Taken by the Muse: On the Path to Becoming a Filmmaker

Taken by the Muse: On the Path to Becoming a Filmmaker

by Anne Wheeler
Taken by the Muse: On the Path to Becoming a Filmmaker

Taken by the Muse: On the Path to Becoming a Filmmaker

by Anne Wheeler

Paperback

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Overview

Finalist for the Robert Kroetsch City of Edmonton Book Prize at the 2021 Alberta Literary Awards!

Finalist for the High Plains Book Awards in the Nonfiction Category

Finalist for Trade Non-Fiction Book of the Year at the 2021 Alberta Book Publishing Awards!

Laced with humour and revelation, Anne Wheeler's creative non-fiction stories tell of her serendipitous journey in the seventies, when she broke with tradition and found her own way to becoming a filmmaker and raconteur.

Join this celebrated screenwriter and director as she travels south of Mombasa after calling off her wedding; attempts to gain acceptance in a male-dominated film collective; travels to India to visit friends who are devoted to a radical Master, and ultimately discovers her sense of purpose and passion close to home, sharing stories that would otherwise be lost about ordinary people living extraordinary lives.

Taken by the Muse: On the Path to Becoming a Filmmaker is a must-read for anyone open to exploring the possibilities of who they are and what they might do with their lives—and for those who love a good story told with integrity and warmth.


Product Details

ISBN-13: 9781774390016
Publisher: NeWest Publishers, Limited
Publication date: 10/15/2020
Pages: 256
Product dimensions: 5.50(w) x 8.50(h) x 1.00(d)

About the Author

Alberta-born Anne Wheeler earned degrees in mathematics and music, while performing in theatre whenever possible. Her first films were documentaries, but by the 1980s, she was making Canadian features such as Bye Bye Blues, The Diviners, Better than Chocolate, and Loyalties, winning numerous national and international awards. A master storyteller, she has garnered seven honorary doctorates, an Order of Canada, and a Lifetime Achievement Award (being the first woman to do so) from the Directors Guild of Canada. She lives in White Rock, BC, and continues to write, direct, and mentor younger filmmakers.

Read an Excerpt

This collection recounts a series of serendipitous encounters I had on my way to becoming a filmmaker. Such a career was not on the list of what a woman could be in the sixties. There was no film school or #metoo movement to suggest that my talent was worthy of attention; that it could provide a viable living; that I could be a visual artist, a writer, or a performer of any kind and not be a burden and a disappointment to my widowed mother. To follow my fancy would have been seen as a selfish thing to do.

But my passion was repeatedly stirred by unexpected challenges, by people who saw me more clearly than I saw myself. It was when I took risks, or remained open to possibilities, listened to my own rhythm, that my muse would suddenly be there and alter my course. It was not always through a person, though when it was it was never someone I would have expected. There were times when my muse was invisibly at work, provoking me, setting up obstacles, surprising me, triggering some magic, seducing me with the possibility that I could live with purpose, doing something I loved.

Table of Contents

Introduction 9

South of Mombasa 21

Downside Up 51

The Woman Who Didn't Exist 95

Beneath It All 141

The Devil and the Divine 159

Sheet on the Wall 217

Acknowledgements 253

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