The Absolute Realist: Collected Writings of Albert Renger-Patzsch, 1923-1967

The Absolute Realist: Collected Writings of Albert Renger-Patzsch, 1923-1967

by Albert Renger-Patzsch
The Absolute Realist: Collected Writings of Albert Renger-Patzsch, 1923-1967

The Absolute Realist: Collected Writings of Albert Renger-Patzsch, 1923-1967

by Albert Renger-Patzsch

eBook

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Overview

This annotated anthology presents the first English translation of German photographer Albert Renger-Patzsch’s collected writings.
 
A towering figure in the history of photography, Albert Renger-Patzsch (1897–1966) has come to epitomize New Objectivity, the neorealist movement in modernist literature, film, and the visual arts recognized as the signature artistic style of Germany’s Weimar Republic. Today, his images are regularly exhibited and widely considered key influences on contemporary photographers. Whether they capture geometrically intricate cacti, flooded tidal landscapes, stacks of raw materials, or imposing blast furnace towers, Renger-Patzsch’s photographs embody what his peer Hugo Sieker termed “absolute realism,” an approach predicated upon the idea that photographers have one task: to exploit the camera’s unique capacity to document with uncompromising detail.
 
Not only a photographer, Renger-Patzsch was also an influential and lucid writer who advocated his unique brand of uncompromising realism in almost a half century’s worth of articles, essays, lectures, brochures, and unpublished manuscripts addressing photography, technology, and modernity. Drawing on his papers at the Getty Research Institute and other archives, The Absolute Realist unites in one volume this skillful photographer’s ideas about the defining visual medium of modernity.

Product Details

ISBN-13: 9781606067826
Publisher: J. Paul Getty Trust, The
Publication date: 03/07/2023
Sold by: Barnes & Noble
Format: eBook
Pages: 336
File size: 26 MB
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About the Author

Daniel H. Magilow is professor of German at the University of Tennessee, Knoxville.

Table of Contents

Cover Title Page Contents Page Acknowledgments Note to the Reader Special Thanks Introduction: Albert Renger-Patzsch, the Absolute Realist Published Writings, 1923–1942 Plant Photographs (1923) On Photographing Flowers Animal Photos with the Meyer Plasmat Plant Photographs (ca. 1925) The Details along the Way On Photographing Sculptural Artworks Heretical Thoughts on Artistic Photography Winter Photography and Snowshoeing Cactus Photographs Photographs of Children Photographic Studies in the Plant Kingdom The Landscape Photographer in Winter Photography and Art Nature as Artist Aims Some Remarks on Hands and Hand Photographs New Perspectives of the Camera Joy before the Object My Book about the Halligen “Hold Still!”: Martin Munkacsi and Albert Renger-Patzsch on Amateur Photography Some Tips from Renger-Patzsch, Photographer Postscript to Photo-Inflation / Boom Times On Photography’s Essence: From a Letter The Limits of the Photographic The Camera and Landscape Photography Violating the Landscape Is Forbidden Masters of the Camera Tell How: A. Renger-Patzsch Work-Photo Sylt—The Image of an Island: Landscape as Document I Photograph . . . On the Limits of Photography: From Essays by Albert Renger-Patzsch Interlude: The Mystery of Albert Renger-Patzsch, the Third Reich, and National Socialism Published Writings, 1950–1967 An Escape from the Chaos: Some Thoughts on the Situation of Photography Today Thoughts on Professional Photography Editorial Note An Attempt to Classify Photography (1953) “It was a glorious time!” An Attempt to Classify Photography (1958) Where Does Photography Stand Today? What about Landscape? A Conceptual Definition of “Photography” Architect and Photographer On the Limits of the Trade: Can Photography Represent a Type? The Standard Format of the Future (and “Discouragingly Good!” and “You’re Not . . . Getting the Picture”) World Exhibition of Photography On Photography’s Significance and the Photographer’s Responsibility A Lecture Never Delivered In memoriam: Albert Renger-Patzsch / The Amateur and the Object Unpublished Writings Editorial Note Some Remarks on Portrait Photography, on Hands and Hand Portraits On the Care of Cacti Mankind—In Technology’s Thrall—Is Destroying His Own Home Expert Witness Opinion Photographs of Spare Parts Photographic Murder Untitled [“That which we call landscape . . .”] Photogenic Untitled [“It’s rare that one can create a completely verisimilar portrait . . .”] On Architectural Photographs Untitled [“Autobiography can only be of general interest . . .”] For Further Reading About the Editor and Translator Index Copyright Page Back Cover
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