Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art

by Gabriella Giannachi

Overview

This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production.

Gabriella Giannachi shows how artists constructed their presence, subjectivity, and personhood, by using a range of technologies and media including mirrors, photography, sculpture, video, virtual reality and social media, to produce an increasingly fluid, multiple, and social representation of their ‘self’.

This interdisciplinary book draws from art history, performance studies, visual culture, new media theory, philosophy, computer science, and neuroscience to offer a radical new reading of the genre.

Product Details

ISBN-13:	9781138604452
Publisher:	Taylor & Francis
Publication date:	07/29/2022
Series:	Routledge Advances in Art and Visual Studies
Pages:	164
Product dimensions:	6.88(w) x 9.69(h) x (d)

Table of Contents

Introduction

1. The Invention of the Self-Portrait

2. The Photographic Self-Portrait

3. Sculpting the Self

4. Video Self-Portraits

5. The Selfie

Conclusion