The Age of Lovecraft

by Carl H. Sederholm (Editor), Jeffrey Andrew Weinstock (Editor)

Overview

Co-winner, Ray & Pat Browne Award for Best Edited Collection in Popular Culture and American Culture 

Howard Phillips Lovecraft, the American author of “weird tales” who died in 1937 impoverished and relatively unknown, has become a twenty-first-century star, cropping up in places both anticipated and unexpected. Authors, filmmakers, and shapers of popular culture like Stephen King, Neil Gaiman, and Guillermo del Toro acknowledge his influence; his fiction is key to the work of posthuman philosophers and cultural critics such as Graham Harman and Eugene Thacker; and Lovecraft’s creations have achieved unprecedented cultural ubiquity, even showing up on the animated program South Park.

The Age of Lovecraft is the first sustained analysis of Lovecraft in relation to twenty-first-century critical theory and culture, delving into troubling aspects of his thought and writings. With contributions from scholars including Gothic expert David Punter, historian W. Scott Poole, musicologist Isabella van Elferen, and philosopher of the posthuman Patricia MacCormack, this wide-ranging volume brings together thinkers from an array of disciplines to consider Lovecraft’s contemporary cultural presence and its implications. Bookended by a preface from horror fiction luminary Ramsey Campbell and an extended interview with the central author of the New Weird, China Miéville, the collection addresses the question of “why Lovecraft, why now?” through a variety of approaches and angles.

A must for scholars, students, and theoretically inclined readers interested in Lovecraft, popular culture, and intellectual trends, The Age of Lovecraft offers the most thorough examination of Lovecraft’s place in contemporary philosophy and critical theory to date as it seeks to shed light on the larger phenomenon of the dominance of weird fiction in the twenty-first century.

Contributors: Jessica George; Brian Johnson, Carleton U; James Kneale, U College London; Patricia MacCormack, Anglia Ruskin U, Cambridge; Jed Mayer, SUNY New Paltz; China Miéville, Warwick U; W. Scott Poole, College of Charleston; David Punter, U of Bristol; David Simmons, Northampton U; Isabella van Elferen, Kingston U London.

Product Details

ISBN-13:	9780816699254
Publisher:	University of Minnesota Press
Publication date:	04/01/2016
Edition description:	Reprint
Pages:	296
Sales rank:	785,694
Product dimensions:	5.40(w) x 8.30(h) x 0.80(d)

About the Author

Carl H. Sederholm is associate professor of interdisciplinary humanities at Brigham Young University. He is the coauthor of Poe, “The House of Usher,” and the American Gothic and the coeditor of Adapting Poe: Re-Imaginings in Popular Culture.

Jeffrey Andrew Weinstock is professor of English at Central Michigan University. He has edited three volumes of Lovecraft’s fiction.

Ramsey Campbell is one of the world’s most honored horror writers. He has received a Lifetime Achievement Award from the Horror Writers Association, a Living Legend Award from the International Horror Guild, and a Grand Master Award from the World Horror Convention.

China Miéville is a fantasy fiction author, comic writer, and academic. His books include Perdido Street Station, The City & the City, and Kraken. His works have won the Hugo, the British Science Fiction Award, the Arthur C. Clarke Award, and the World Fantasy Award. 

Table of Contents

Contents
Foreword: Lovecraft Appreciated
Ramsey Campbell
Acknowledgments
Introduction: Lovecraft Rising
Carl H. Sederholm and Jeffrey Andrew Weinstock
1. “Ghoulish Dialogues”: H. P. Lovecraft’s Weird Geographies
James Kneale
2. Lovecraft’s Things: Sinister Souvenirs from Other Worlds
Jeffrey Andrew Weinstock
3. Hyper-Cacophony: Lovecraft, Speculative Realism, and Sonic Materialism
Isabella van Elferen
4. Prehistories of Posthumanism: Cosmic Indifferentism, Alien Genesis, and Ecology from H. P. Lovecraft to Ridley Scott
Brian Johnson
5. Race, Species, and Others: H. P. Lovecraft and the Animal
Jed Mayer
6. H. P. Lovecraft’s Reluctant Sexuality: Abjection and the Monstrous Feminine in "The Dunwich Horror"
Carl H. Sederholm
7. H. P. Lovecraft and Real Person Fiction: The Pulp Author as Subcultural Avatar
David Simmons
8. A Polychrome Study: Neil Gaiman’s “A Study in Emerald” and Lovecraft’s Literary Afterlives
Jessica George
9. Lovecraft: Suspicion, Pattern Recognition, Paranoia
David Punter
10. Lovecraft’s Cosmic Ethics
Patricia MacCormack
11. Lovecraft, Witch Cults, and Philosophers
W. Scott Poole
Interview with China Miéville
Jeffrey Andrew Weinstock
Contributors
Index

Editorial Reviews

"The scholarship throughout is sharp, current, and often makes use of one of the greatest strengths of Lovecraft study: his abundant published correspondence."—Publishers Weekly

"An excellent read for the committed Lovecraft scholar."—Fortean Times

"[An] excellent collection of scholarly essays."—PopMatters

"Lovecraft’s many and deep flaws are almost beside the point - he was a writer who achieved importance by saying one or two things memorably and very clearly. This is why Lovecraft is an important figure not only in popular culture but in other disciplines as well."—Times Literary Supplement

"Highly recommended."—CHOICE

"Sederholm and Weistock perform an exemplary balancing act in neither dodging the controversies surrounding Lovecraft’s grotesque racism nor granting that the issue diminishes the legitimacy of scholarly interest in the author or his work. Lovecraft scholars will find much of interest here, but so too will anyone wanting further insight into the ongoing cultural resonances of various (and often noxious) early twentieth-century neuroses."—Paradoxa

"A welcome addition to the growing body of scholarship focused on Lovecraft."—Los Angeles Review of Books

"A total success."—Journal of Popular Culture

From the Publisher

02/22/2016
In this wide-ranging collection of essays, editors Sederholm and Weinstock seek to put a contemporary lens on the works of 20th-century “weird fiction” writer H.P. Lovecraft. The editors are quick to point out that while there have been some 33 previous monographs or edited collections of Lovecraft criticism, their work is the “first sustained analysis of Lovecraft in relation to 21st-century critical theory.” The contributors were posed the questions “Why Lovecraft?” and “Why now?”, and their answers are enlightening and on the cutting edge of contemporary literary theory. In 11 essays, this collection moves from James Kneale on how Lovecraft’s “infamously awkward style allows him to address the weirdness of reality itself” to coeditor Sederholm on the author’s reluctance to write about sexuality; another entry, by Jessica George, close-reads a Lovecraftian short story by Neil Gaiman. The strongest piece is “Lovecraft’s Cosmic Ethics,” by Patricia MacCormack. Her reflections on perspective, chaos, and posthumanism make for a challenging but rewarding read. The scholarship throughout is sharp, current, and often makes use of one of the greatest strengths of Lovecraft study: his abundant published correspondence. An appreciative foreword by horror author Ramsey Campbell and a brief concluding interview with New Weird fiction writer China Miéville round out this eclectic assortment. (Apr.)

Publishers Weekly