The Bees prance around the same
psychedelic pop themes and tones of
the Beta Band on
Sunshine Hit Me. But somehow they take things to a whole other level, as their familiarity with vintage instruments and addictive laid-back swagger help them avoid the pretension that sometimes follows
the Beta Band. Where the Isle of Wight duo's peers might name-check
the Beach Boys,
the Bees simply use them as a subtle starting point. Gentle harmonies mix perfectly with ornate horns that seem straight off a
Stereolab album. It's hard to say what's more compelling about the great
"Punchbag": Is it the lyric "I'm too much for caged monkeys" or the utterly warped beat that shuffles back on itself like a stoned boxer?
The Bees don't linger in one musical genre like so many
neo-psychedelic bands. Instead, they perfect one style and then move on to another, and somehow it all fits together perfectly. The lazy throwback
jazz of
"Angryman" fits snugly alongside the sublime, wobbly
dub of
"No Trophy." The latter really is stunning, sounding as if it were recorded in the heart of Jamaica rather than on a semi-desolate island.
"A Minha Menina" (an
Os Mutantes cover) gives
the White Stripes a run for their money, as dollops of mad
blues energy and a fuzzy guitar beg for inclusion on some future
Nuggets compilation. The final five tracks are surprising in their adherence to mellow dynamics, showing that
the Bees are wholly confident to end their debut with peaceful pianos, somber organs, muted trumpets, and a general sense of serenity.
"Zia" is even reminiscent of contemporary slow-drip songs from
Lambchop, only without the irony.
The Bees emerge as true masters of atmosphere with the swirling, delightful
Sunshine Hit Me. ~ Tim DiGravina