Table of Contents
Introduction Carol Anne Costabile-Heming/Rachel J. Halverson/Kristie A. Foell, "Schreiber, was siehst du?" Processing Historical and Social Change
Authors and Their Worlds
N. Ann Rider, The Journey Eastward: Helga Schütz' Vom Glanz der Elbe and the Mnemonic Politics of German Unification
Stuart Tabener, "ob es sich bei diesem Experiment um eine gescheiterte Utopie oder ein Verbrechen gehandelt hat": Enlightenment, Utopia , the GDR and National Socialism in Monika Marons Work from Flugasche to Pawels Briefe
James Reece, Remembering the GDR: Memory and Evasion in Autobiographical Writing from the Former GDR
Rolf Jucker, "Gefälle in der Landschaft" - On the Critique of Real Existing Capitalism in Volker Braun's Texts
Rachel J. Halverson, Comedic Bestseller or Insightful Satire: Taking the Interview and Autobiography to Task in Thomas Brussig's Helden wie wir
Multiple Voices - Generational Views
Karoline von Oppen, "Man muß jetzt laut schreien, um gehört zu werden": Stefan Heym, Walter Jens, Helga Königsdorf: An Intellectual Opposition?
Alisa Kasle, Everyday Stories of Hope and Despair in Eastern Germany: Kerstin Hensel and Ingo Schulze Write About Life After the Wende
Jill Twark, "Ko...Ko...Konolialismus", Said the Giraffe: Humorous and Satirical Responses to German Unification
Gerald A. Fetz, Theatrical Confrontations with the Wende and Post-Unification Germany: Strauß, Pohl, and Hein
Cineamatic Responses
Robert D. Levy/Rick McCormick, Mastering the Past and Present: Problems of Memory in Postwar and Post-Wende German Cinema
Massimo Locatelli, Ghosts of Babelsberg: Narrative Strategies of the Wendefilm
Jenifer Ward, German-Germanness: On Borders, Hybridity, and Sameness in Margarethe von Trotta's Das Versprechen
Kristie A. Foell, History as Melodrama: German Division and Unification in Two Recent Films
Helen Cafferty, Sonnenallee: Taking Comedy Seriously in Unified Germany