That's Not a Feeling
"Dan Josefson is a writer of astounding promise a . . . a bold, funny, mordant, and deeply intelligent debut." David Foster Wallaceauthor of Infinite Jest

WINNER OF THE 2015 WHITING AWARD FOR FICTION
New York Times Editors’ Choice 


Benjamin arrives with his parents for a tour of Roaring Orchards, a therapeutic boarding school tucked away in upstate New York. Suddenly, his parents are gone and Benjamin learns that he is there to stay. Sixteen years old, a two-time failed suicide, Benjamin must navigate his way through a new world of morning meds, popped privileges, candor meetings and cartoon brunches—all run by adults who themselves have yet to really come of age.
 
The only person who comprehends the school's many rules and rituals is Aubrey, the founder and headmaster. Fragile, brilliant, and prone to rage, he is as likely to use his authority to reward students as to punish them. But when Aubrey falls ill, life at the school begins to unravel. Benjamin has no one to rely on but the other students, especially Tidbit, an intriguing but untrustworthy girl with a "self-afflicting personality." More and more, Benjamin thinks about running away from Roaring Orchards—but he feels an equal need to know just what it is he would be leaving behind.
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That's Not a Feeling
"Dan Josefson is a writer of astounding promise a . . . a bold, funny, mordant, and deeply intelligent debut." David Foster Wallaceauthor of Infinite Jest

WINNER OF THE 2015 WHITING AWARD FOR FICTION
New York Times Editors’ Choice 


Benjamin arrives with his parents for a tour of Roaring Orchards, a therapeutic boarding school tucked away in upstate New York. Suddenly, his parents are gone and Benjamin learns that he is there to stay. Sixteen years old, a two-time failed suicide, Benjamin must navigate his way through a new world of morning meds, popped privileges, candor meetings and cartoon brunches—all run by adults who themselves have yet to really come of age.
 
The only person who comprehends the school's many rules and rituals is Aubrey, the founder and headmaster. Fragile, brilliant, and prone to rage, he is as likely to use his authority to reward students as to punish them. But when Aubrey falls ill, life at the school begins to unravel. Benjamin has no one to rely on but the other students, especially Tidbit, an intriguing but untrustworthy girl with a "self-afflicting personality." More and more, Benjamin thinks about running away from Roaring Orchards—but he feels an equal need to know just what it is he would be leaving behind.
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That's Not a Feeling

That's Not a Feeling

by Dan Josefson
That's Not a Feeling

That's Not a Feeling

by Dan Josefson

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Overview

"Dan Josefson is a writer of astounding promise a . . . a bold, funny, mordant, and deeply intelligent debut." David Foster Wallaceauthor of Infinite Jest

WINNER OF THE 2015 WHITING AWARD FOR FICTION
New York Times Editors’ Choice 


Benjamin arrives with his parents for a tour of Roaring Orchards, a therapeutic boarding school tucked away in upstate New York. Suddenly, his parents are gone and Benjamin learns that he is there to stay. Sixteen years old, a two-time failed suicide, Benjamin must navigate his way through a new world of morning meds, popped privileges, candor meetings and cartoon brunches—all run by adults who themselves have yet to really come of age.
 
The only person who comprehends the school's many rules and rituals is Aubrey, the founder and headmaster. Fragile, brilliant, and prone to rage, he is as likely to use his authority to reward students as to punish them. But when Aubrey falls ill, life at the school begins to unravel. Benjamin has no one to rely on but the other students, especially Tidbit, an intriguing but untrustworthy girl with a "self-afflicting personality." More and more, Benjamin thinks about running away from Roaring Orchards—but he feels an equal need to know just what it is he would be leaving behind.

Product Details

ISBN-13: 9781616951894
Publisher: Soho Press, Incorporated
Publication date: 10/02/2012
Sold by: Penguin Random House Publisher Services
Format: eBook
Pages: 358
Sales rank: 744,002
Lexile: 840L (what's this?)
File size: 3 MB

About the Author

Dan Josefson has received a Whiting Award, a Fulbright research grant and a Schaeffer Award from the International Institute of Modern Letters. He has an MFA from the University of Nevada, Las Vegas. He lives in Brooklyn, and works at a book club for children's literature.

Read an Excerpt

CHAPTER 1

Tidbit tried to remember what she had just been thinking of. She was at a loss. She stared at her hand digging idly in the soft earth and tried to focus on the flutter she still felt beneath her ribs. It had been a worry, that much she knew for sure, and not a worry about anything far off but about something that was going to happen soon. She wasn't sure of anything else, except that she would recognize it if she thought of it again.

A drop of sweat rolled across the bridge of Tidbit's nose and into her eye. She squinted, rubbed the eye with a dusty fist. The morning heat was stunning. Tidbit had taken a couple of extra Dexedrines after breakfast, ones she had hidden away in her pillowcase. Her skin tingled and her heart pounded. Her mind dissolved in the heat like a sugar cube in a glass of tea.

Already she regretted the pills. Tidbit had wanted a quiet day and now she was locked into countless swells of hollow enthusiasm. She had given Carly Sibbons-Diaz two pills in exchange for Carly taking her turn doing dishes. They'd been woken up early for a candor meeting when it was discovered that Nancy had run again, and Carly thought the pills would keep her from being exhausted all day. But she hadn't wanted to take them alone.

Tidbit crawled along under the juniper bushes, inhaling the sugary scent of the evergreen leaves. The juniper shook with the movement of all the other New Girls, who were searching for the razor blade Beverly Hess had dropped somewhere in the shrubs that ran along the front of the Classroom Building. Tidbit should have been looking for it, too. But she was sure that the blade wasn't lost in the dirt any longer, that either one of the other girls had grabbed it or Bev had never dropped it in the first place.

Like every morning for the past two weeks, the girls had carried brushes and the aluminum ladder and all the gallon cans of paint from the upper equipment shed to the Classroom Building, where they were repainting the window frames. Recently they'd gotten bored and begun to see how much paint they could get on the windows themselves, letting paint drip from their brushes or spray across the glass from bent bristles. The previous day, Tidbit had basically painted over an entire window.

So this morning when they got to the Classroom Building, their dorm parent Marcy told them to drop everything. While New Girls were rubbing away the pink indentations that the wire handles of the paint cans had left on their palms, Marcy opened up the fanny pack she always wore back to front around her belly and took out enough retractable razors for all of them to use. She told them that today they were to scrape off all the paint they'd gotten on the windows.

"Look at how this looks!" she'd said, flapping an arm in the direction of the building. "This is careless, sloppy work, and it takes out of the community when you're supposed to be putting back in."

Careless? Tidbit thought, sweating in the dust. How could Marcy have believed one of them covered an entire window by mistake? She just didn't want to waste a day getting the girls to admit they'd done it on purpose, then figuring out who did what and what the repercussions would be. So Marcy pretended no rules had been broken, and the girls went along. But scraping paint off the windows got boring quickly; the girls did soon get careless; and no one was surprised when Bev announced that her razor had fallen out of its holder and into the junipers, though Marcy did say, "I can't believe this shit." She collected all the retractable razors and sent the girls to find the missing blade.

Tidbit crawled into a spot large enough for her to lie down, between the stems of two bushes whose branches had grown into one another overhead. She could see the Mansion's front lawn and the valley beyond it. The sun hung over the hills, dripping heat. A brown Oldsmobile Cutlass she didn't recognize was driving up the school's gravel driveway, making a buzzing sound.

It parked in the carport next to the Mansion, facing the girls. A scream escaped it as a door opened and a woman climbed out and was silenced when she swung the door shut. New Girls stopped what they were doing to look out across campus at the car. The scream erupted again as another door opened. A man exited the driver's seat slowly, and again, like in a cartoon, the scream was gone when he closed the door. The couple climbed the front steps and, after taking one long look back, entered the Mansion. It was an intake.

Tidbit couldn't tell whether she heard muffled screaming still coming from inside the Cutlass. Another dazzling wave of energy was seeping through her. She stared at her hand drawing circles in the dust. Tidbit used to tell me how much she hated her hands. Except for the bloody parts where she bit them, they were completely pale, even at the end of the summer. Worse, they were so swollen that her knuckles just looked like dimples, and they trembled from the lithium. It was what it did to her hands that made Tidbit want to get off lithium. But Dr. Wahl always said maybe.

Tidbit turned to see Carly Sibbons-Diaz crawling toward her in the narrow space between the wall of the Classroom Building and the back of the shrubs. Carly squeezed into Tidbit's space beneath the junipers and collapsed next to her.

"Hi, Tidbit," she said. "Found the razor?"

"Nope." At home Carly had worn her hair dyed black, but no one at the school was allowed to use dye, so in the weeks since her intake her blond roots had begun to show in a thick stripe down the center of her scalp where she parted her hair. Everyone said it made her look like a skunk, but up close, Tidbit thought, it didn't really. "How're you feeling?"

"Okay."

"Anything yet?"

"Nah. You?"

"My vision's kinda messed up," Tidbit said. "I keep seeing tiny, tiny little blackbirds hopping from branch to branch in these bushes, but when I look they're not there." This wasn't exactly true, but when she said it, it felt sort of true. "You see anything like that?"

Carly just sighed and looked where Tidbit was looking, at the brown Cutlass by the Mansion. She thought she saw a silhouette move inside it. Carly edged forward so she could see the car better. Maybe the Dexedrine was messing with her vision. "You think Bev just took the razor blade?" she asked. "Is she a cutter?"

"Everyone's a cutter," Tidbit said. "Have you seen her belly?"

"Did she do that to herself?" Carly spat in the dirt. "Shit. She didn't do that with a razor, though —"

Tidbit held up her hand to quiet Carly.

She heard something from inside the car now, a distant wailing. There was a thud, then another, a banging that was getting louder and slowly gaining speed. The sunlight reflecting off the windshield trembled with each thud, and with each Tidbit could just make out the sole of a shoe hitting the inside of the glass. Then two soles, kicking the windshield together until the shatter-proof glass began to spiderweb. Finally the kicking became bicycling, one foot after the other. The girls could hear the screaming with perfect clarity as two gray-green sneakers kicked the crumpled window away.

After a few moments, a group of staff members and Regular Kids ran out of the Mansion. They opened the front doors of the Cutlass, which I hadn't bothered to lock, dragged me from my parents' car, and held me down on the ground until I stopped yelling. It took five of them to hold me, though I'm not all that big. Then they led me up the Mansion steps and inside.

"Holy shit," Carly said. "Finally something cool happens at this fucking place."

"Yeah, yeah, yeah," Tidbit said.

I was deposited, alone, in the Reception Room. I wasn't sure where my parents were at that point, but I assumed they were on the tour I'd agreed to come up for. All I wanted was to get it over with and go home. I was anxious to know what these people were telling my parents. I'd only agreed to come in the first place because it had calmed them down.

In the Reception Room, there was a table with flower vases, one a pyramid glazed light blue, the other round and yellow, both holding white flowers. There was a Persian rug on the floor, bookshelves standing against one wall, and a small fireplace. In the back corner of the room there was a baby-grand piano.

Above the mantel hung a portrait of a man, who I soon learned was Aubrey, sitting on a horse. Either the proportions were off or the horse had unusually long legs. Aubrey wore some sort of uniform with epaulets and gold braids hanging from the shoulders. There was a curved sword hanging from his belt. Aubrey stared straight out of the painting with a blank look on his face, his eyebrows raised in a way that made him seem both a bit doubtful and as though he were inviting the viewer to be impressed. The horse, with Aubrey on its back, stood in the foreground of the painting, at the near edge of a large field. Visible in the distance, between the front and back legs of the horse, a building burned.

I could hear the creak of floorboards and the murmuring of voices on the other side of the Reception Room doors. The doors were heavy and slid out of the walls to meet in the middle. There was a crack between them through which I could see a few of the students and faculty members who had dragged me out of the car and into the Mansion.

They had said strange things when they were holding me down outside. "It's all right, we'll keep you safe," and "Just let it all out," like they were encouraging me. That had scared me more than the fact that they were restraining me. They seemed disappointed that I didn't struggle more. I assumed that now they were standing guard outside to keep me from bolting, but there were windows in the Reception Room that I could have gotten out of just as easily.

I took a closer look at the painting. The burning structure was a barn. There were more horses near it. One reared up on its hind legs; one lay in the grass to the side of the building. This second horse was black and on fire, and there were other horses sticking their heads out of the barn, their throats and faces framed by swirling brushstrokes of black smoke. The trees behind the barn were in the grip of a wind evident nowhere else in the painting. Their branches swung out and upward so that the gray-green undersides of the leaves showed against the darkening gunmetal sky. The paint itself was thick and, especially in the little scene with the burning barn, looked wet and greasy. I could see how each flame rising from the barn or from the body of a horse was laid on by the soft tip of a paintbrush.

I turned toward the entrance when I heard the doors being dragged open. I was ready to tell my parents that I'd changed my mind about the tour, that these people were crazy and we should just go home. Aubrey walked in first, followed by one of the kids who'd held me down outside. This was clearly the man from the painting, but in front of me he seemed almost orange, his tan was so deep. Aubrey was short and had a paunch that the figure in the painting lacked. He wore a dark gray suit over a light gray shirt and around his neck a light, mint-green scarf. I stepped to the threshold to look for my parents in the Great Hall. Aubrey grabbed me tightly by the arm and led me back into the Reception Room. In his other hand he carried a small gift bag.

"Where's my parents?"

Aubrey didn't say anything, just sat down in a flower-patterned armchair and removed a fork and a plastic container from his small bag. The container held a small salad. I looked to the kid for help, but he was watching Aubrey remove a silver pepper grinder from the bag and grind pepper over his salad. Next he tucked the corner of a striped pink napkin over his scarf and into the collar of his shirt. He began eating.

"Benjamin," Aubrey said with his mouth full of food, "this is ..." He looked up.

"Tyler," the kid said.

"Tyler," he said, and swallowed. "He's in Regular Kids and works in the dorm you'll be joining, Alternative Boys. Your dorm parent Ellie will be here soon to take you to meet the other boys, but in the meantime I've asked Tyler here to look after you."

I felt blood rush to my face and a burst of pain behind my eyes. The fork, I thought. I should grab his fork. "I'm, I'm just here for a tour," I said. "Where's my parents? They said I only had to come for a tour." My throat felt almost swollen shut. My skin itched. The true facts of the situation were slamming up against one another in my head.

Aubrey stuffed a huge forkful of salad into his mouth, and after trying once or twice to talk through it he looked up at Tyler and gestured for him to explain.

"Your parents decided to enroll you," he said. "They'll send your stuff up. Until then, you can borrow what you need from other boys in the dorm."

I bolted through the open doors and into the Great Hall but stopped when three students who'd been leaning against the furniture stepped in front of me. I shouted over their heads into the office adjacent to the Great Hall. "Mom! Dad!" I turned back to Aubrey. "This is fucking stupid. Where are they?"

Aubrey put his bowl of salad down on the floor next to him and stood up. He pulled a wad of money out of his pocket and pulled a few dollar bills from the silver money clip. He handed them to Tyler. "We don't use that word here. It's a violent word." Then he sat back down and picked up his salad.

"Your 'rents left already," Tyler said.

'Rents? I just looked at him.

"They thought it'd be better to avoid a scene. You can call them this weekend and see them next Parents' Sunday."

Aubrey nodded to the people who had been standing guard, and they all left. Then he gestured with his fork for Tyler to take me away, absently waving in the air the endive and chunk of radish he had just speared.

As Tyler led me into the Great Hall, I felt the need for some drastic action but had no idea what to do or what the repercussions might be. If my parents were really gone, it wouldn't do any good anyway. But what if I were being lied to again? What if my parents were hidden somewhere? There was a chill in the enormous room and the smell of furniture polish. A tall, narrow dinner table with spindly legs and an inlaid top slid by as I followed Tyler past it. From a cavernous stone fireplace I caught the smell of cold ashes.

Tyler stopped next to an enormous couch. "We'll wait here for Ellie," he said. He gestured for me to sit down, and he dropped into an armchair. After a while, presumably done with his salad, Aubrey walked from the Reception Room to the Office. "Behave yourself," he called to me. Tyler picked up a magazine.

Outside, Marcy was yelling at New Girls to all come out from the bushes right away. Tidbit felt a diffuse foreboding, and as she emerged from the junipers she finally remembered what her worry had been. Marcy was holding Tidbit's glasses by the end of one earpiece and swinging them around in a circle. Her posture suggested a cool disappointment in her dorm's behavior, not at all unanticipated. But when Marcy spoke, a bare wire of fear shook in her voice.

"I don't think you girls realize what a serious situation you're all in," she said. "Last night you let a girl who you should have been taking care of run away for the second time with all your money and meds. And now I have no choice but to assume that this razor blade isn't missing but that one of you has it, and you're hiding it, and God knows what you're —." Marcy pointed the glasses at Tidbit. "How the hell do you think you're going to find a razor blade lost in the dirt without your glasses? Tell me exactly, Tidbit. I'd really like to know."

"Well, I just —"

"You know what, don't even bother. I'm just so sick of all of you right now. Really, physically sick of you." Marcy's head bobbed when she was angry, so that the cluster of keys she wore on a string around her long neck rattled. "You know where I found these?" she asked, stabbing Tidbit's glasses in the air in front of the girls' faces. "Tidbit, where would you guess I found your glasses?"

"Bridget had them?"

"That's right, Bridget had them. And why don't you tell everyone what Bridget was doing with your glasses when I saw her."

"Burning ants?"

"Yes, Bridget was using them to burn ants. So that's at least two people not looking for the razor. Plus, really cruel. I just can't believe you, Tidbit. For a week all you've talked about every meeting is how you've decided that you're going to be good, that you want to get out of here and you're going to follow the pro —"

"But there's a huge anthill right next to the wall of the Classroom Building!" Bridget Divola interrupted. She was hopping up and down. "If we don't do anything, I think they're going to invade the building." New Girls stared at Bridget. At twelve she was younger than the rest of the girls. She was pudgy and had a bowl haircut that made her face look like a doorknob with eyes. In the silence that followed, Bridget pinched a large black ant off of her thick elbow. Folding Tidbit's glasses shut, Marcy looked as though she might cry.

(Continues…)


Excerpted from "That's Not a Feeling"
by .
Copyright © 2012 Dan Josefson.
Excerpted by permission of Soho Press, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Cover,
Title Page,
Copyright,
Dedication,
Epigraph,
Prologue: Upstate New York, late August,
Part One: Roaring Orchards,
Part Two: Down the long green hill,
Acknowledgments,
Tom Bissell on Dan Josefson, the state of publishing, and David Foster Wallace,
Dan Josefson on the places he lived when writing TNAF, and how they influenced him,
Reading Group Guide,

Interviews

A Conversation with Dan Josefson, Author of That's Not a Feeling I was wondering if you could say a little about the name of the book. Where does the title come from?
"That's not a feeling" is something the faculty members occasionally say to the students,as a way of trying to get them to be more direct about their emotions. So, for example, a kid's saying, "I feel like killing someone," might elicit that response. Like lots of the rules and ideas at the school, it makes some sense in an abstract way, but in practice it's insulting and a bit ridiculous. At one point, there's a poster on a wall listing the seven accepted feelings, which is supposed to be helpful. I guess it's kind of a strange title, but it's kind of a strange book too, or at least I hope it is.
What made you want to write about a place like Roaring Orchards, a boarding school for troubled kids?
It's tough to say. I like novels with settings that are discrete and that have a particular feel, so a novel set on the campus of an odd school like this one appealed to me. When my editor had the idea of including a map in the beginning of the book I was thrilled, because the limits and the look of the grounds were so central to me. Settings like that can lend a story tension, I think—there's a sense that the characters can move through the space in any number of ways, but slowly the available options get used up, and something else has to happen. I think an institution like this school also encourages a kind of intensity in the characters, or various kinds of intensities, and I wanted to see if I could capture that.
Why do you think that is? Where does that intensity come from?
Maybe from the impression that there's a limited amount of care and attention to go around. So everyone's fighting to get their share—either physically fighting or using the resources of their personalities. I once worked at a school that had similarities to Roaring Orchards and that was something I noticed. Even the students who had a tendency to withdraw, withdrew intensely.
What you're saying makes me think of Aubrey, the headmaster of Roaring Orchards. He has a great deal of power over the other characters.
I really resisted writing his parts, his dialogue especially. I'm still not entirely sure why. Part of it was that for the book to make sense, he had to be pretty intelligent, at least enough to argue circles around the other characters. And even with all the time in the world, I wasn't confident I could do that plausibly. Also, the whole school, and therefore the book, is to some degree a reflection of him; he created it and runs it and so on. I worried that if I got him wrong, it would undermine the structure of the thing. But ultimately I realized I should risk it, that I needed to at least try to depict the spider at the center of the web.
Who have you discovered lately?
I loved Barley Patch, by Gerald Murnane. I hadn't read anything he'd written before, but since finding that novel I've been hunting down everything of his I can get my hands on. Malina, by Ingeborg Bachmann, is another amazing novel I just read for the first time. And this might be cheating, since it's more of a rediscovery, but I recently reread Lydia Davis's The End of the Story, and was floored by it again.

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