam, my favorite of the sisters, a schoolmistress in Ohio, had died, too, of a sudden fever just before Christmas. Sometwenty years separated me from Harriet, and all the others were even older than she was. I had many nephews and nieces who were my own age or older and, it must be said (was often said), better tempered and better behaved. Some of my nephews and nieces had children of their own. I was what you might call an odd lot, not very salable and ready to be marked down.
"I don't want to be the first to say . . ." I could see Harriet from above. She squirmed in her seat and smoothed her black mourning dress for the hundredth time. She wore the same dress to every funeral, and the only way we'd gotten her into it this time was to lace her as tight as a sausage. The others let her be the first to say it. I leaned back, so my shadow wouldn't fall through the grating. "It don't repay what you feed her, since she don't do a lick of work."
"She an't been properly taught's the truth," said Beatrice, "but that's her misfortune." No doubt here she threw a look at Alice.
"I've had my own to worry about," complained Alice. Since Cora Mary's death, I'd been seven years with Alice. The easiest thing in the world for Alice was to lose things--her thimble, her flour dredger, her dog. If you wanted to stick by Alice, then it was up to you. She was a churchgoing woman, too, but whenever she forgot her prayers, she would say, "If the Lord wants me, he knows where to find me." That was Alice all over. Needless to say, I generally found myself elsewhere, and I would wager that was fine with her. Her own brood numbered six, mostly boys, so they were more often than not busy losing themselves, too. It was my niece Annie who kept the engine running at Alice's. Right then, in fact, Annie was out in the kitchen, getting our tea. It wouldn't have occurred to Harriet, Beatrice, or Alice to lift a finger to help her. It occurred to me, of course, but that hole of kitchen work was one I didn't care to fall into, because it was easy to see how those women would pull up the ladder, and there you'd be, hauling wood and water, making fires and tea, for the rest of your life.
"We could have sent her on the cars to Miriam. Young people her age seem to go on the cars without a speck of fear. Or Miriam could have come got her." This was Harriet.
They pondered my sister Miriam, a spinster who'd taught reading to little Negro children in Yellow Springs. Harriet's tone revealed some sense of injury that Miriam was no longer capable of being of use in this way. But Miriam had been a strict woman, the sweetest but the strictest of them all. Her fondness for me had been mostly the result of the distance between us and our lively correspondence. I knew that even if Miriam were still living and I had gone to her on the cars and tried to stay with her, the sweetness would bit by bit have gone out and the strictness bit by bit come in. But I missed her.
"Miriam was genuinely fond of her." Beatrice expressed this as a great marvel.
"Where is Lydia?" The sofa emitted a heavy groan. Harriet must have leaned forward and looked around for me.
"Outdoors," said Alice, and I would have been, too, but my heavy mourning dress, wool serge and buttoned to the throat, gave the sunny summer hillside that was my usual resort all the attractions of the Great Sahara Desert. I had crept upstairs and undressed down to my shift. The black armor I would soon need to don again seemed to hold my shape where it lay over the back of a chair. I lifted the hem of my shift and fanned myself with it. "Out in the barn, most likely." Alice amplified her speculation with all the assurance of someone who never knew what she was talking about.
"Oh, the poor orphaned child," exclaimed Beatrice, and for a moment I didn't realize she was speaking of me. "Alone in the world!"
"She's twenty years old, sister." Harriet's tone was decidedly cool. "I was safely married at twenty, I must say. If she's without suitors, who's to blame for that?"
"And she has us," said Alice.
Oh, the poor orphaned child, I thought.
It was true as they said that I was useless, that I had perversely cultivated uselessness over the years and had reached, as I then thought, a pitch of uselessness that was truly rare, or even unique, among the women of Quincy, Illinois. I could neither ply a needle nor play an instrument. I knew nothing of baking or cookery, could not be relied upon to wash the clothes on washing day nor lay a fire in the kitchen stove. My predilections ran in other directions, but they were useless, too. I could ride a horse astride, saddle or no saddle. I could walk for miles without tiring. I could swim and had swum the width of the river. I could bait a hook and catch a fish. I could write a good letter in a clear hand. I had been able to carry on a lively dispute with my sister Miriam, who'd been especially fond of a lively dispute.
Worse, I was plain. Worse than that, I had refused the three elderly widowers who had made me offers and expected that I would be happy to raise their packs of motherless children. Worst of all, I had refused them without any show of gratitude or regret. So, I freely concede, there was noth-ing to be done with me. My sisters were entirely correct and thoroughly justified in their concern for me. It was likely that I would end up on their hands forever, useless and ungrateful.
I stood up and moved away from the vent, suddenly weary of the certain outcome of their speculations. Back to Alice, back to the strange languor of that life. It vexed me, too, that though their afternoon of complaint and self-justification would result in nothing new, they would make their way through it, anyway, like cows following the same old meandering track through their all too familiar pasture and coming upon the same old over-grazed corner as if it were fresh and unexpected.
I looked out my window upon the slope in front of my father's house. There had been no funeral supper, none but the quietest and most subdued gathering of the few around town who'd known my father. Each of my sisters' husbands had returned to his business or farm directly from the graveyard. All of us, I knew, would find a way to put off our mourning clothes as soon as possible. Even before my father lost himself, he was a silent and vain man. Just the sort of man who would approach a plain woman like my mother without the least pretense or compunction and invite her to leave her own parents and come over to him, to care for his six daughters and bear him a son. He had been fine to look at, with glossy curling hair and full whiskers. Perhaps she was gratified at being chosen at last for the very usefulness she had cultivated so long.
My hair, as usual, was falling about my face. I unpinned it, set the pins in a row beside my small looking glass, and picked up my brush. My hair was long and thick. As I lifted it off my neck and pulled the brush up underneath it, I couldn't help feeling that in spite of every iota of evidence to the contrary, something was about to happen.
My sister Beatrice's husband, Mr. Horace Silk, sold dry goods on Maine, at Lorton and Silk. Mr. Jonas Silk, the old man and Horace's father, held the reins of the business in a tight grip. Lorton was long dead. As a result, Horace was as little consumed by his interest in calico and muslin as he was much consumed by his interest in western land. Iowa, Nebraska, Kansas--the walls of L and S Co. were papered with bills that offered, for a fair and reasonable sum, city lots in lovely, tree-shaded towns, country farms watered by sweet flowing streams, gristmills, sawmills, ironworks, every sort of business. Brother Horace and his cronies pored over the bills, comparing and contrasting the virtues of every region, every town, every named river and stream. They were forever putting together their investments, forever outlining schemes, forever scouring their relatives for funds, but in truth Mr. Jonas Silk was as niggardly as he was jealous, and my sister Beatrice had as much interest in Kansas as she did in the czar of all the Russias, and so my brother Mr. Horace Silk worked out his plans in a white heat of frustrated eagerness.
Of all the women, it was only I who listened to the men, though I made no show of doing so. The towns I favored numbered three: One was Salley Fork, Nebraska, where the grid of streets ran down a gentle southern slope to the sandy, oak-shaded banks of the cool, meandering Salley River and where the ladies' aid society had already received numerous subscriptions for the town library, which was to be built that very summer. Town the second was Morrison's Landing, Iowa, on the Missouri, where the soil was of such legendary fertility and so easy to plow that the farmers were already reaping untold wealth from their very first plantings. The third was Walnut Grove, Kansas, where the sawmill, the gristmill, and the largest dry goods emporium west of Independence, Missouri, were already in full operation. Horace himself had a fancy for a farm on the Marais des Cygnes River in Kansas, which was the finest farming land in the world and, according to the bill, located in the best, most healthful climate--just warm enough in the summer to ripen crops, always refreshed by a cool breeze, and never colder in the winter than a salubrious forty degrees. Fruit and nut trees of all varieties, bramble fruits, and even peaches were guaranteed to grow there.
For many months, one of my main pleasures in life had been to linger in L and S, prolonging my errands there for Alice and gazing upon the delightful bills, with their neat street maps and architectural drawings. Quincy, which had been a mere handful of buildings when my father arrived, seemed old and run-down by comparison. Even so, my chances of getting to any of these places seemed at least as remote as Horace Silk's, and as often as I gazed upon my favorite bills, I also vowed to put away the thoughts that agitated me. My sisters were as fixed in their various homes as stones, and as difficult to lift. I had no money of my own and no companion. Even my father's old horse had died some three years before, never to be replaced, since my father had no use for a horse. That horse was the last familiar creature that he remembered the name of. As recently as six months before his death, sister Beatrice found him in the barn, looking at the horse's empty stall and muttering, "Wellington." That was the horse's name, after the duke himself.
I turned from the glare of the window and crept back to the carpet roll. There I squatted and peered down. Harriet was fanning herself. Her face was bright red. Beatrice was saying, ". . . a nice chicken business."
"And where," said Alice, "would we set her up with this nice chicken business? And . . ." She paused and caught her breath indignantly. "If Horace is going to set anyone up in a nice chicken business, then in my opinion Annie is far more deserving and would certainly do well at it. Annie gets very little consideration, I must say. You have more room on your farm, Harriet, for any sort of nice chicken business than we have on our town lot, a double one though it may be and as big as any."
"I know the end of that," complained Harriet. "More work for me when she lets her chickens run wild. I have my own chickens, as many as I can handle."
I wanted to shout down through the grating that every woman in Quincy had a nice chicken business, that the chicken trade was over-subscribed, but I held my tongue.
"I still think," continued Harriet, "Beatrice . . ." There was a portentous pause while Harriet made sure to stake her claim to Beatrice's full attention. "Bonnets! She can trim bonnets for Horace and Jonas. She's all thumbs with a needle, but--"
"Lydia is all thumbs!"
"Annie, on the other hand, has a tremendous gift for trimming bonnets! She--"
I let out a single stifled bark of merriment. Harriet looked around, startled, but didn't guess where the noise was coming from. I have to say, though, that my sisters' ventures into the question of what was to become of me had taken an unexpectedly creative and comic turn. It was clear that I would have to make an effort, or I would soon find myself gainfully employed.
Below me I saw the top of Annie's head glide into view, neatly juxtaposed to a large round tray covered with tea things. The severe white parting that ran from the front of that crown to the back was so fine and straight it might have been done with a knife point.
"Shh," said Harriet. "Thank, you my dear. Lovely."
It was a principle of the family that no business was discussed in front of Annie, who was generally considered too innocent to withstand the shock of most topics, though of course not too fragile to be worked to death. They did not invite her to take tea with them, so she set down the things and once again removed herself.
"This whole question," said Alice, "is too much for such a day as this. We've just buried our dear pa, after all."
"He was a fine-looking man," said Harriet. "The very picture of a patriarch."
"Mrs. Rowan said he was the fairest creature of either sex she ever saw. She told me that yesterday when she was in buying sugar," said Beatrice. "'He cut a wonderful figure.' Those were her very words."
They all sighed.
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