Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.
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Synchronization and Title Sequences: Audio-Visual Semiosis in Motion Graphics
Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.
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Synchronization and Title Sequences: Audio-Visual Semiosis in Motion Graphics
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Product Details
ISBN-13: | 9781351619394 |
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Publisher: | Taylor & Francis |
Publication date: | 09/19/2017 |
Series: | Routledge Studies in Media Theory and Practice |
Sold by: | Barnes & Noble |
Format: | eBook |
Pages: | 154 |
File size: | 6 MB |
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