Read an Excerpt
Taylor Swift
Every Day is a Fairytale
By Liv Spencer ECW PRESS
Copyright © 2010 ECW Press
All rights reserved.
ISBN: 978-1-77090-167-4
CHAPTER 1
Growing Up Swiftly
On December 13, 1989, the number-one song topping the charts was Billy Joel's baby-boomer anthem "We Didn't Start the Fire." Little did anyone know, in the small borough of Wyomissing, Pennsylvania, a spark was being born in the form of Taylor Alison Swift, who would burn up the charts less than two decades later.
Taylor's savvy parents — Andrea Swift, a successful businesswoman, and Scott Swift, a stockbroker — wanted to make sure their daughter would have every advantage possible, and named her appropriately. Andrea reasoned that future employers wouldn't know if Taylor was a boy or a girl if they saw her name on a business card or résumé. Taylor explained to Rolling Stone, "She wanted me to be a business person in a business world." The platinum-selling singer-songwriter may not work in a boardroom, but there's no doubt Andrea Swift is anything but disappointed.
In Wyomissing, Taylor grew up on an 11-acre Christmas tree farm, which was the family's secondary business. The farm was also home to several cats and seven horses. Taylor was a young equestrian, and rode horses competitively as a child. Taylor remembers, "I was raised on a little farm and for me when I was little, it was the biggest place in the world. And it was the most magical, wonderful place in the world." She spent her time "running free and going anywhere I wanted in my head." When she was two she got a partner to play with when Andrea and Scott brought brother Austin home to join the Swift family. When Taylor was four, Andrea decided to set her career aside and focus on her family.
As Taylor shared in "The Best Day," her love song for her family, the Swifts are a close-knit bunch. Telling Girls' Life about her mom, Taylor explained, "She's one of my best friends. She's always, always around. She's the person in my life who will just literally look me in the eye and say, 'Look, snap out of it.' You know? And I need that person." Taylor also recognizes that her mother's influence was a major factor in achieving her astonishing success: "She totally raised me to be logical and practical. I was brought up with such a strong woman in my life and I think that had a lot to do with me not wanting to do anything halfway."
The special bond between mother and daughter doesn't go unnoticed by Scott Swift, who told the Tennessean: "People keep saying to me, 'The relationship between Andrea and Taylor is something pretty special.' That is amazing. There aren't too many mother and daughters who work together as a business unit the way those two do." And while Scott may not be constantly by Taylor's side now that she's often away from home, he still plays a major role in his daughter's life. Andrea's approach is firm though loving, realistic, and honest, while Scott is a softie. "My dad is just a big teddy bear who tells me that everything I do is perfect," said Taylor. Like his wife, Scott passes on his wisdom to his daughter, helping her make sound financial decisions about her career independently. "Business-wise, he's brilliant," says Taylor. "I'm constantly getting business advice and what to invest in. I think you should be in charge of every single aspect of your career."
As a parenting team, Andrea and Scott balance each other out. Taylor told the Tennessean, "I have a logical, practical, realistic mother, and a head-in-the-clouds, kind and friendly, optimistic father. And so I'm a dreamer, and my imagination goes to places where love lasts forever and everything is covered in glitter, and that's from my dad's personality. Every time I walk off stage, he tells me how much he loved it, or how he was standing at the soundboard, crying. But my mom, she'll tell me exactly what she saw."
While Taylor may get her confidence and her business sense from her parents, her musical talent comes from someone else: her late maternal grandmother, Marjorie Finlay, a successful opera singer. Taylor reminisces, "I can remember her singing, the thrill of it. She was one of my first inspirations," and she elaborated to the Sunday Times: "She would have these wonderful parties at her house, and she would get up and sing. She always wanted to be onstage, whether she was in the middle of her living room or in church; she just loved it. And when she would walk into a room, everyone would look at her, no matter what; she had this 'thing,' this It factor. I always noticed it — that she was different from everyone else." Marjorie traveled with her husband, who built oil rigs around the world, and she performed in places like Singapore, Puerto Rico, and Vietnam. When Andrea was 10, the family settled in America. Marjorie appeared in operas like The Bartered Bride and The Barber of Seville and musicals such as West Side Story. Scott Swift notices similarities that go beyond musical ability between his daughter and his mother-in-law: "The two of them had some sort of magic where they could walk into a room and remember everybody's name. Taylor has the grace and the same physique of Andrea's mother. Andrea's mother had this unique quality; if she was going into a room, literally everybody loved Marjorie."
Taylor's legacy from her grandmother appeared at a very young age. She had an uncanny ability to memorize songs, and Taylor remembers that at age three or four, "I would come out of these Disney movies and I'd be singing every single song from the movie on the car ride home, word for word. And my parents noticed that once I had run out of words I would just make up my own." Taylor admits, "I was that annoying kid who ran around singing for random strangers."
The young girl was hooked on more than just singing; Taylor was addicted to stories too. Taylor told Katie Couric, "All I wanted to do was talk and all I wanted to do was hear stories. I would drive my mom insane driving down the road [with her]." Like other children, Taylor demanded stories at bedtime, but rather than reading the same books over and over, Taylor insisted on originals. "I refused to go to bed without a story. And I always wanted to hear a new one," she says. No wonder Andrea admitted her energetic youngster "had the potential to be exhausting."
It wasn't too long before Taylor started making up her own stories. She told the Washington Post, "Writing is pretty involuntary to me. I'm always writing." Taylor's love of language "started with poetry, trying to figure out the perfect combination of words, with the perfect amount of syllables and the perfect rhyme to make it completely pop off the page." She loved Dr. Seuss and Shel Silverstein, and told Rolling Stone: "I noticed early on that poetry was something that just stuck in my head and I was replaying those rhymes and try[ing] to think of my own. In English, the only thing I wanted to do was poetry and all the other kids were like, 'Oh, man. We have to write poems again?' and I would have a three-page long poem." In the fourth grade she won a national poetry contest for her composition "Monster in My Closet." She even wrote a 350-page novel during a summer vacation. Andrea remembers, "She wrote all the time. If music hadn't worked out, I think she'd be going off to college to take journalism classes or trying to become a novelist."
Beyond music and stories, Taylor demonstrated one more quality at a young age that would prove useful on her rise to superstardom: she was at ease in front of the camera and knew how to strike a pose that even Tyra Banks would call fierce. Andrea told British magazine Sugar, "I got photos taken for family Christmas cards when Taylor was five. She was really posing. The photographer told me I should take her to L.A. to model, but I'm so glad I didn't." Millions of fans are glad she didn't too.
Entering the Spotlight
When Taylor was around 10, she decided she wanted to follow in her grandmother's footsteps and sing in front of an audience. She auditioned for the local children's theater company a week after she saw its production of Charlie and the Chocolate Factory. Since she was tall, Taylor was given the lead roles, and played such memorable parts as Sandy in Grease, Kim in Bye Bye Birdie, and Maria in The Sound of Music, but Taylor admits, "My singing sounded a lot more country than Broadway." And though Taylor liked being onstage, what really captured her heart was performing karaoke at the cast parties. The songstress explains, "Singing country music on that karaoke machine was my favorite thing in the world." She sang the Shania Twain, Dixie Chicks, and Faith Hill songs that she'd been listening to since a LeAnn Rimes album got her hooked on country music at age six. Her inspiring performances didn't go unnoticed, and Taylor remembers, "One day, somebody turned to my mom and said, 'You know, she really ought to be singing country music.'" Taylor adds, "It kind of occurred to all of us at the same time that that's what I needed to be doing."
Taylor started scouring the phone book for more places to perform. One of her regular spots was the Pat Garrett Roadhouse in Strausstown, Pennsylvania, which held frequent karaoke contests. Taylor started going every week, taking her parents along with her. "They were kind of embarrassed by it, I guess," remembered Taylor. "This little girl singing in this smoky bar. But they knew how much it meant to me so they went along with it." A year and a half later, her performance of LeAnn Rimes' "Big Deal" earned her not only the prestige of being karaoke champion, but also a spot opening for Grammy-winner and country legend Charlie Daniels at the amphitheater across the street. In this case, "opening" meant that Taylor went on at 10 a.m. while Charlie Daniels played at 8 p.m. Nevertheless, it was a pretty amazing feat for an 11-year-old.
Demonstrating business smarts that would make her parents proud, Taylor discovered that another way to reach a large audience was to perform the national anthem at sports games. She sent demo tapes out everywhere. She sang regularly for her local minor league baseball team, the Reading Phillies, and would take whatever other gigs she could get from local garden club meetings all the way up to the U.S. Open tennis tournament when she was 12. "I figured out that if you could sing that one song, you could get in front of 20,000 people without even having a record deal," Taylor told Rolling Stone. One of the highlights of her anthem-singing career came at age 11 when she sang at a 76ers game. Jay-Z was sitting courtside and, after her performance, the famous rapper and hip hop mogul gave young T-Swizzle a high-five. "I bragged about that for like a year straight," Taylor admits.
As her career progressed, Taylor kept singing the anthem, though her eventual record deal helped get her in front of considerably larger audiences. She performed "The Star-Spangled Banner" at game three of the 2008 World Series between the Philadelphia Phillies and the Tampa Bay Rays. Even though she'd sung the anthem hundreds of times, performing at such an important game was still a little daunting. Taylor explained, "The national anthem is not as challenging range-wise, because I've been doing it for so long. The challenge for me is the utter silence that comes over 40,000 people in a baseball stadium and you're the only one singing it.... It's a really surreal moment for me."
But before she was a household name performing at one of the nation's most important sporting events, Taylor was just trying to find an audience. She watched a TV special about one of her heroes, Faith Hill, who talked about making it in Nashville, the home of country music. Taylor realized, "That's the promised land for country music. That's where I need to go."
Taylor made a demo tape of her singing the country songs she had grown to love backed by karaoke tracks, and convinced her mom to take her to the legendary city on a spring break trip. Andrea packed up Taylor and Austin and they drove down to Nashville. Taylor walked into the record-company offices on Music Row, handed them her demo, and boldly announced, "Hi, I'm Taylor. I'm 11. I really want a record deal." But as charming as the aspiring star's courage was, the companies weren't wooed. "Basically all the record companies went, 'Ah, how cute. She's just a little kid.' [and] 'Give up your dreams. Go home and come back when you're 18,'" recalls Taylor. "I chose not to hear that. I wasn't prepared to accept that I wasn't a relevant artist until I was 18." The record companies steadfastly believed that young people didn't listen to country music. Taylor was frequently told, "The country music demographic is 35-year-old females and those are the only people who listen to country music," but she remembers, "I just kept thinking that can't be true. That can't be accurate because I listen to country music and I know there have to be other girls everywhere who listen to country music.... So I kept trying because I didn't believe that there was just one tiny demographic." Of course, that younger demographic did exist, and while the record execs might not have known it yet, Taylor did, and in a few short years, she would prove it to them.
Guitar Hero, Social Outcast
Returning home to Wyomissing, Taylor knew she had to do something to distinguish herself from all the other wannabe performers, and she came up with two ways she could do that: she'd learn to play the guitar and she'd write her own music. Taylor explained, "There are a lot of gorgeous voices and beautiful women in Nashville, so I had to figure out a way to stand out. I thought if I could walk into an audition and play a song that I had written, then I'd stand out. And that has really made a difference."
Taylor had a guitar already — she'd received an electric guitar at age eight, and had actually started taking lessons but she had been discouraged quickly. It was a less formal teacher who got her playing for good; she learned her first three chords from a guy who came by to fix the family's computer. Ten minutes later, she'd written her first song, "Lucky You." Each week, the computer guy would teach his young pupil a few more chords. By age 12, she was playing guitar four hours a day, every day. In classic T-Swift style, she decided to play on the more challenging 12-string model, as opposed to a six-string, because her first teacher had told her she wouldn't be able to do it. She told Teen Vogue, "I actually learned on a 12-string, purely because some guy told me that I'd never be able to play it, that my fingers were too small. Anytime someone tells me that I can't do something, I want to do it more." Andrea was floored by her daughter's commitment: "Her fingers would crack from so much playing. She was driven beyond anything I had ever witnessed."
Taylor's single-minded commitment to music may have wowed her mother, but it wasn't something that made her popular at school. The other kids made fun of her bleeding fingers and her love for country music, and were jealous of the attention she received for performing. She remembers, "I kind of started to live in fear when I would sing the national anthem at the 76ers game. If there was a write-up about it the next day in our local paper, I knew it was gonna be a bad day at school for me." A group of popular girls who used to be friendly with Taylor decided to exclude her: "When I'd sit down at the lunch table, they'd get up and move. Or, as I was setting up my equipment to sing karaoke at the town summer festival, the kids would shout horrible things." Andrea recalls, "She was shunned. After school, I'd hear what nightmare had occurred that day, what awful thing was done to her. I'd have to pick her up off the floor."
The budding performer also found her priorities were hugely different from those of her classmates: "All the girls at school were going to sleepovers and breaking into their parents' liquor cabinets on the weekend, and all I wanted to do was go to festivals and sing karaoke music." Taylor still picks music over drinking and parties, and since making that decision in junior high, the songstress has retained the same values — she won't let anything compromise her music career.
(Continues...)
Excerpted from Taylor Swift by Liv Spencer. Copyright © 2010 ECW Press. Excerpted by permission of ECW PRESS.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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