Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture

by Amanda Anderson

Overview

Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

Product Details

ISBN-13:	9781501727733
Publisher:	Cornell University Press
Publication date:	08/15/2018
Series:	Reading Women Writing
Pages:	264
Product dimensions:	6.00(w) x 9.00(h) x 0.75(d)
Age Range:	18 Years

About the Author

Amanda Anderson is Andrew W. Mellon Professor of Humanities and English at Brown University and Director of the School of Criticism and Theory at Cornell University. She is the author of The Way We Argue Now: A Study in the Cultures of Theory and Powers of Distance: Cosmopolitanism and the Cultivation of Detachment and coeditor of Disciplinarity at the Fin de Siècle.

Editorial Reviews

Some ideas in Tainted Souls and Painted Faces will be useful in classroom discussions about the pressures exerted on authors by specific literary forms and generalized cultural anxieties.

Victorian Studies - Sally Mitchell

As the subtitle suggests, Anderson's subject is not so much the prostitute in Victorian literature as it is the rhetoric the Victorians used to construct 'fallenness.'

-- "CHOICE"

Some ideas in Tainted Souls and Painted Faces will be useful in classroom discussions about the pressures exerted on authors by specific literary forms and generalized cultural anxieties.

--Sally Mitchell "Victorian Studies"

From the Publisher

Examines the conception of prostitutes, adulteresses, seductees, and other sexually illicit women in mid-19th century England, focusing on their perceived lack of autonomy; and samples the conception's manifestation in the works of Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Booknews

As the subtitle suggests, Anderson’s subject is not so much the prostitute in Victorian literature as it is the rhetoric the Victorians used to construct ‘fallenness.’

CHOICE