In twangy language and moody, brightly colored watercolor art, Gourley emphasizes [Watson's] keen ear, subtle appreciation of both sound and silence, and loving, supportive family.
The New York Times Book Review - Maria Russo
01/19/2015 A cadenced narrative and soft watercolors in a naïve style take readers through blind folk musician Arthel “Doc” Watson’s Appalachian upbringing. As a child, Watson heard music everywhere, whether in the “high, lonesome whistle of the train,” the sound of geese, or in the saw blade’s rhythm. Playing guitar provided a way for him to communicate with the world without the need for sight: “Now Arthel could play what he couldn’t see.” Endnotes offer information about Watson’s accomplished career, yet the story’s focus remains squarely on the roots of (and his dedication to) his musical passion. Ages 4–8. (Mar.)
"The paintings' rich colors and simplified, often rhythmically repeated forms suit the story well. A lyrical tribute to the childhood of a folk legend." —Booklist "A cadenced narrative and soft watercolors in a naïve style take readers through blind folk musician Arthel “Doc” Watson’s Appalachian upbringing." —Publishers Weekly "Uncluttered watercolor illustrations add to the spare text, which stresses Watson's joyful exploration of the sounds of his world...this enchanting introduction to a legendary musician is perfect for most biography collections." —School Library Journal "Gourley's affectionate biography is a great starting point for young readers, who are most likely unfamiliar with Doc Watson." —Horn Book Magazine "In twangy language and moody, brightly colored watercolor art, Gourley emphasizes his keen ear, subtle appreciation of both sound and silence, and loving, supportive family." —New York Times Book Review —
02/01/2015 K-Gr 3—This charming picture book depicts the childhood of Arthel "Doc" Watson, a blind country and bluegrass guitarist, songwriter, and singer. This story begins on the endpapers, where a wash of soft greens invites readers to peek through trees and discover Watson's home, "where blue mountains meet the sky." Uncluttered watercolor illustrations add to the spare text, which stresses Watson's joyful exploration of the sounds of his world. A variety of colors set the tone: the bright red of the barn where he strummed a steel wire, lemon yellow for the notes on his first harmonica, a sweep of blue behind his banjo. Although his music "sounded like a rusty door hinge" at first, Watson kept with it. This story ends when Watson is still a teen, but an author's note explains how his chores on the farm gave him the confidence to pursue a successful career in music. VERDICT This enchanting introduction to a legendary musician is perfect for most biography collections.—Toby Rajput, National Louis University, Skokie, IL
2014-11-18 This affectionate portrait of guitar great Arthel "Doc" Watson focuses on his formative musical influences during his Appalachian childhood.Gourley's lyrical prose incorporates occasional diction derived from the setting. "Yonder, where blue mountains meet the sky, Arthel Watson was born into a world of music." Arthel listens intently—to farm animals, a distant train, peeping frogs and more. He has "ears like a cat." A page turn reveals an inky-black double-page spread and one stark, speculative sentence: "Maybe it was because he was blind." Arthel's "heart full of melody" can't be contained. He drums on pots and strums a steel wire strung to the sliding barn door. His Pappy gives him a harmonica, makes him a banjo and buys his first guitar, from which Arthel's inseparable. Arthel learns farm chores, practicing guitar in between. "He reckoned if he could work like everyone else, he could play music like the folks he heard on the records and the radio." The narrative ends with a beginning and an image of a taller Arthel, guitar in hand. Gourley's watercolors, while often lovely, depict Arthel unevenly, with some spreads appearing less finished than others. For example, the boy's strawberry-blond hair is, at turns, textured with light pencil strokes, heavily crayoned or left untouched. Aspects of visual discontinuity detract from this otherwise sensitive treatment of a celebrated guitarist's early inspirations. (biographical note, bibliography, list of websites) (Picture book/biography. 5-8)