Table of Contents
Notes on the Contributors
Acknowledgments
Introduction to The Acoustics of the Social on Page and Screen
Nathalie Aghoro, University of Eichstaett-Ingolstadt, Germany
Part I: Sound Practice Across Media
1. Listening in Print
Nicole Brittingham Furlonge, Columbia University, USA
2. When a Poem "Sounds" Through the Body
Irene Polimante, University of Macerata, Italy
3. Practices of Unmixing: Film Aesthetics, Sound, and the New Hollywood Cinema
Christof Decker, Ludwig-Maximilians-Universitaet Munich, Germany
Part II: Soundtracks of Collective Memory
4. Voice and Wake: Susan Howe, M. NourbeSe Philip, and the Ecology of Echology
Julius Greve, University of Oldenburg, Germany
5. Reframing Indigenous Sonic Archives: Jeremy Dutcher and the Cultural Politics of Refusal
Sabine Kim, Mainz University, Germany
6. Unsettled Scores: Listening to Black Oklahoma on the American “Frontier”
Tsitsi Jaji, Duke University, USA
Part III: Social Acoustics and Politics of Sound
7. The Operator and the Final Girl: Gender, Genre, and Black Sonic Labor in The Call
Allison Whitney, Texas Tech University, USA
8. Bohemian Like You: The Construction of Cool Sound Collectives in Serial Television
Florian Groß, Leibniz University, Germany
9. Sonic Sites of Subversion: Listening and the Politics of Place in Karen Tei Yamashita's Tropic of Orange
Nathalie Aghoro, University of Eichstaett-Ingolstadt, Germany
10. From "Dead Spots" to "Hot Spots": Ann Petry's “On Saturday the Siren Sounds at Noon”
Jennifer Lynn Stoever, Binghamton University, USA
Index