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Overview

Tartuffe has the gift of the gab. A spirituality. A certain aura about him….that comes only when you’ve got Allah on your side, hundreds of Twitter followers and access to the family’s bank account.

Watch the lies and deceit unfold in this wickedly hilarious Brummy satire of faith, family and #fakingit.

Product Details

ISBN-13: 9781786826237
Publisher: Bloomsbury Academic
Publication date: 09/07/2018
Series: Oberon Modern Plays
Pages: 120
Product dimensions: 5.06(w) x 7.81(h) x 0.26(d)

About the Author

Jean-Baptiste Poquelin Molière (1622-73), the French actor-manager and dramatist, was one of the theatre's greatest comic classics. Inspired by traditions of French farce and the 'commedia dell'arte', he courted controversy with his satiric commentaries on the society of his time and on eternal human foibles, but was saved by the patronage of the 'Sun King' Louis XIV.

Anil Gupta is a British comedy writer and producer. He has produced many shows on radio and television including Goodness Gracious Me, the spoof chat show The Kumars at No. 42, The Office, Citizen Khan and Bromwell High. He wrote the Cinderella episode of the 2008 comedy drama series Fairy Tales and ElvenQuest.

Richard Pinto is a British writer. For radio he co-created and wrote Elvenquest with Anil Gupta, and he was the lead writer on both the radio and the TV series of Goodness Gracious Me. Other television writing credits include Small Potatoes, The Kumars at No. 42, Bromwell High, Mutual Friends, Fresh Meat, Armstrong and Miller and Citizen Khan.

What People are Saying About This

Florent Masse

This dynamic new translation of Tartuffe conveys the subject matter of Molière's perennial masterpiece in a way that resonates for contemporary audiences. Prudence Steiner has modernized and revitalized the text, making its burning and scandalous tone stand out, as it does in the original French. The thorough introduction to the play skillfully invites the reader into the dark and controversial world of Tartuffe. (Florent Masse, Princeton University)

Jim Carmody

The new Steiner Tartuffe offers welcome relief from all the rhymed translations that make Molière sound like a third-rate Restoration poet while creating the (false) impression that verbal dexterity and wit trump all other values in the great comic playwright's dramaturgy. Steiner's crisp, lucid prose - her adroitly balanced sentences are especially effective at conveying the slippery rhetoric of Tartuffe's seductions - unfolds the plot and characters of Molière's play with an unaccustomed clarity, presenting the ideological clashes of the play with a bluntness many other translations attenuate. Roger Herzel's Introduction is well-focused for those encountering Molière for the first time and informed throughout by his own excellent scholarship. (Jim Carmody, University of California, San Diego)

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