Tennessee Williams: Mad Pilgrimage of the Flesh

by John Lahr Narrated by Elizabeth Ashley

Overview

The definitive biography of America's greatest playwright from the celebrated drama critic of The New Yorker.

John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.

With vivid cameos of the formative influences in Williams's life-his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin-Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams's plays and the tortured process of bringing them to stage and screen.

The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life.

Lahr captures not just Williams's tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: an audiobook about the major American playwright of his time written by the major American drama critic of his time.

Editorial Reviews

The New York Times - Janet Maslin

This Tennessee Williams means to be the definitive Williams book, and to combine biography with criticism in an effortless synthesis. To a large extent, it succeeds…

Publishers Weekly - Audio

11/24/2014
In this exhaustive biography of Tennessee Williams, Lahr presents the life of the legendary playwright, warts and all, in enthralling detail, tracing him from his early life in a troubled Mississippi family (which gave him plenty of fodder for his plays), to his almost overnight success with The Glass Menagerie, to his death in 1983. The book also paints a fascinating picture of the theater world during Williams’s time, populated with such luminaries as Marlon Brando, Bette Davis, and others. Reader Ashley is a Tony Award–nominated actress who portrayed Maggie in the 1974 Broadway revival of Cat on a Hot Tin Roof and was also a longtime friend of Williams. She reads Lahr’s book in a southern accent, perfectly infused with bourbon and cigarettes, and though her rendering of the expository passages is perfunctory, she shines when quoting Williams and his friends, lovers, and colleagues. A Norton hardcover. (Sept.)

Publishers Weekly

★ 06/16/2014
Writing with sympathy and insight, former New Yorker drama critic Lahr (Prick Up Your Ears) invests the Tennessee Williams of this brilliant new biography with the same vitality and honesty that the playwright used to bring his characters to life. Williams wrote that he “saw every play and every film I ever worked on as a confession,” and Lahr looks to his scripts as the chief means of understanding his turbulent life, beginning with the delicate poetry of The Glass Menagerie, which is encoded with sentiments from his fraught childhood relationships with his mother and sister. Quoting extensively from diaries, notebooks, and journals, Lahr depicts Williams as an artist who “made a spectacle of his haunted interior.” His detailed account of Williams’s work with Elia Kazan on the stage productions of A Streetcar Named Desire, Cat on a Hot Tin Roof, and other projects reveals the complex dynamics of one of the greatest partnerships in modern theater, just as his exploration of Williams’s troubled romantic relationships highlights the self-destructive proclivities that fueled and threatened his creativity. Lahr’s feel for Williams’s literary creations—he describes The Glass Menagerie’s Amanda Wingfield as an “embattled bundle of Southern decorum and Puritan denial”—and for Williams himself show a perspicacity wanting in previous biographies. Though Lahr acknowledges the successes of previous Williams scholars, his achievement is not likely to be surpassed. 80 photos. Agent: Georges Borchardt, Georges Borchardt Inc. (Sept.)

USA Today - Elyse Gardner

"Lahr has managed to capture the complex and at times contradictory qualities—the razor wit and gracious Southern charm, the bottomless drive and uncanny capacity for self-destruction—that characterized one of the 20th century's greatest writers."

Nathan Lane

"Scrupulously researched and elegantly written…makes you feel the day-to-day life of Tennessee, onstage and off, like no other I’ve read…required reading for anyone in the theater."

Ron Chernow

"Unsurpassable…An eloquent, spellbinding narrative that emerges as an instant classic."

Chicago Tribune - Kevin Nance

"A work that is scintillating on the backstage and bedroom dramas and almost intrusively perceptive on the autobiographical nature of Williams' art."

Vanity Fair - Elissa Schappell

"Raises the curtain on Tennessee Williams."

Chicago Tribune - Chris Jones

"A crucial contribution to the arguments that should always rage around a man who was one of the greatest American playwrights of his tempestuous century."

New York Times - Jennifer Schuessler

"Offers plenty of backstage anecdotes and high private drama…. But Mr. Lahr, ever the critic, keeps the plays themselves front and center…. The book has already won enthusiastic advance notice…along with blurbs from a kick line of A-list ‘theatricals’ including Helen Mirren, John Guare and Tony Kushner."

Tony Kushner

"There's never been an American critic like John Lahr. His writing exalts, honors, and dignifies the profession and, more importantly, the art."

Wall Street Journal - Brenda Wineapple

"Elegantly written as well as psychologically acute… Lahr balances quotation and interpretation, sympathy and criticism, in this searing and unforgettable portrait of the artist who gave voice to the repressed, the reviled and the restless."

Los Angeles Times - Charles McNulty

"Scintillating on the backstage and bedroom dramas and almost intrusively perceptive on the autobiographical nature of Williams’ art."

Elizabeth Ashley

"Swear-to-god, it's the most original, insightful, thrilling biography I've ever read!"

New York Times Holiday Gift Guide

"[P]rodigiously researched… acute and elegant… Lahr is most superb on the relationship between Williams and the director Eliz Kazan, perhaps his greatest collaborator."

USA Today - Jocelyn McClurg

"Witting, moving, ferociously intelligent… essential reading for any theater fan."

New Yorker - Hilton Als

"A masterpiece."

Milwaukee Journal Sentinel - Mike Fischer

"Magnificent…one of the best written and most extraordinary biographies I’ve ever read, in any field."

John Guare

"Could this be the best theater book I've ever read? It just might be. Tennessee Williams had two great pieces of luck: Elia Kazan to direct his work and now John Lahr to make thrilling sense of his life."

New York Times - Janet Maslin

"Intricately detailed… gripping."

Charles Matthews

"Fascinating… Lahr gives us a sense of the ebb and flow of Williams’s life, exercising a critic’s keen eye on the plays, a novelist’s gift for characterization, and a historian’s awareness of the way a changing American society colored his work… As much a biography of the plays as of the playwright—a book that lets the life illuminate the work and the work illuminate the life."

Daily Beast - Wendy Smith

"Essential reading for anyone who cares about the theater."

Wall Street Journal - J. D. McClatchy

"This is by far the best book ever written about America's greatest playwright. John Lahr, the longtime drama critic for the New Yorker, knows his way around Broadway better than anyone. He is a witty and elegant stylist, a scrupulous researcher, a passionate yet canny advocate… He brings us as close to Williams as we are ever likely to get."

Bill Bryson

"Splendid beyond words. It would be hard to imagine a more satisfying biography."

André Gregory

"It is a MAGNIFICENT work. Mesmerizing, illuminating, and heartbreaking."

Deadline Hollywood - Jeremy Gerard

"The singular achievement of John Lahr’s magisterial book, Tennessee Williams: Mad Pilgrimage of the Flesh is that it’s one betwitching writer’s journey into the lives—public and private—of another."

Paul Taylor

"It is a masterpiece on several levels: of synthesis and analysis (an amazing life apprehended afresh, with great learning lightly borne and a strong streak of showbiz savvy; a page-turner that is almost embarrassingly devourable)."

André Bishop

"Brilliant and seamless. A labor of the profoundest love, and it comes from the heart and mind of one of our greatest theater writers."

San Francisco Chronicle - Gerald Bartell

"Lahr’s expansive, polished and keenly observed volume is a major work of American theater criticism and biography."

Boston Globe - Laura Collins-Hughes

"Excellent… A forceful claim for the playwright’s immortality."

Associated Press - Ann Levin

"Dazzling… an epic achievement."

Helen Mirren

"This is a masterpiece about a genius. Only John Lahr, with his perceptions about the theater, about writers, about poetry, and about people could have written this book. What a marvelous read."

Robert Brustein

"A splendid book, one of the finest critical biographies extant."

Sunday Times (UK) - John Carey

"At once sensitive and magisterial, and it fulfills the ultimate test for a literary biography by convincing you that the works cannot be understood without it. Once you have read it, it becomes part of their meaning."

Library Journal

04/15/2014
Senior drama critic of The New Yorker, Lahr has what it takes to detail Williams's difficult family and love lives as well as the genius of his plays.

NOVEMBER 2014 - AudioFile

With her smoky voice and Southern accent, Elizabeth Ashley is the perfect narrator for this “warts and all” biography of one of America’s most treasured literary icons. Ashley is no stranger to the works of Tennessee Williams—she starred in the 1974 Broadway revival of CAT ON A HOT TIN ROOF. With poise and sensitivity she reflects the penetrating insights, lashing humor, and shattering anger that Williams expressed in his many letters and memoirs, which are liberally quoted throughout, covering everything from his troubled relationship with his father to his binge drinking, open homosexuality, and, most important of all, his absolute, untiring dedication to the craft of writing. Ashley is unsparing and loving in her reading, and Williams would have expected nothing less. B.P. Winner of AudioFile Earphones Award © AudioFile 2014, Portland, Maine

Kirkus Reviews

★ 2014-06-15
The tormented life of a celebrated American playwright.WhenThe Glass Menageriedebuted on Broadway in 1945, the opening-night audience erupted in thunderous applause. After 24 curtain calls, shouts of “Author, Author!” brought a “startled, bewildered, terrified, and excited” Tennessee Williams (1911-1983) to the stage. At 34, after a decade of failed productions, he had achieved the success for which he had been desperately striving. Arthur Miller called the play “a revolution” in theater; Carson McCullers saw in it the beginning of “a renaissance.” But praise could never quash the demons that haunted Williams throughout his life. In this majestic biography, former longtimeNew Yorkerdrama critic Lahr (Honky-Tonk Parade: New Yorker Profiles of Show People,2005, etc.) delineates the fears, paranoia and wrenching self-doubt that Williams transformed into his art. “I have lived intimately with the outcast and derelict and the desperate,” Williams said. “I have tried to make a record of their lives because my own has fitted me to do so.” In stories, poems and such plays asA Streetcar Named DesireandCat on a Hot Tin Roof,Williams drew upon his stultifying childhood; his anguish over his sister’s mental illness; and his promiscuity and failed love affairs. Addicted to alcohol and a pharmacopeia of narcotics, Williams at one point sought help from a psychoanalyst; however, when the treatment forbade him to write, he fled. His self-worth, Lahr concludes, “was bound up entirely in his work” and consequently in how directors, actors and especially critics responded to what he produced. Feeling “bullied and intimidated” by others’ expectations, he projected onto them (director Elia Kazan, most notably, or his long-suffering agent Audrey Wood) “his own moral failure and turned it into a kind of legend of betrayal.” Lahr knows his subject intimately and portrays him with cleareyed compassion. Drawing on vast archival sources and unpublished manuscripts, as well as interviews, memoirs and theater history, he fashions a sweeping, riveting narrative.There is only one word for this biography: superb.

Product Details

BN ID:	2940172523632
Publisher:	Brilliance Audio
Publication date:	09/22/2014
Edition description:	Unabridged

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