Teaching for the Two-Sided Mind

Teaching for the Two-Sided Mind

by Linda V Williams
Teaching for the Two-Sided Mind

Teaching for the Two-Sided Mind

by Linda V Williams

Paperback(Reprint)

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Overview

In Teaching for the Two-Sided Mind Linda VerLee Williams explores the application of this important research to the classroom, summarizing current knowledge, discussing its implications, and providing practical teaching techniques that draw upon the right side of the brain.

Teachers, parents and all those interested in education will find Teaching for the Two-Sided Mind a fascinating exploration of how the most recent psychological findings can be put to use in the classroom

Product Details

ISBN-13: 9780671622398
Publisher: Touchstone
Publication date: 05/15/1986
Series: Touchstone Book Series
Edition description: Reprint
Pages: 228
Product dimensions: 5.00(w) x 8.00(h) x 0.60(d)

About the Author

Linda V Williams is the author of Teaching for the Two-Sided Mind, a Simon & Schuster book.

Table of Contents

Prefacexi
1Learning with the Whole Brain1
The Two-Sided Mind and Education
2Scientific Theory and Educational Practice13
Differences Between the Hemispheres
A Model of Specialization
Implications for Education
Learning Styles and the Hemispheres
Teaching Techniques for the Right Hemisphere
3How Do You Think?39
Strategies and Modes of Thinking
Teaching Students Process Awareness
Solutions to Exercises
4Metaphor54
Advantages of Metaphorical Teaching
Using Metaphor in the Classroom
5Visual Thinking84
Training Perception
Graphic Representation
Visualization
6Fantasy115
Experiencing Fantasy
Observation Fantasies
Identification Fantasies
Fantasy as a Basis for Self-Expression
Evaluating the Products of Fantasy
Using Fantasy in the Classroom
Further Applications
7Multisensory Learning143
Sensory Learning in the Early Primary Grades
Sensory-Motor Integration
Kinesthetic and Tactile Learning
Kinesthetic Learning in Academic Subjects
Kinesthetic Perception in Physical Learning
Smell and Taste
Nonverbal Auditory Learning (Music)
8Direct Experience168
Laboratory Experiments
Field Trips
Real Objects and Primary Source Material
Simulation
Role Playing
9How to Start180
Planning for Change
Starting Now
Intangibles
Rediscovering Your Subject
Personal Growth
Working Together
Support Groups
10Conclusion191
Bibliography197
Index209
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