Only a grump would not give over to the wonder of Chabon’s otherworlds….The author’s gifts for metaphor and description hold the spiraling fantasy together, the humble giving human shape to the unreal. It’s clear he’s got a truer ear than J.K. Rowling.
A ripping yarn.
The Barnes & Noble Review
Pulitzer Prize-winner Michael Chabon is now giving a nod to younger audiences with this wondrous fantasy triumph about magical parallel worlds, the legend of baseball, and one boy's amazing journey to save the universe.
Ethan Feld has never been prone to adventure or attention, especially since he's often ridiculed about his lame baseball playing. But after he awakens one day to find a werefox sitting on his chest, Ethan learns he's ripe for a "fantastic destiny" in the Summerlands -- part of a connected, hidden world, where small American Indian-like ferishers play ball, and evil Coyote is thirsty to destroy the universe. Ethan agrees to the job, but when his father is kidnapped, his mission becomes more personal than he bargained for. With a team of ragtag players called Big Chief Cinquefoil's Traveling Shadowtails All-Star Baseball Club -- including the feisty pitcher Jennifer T., Thor Wignutt (a boy who's not quite a boy), a she-Sasquatch named Taffy, and the Anaheim Angels' Rodrigo Buendía -- Ethan treks through the Summerlands playing against incredible creatures and an impending time limit, hoping to reach his dad. Little does he know, however, that his abilities will be tested in the biggest baseball showdown of all time.
In a breathtaking work, Chabon successfully weaves a solid American-made fantasy, incorporating Native American lore, tall tales, and our nation's greatest pastime to make a modern-day tale of good versus evil. Young readers and adults alike will be rooting for Ethan all the way during his odyssey, and they'll be intrigued at how Chabon portrays the origins of the world, along with the wickedness that's out to destroy it. With the awesomeness of Sandy Koufax's fastball and the drama of Ty Cobb's swing, Summerland is an adventure that keeps you riveted until the last play. Matt Warner
Reading Michael Chabon's new book—billed by the publisher as an age-appropriate story "for young readers and adults alike"—it's impossible to ignore the mental images of the inevitable movie adaptation. Summerland, with its cast of baseball-playing dwarves, giants and "werefoxes," its magic portals and parallel universes, its doomsday scenario and its motley-but-lovable crew of misfit kids from fictitious Clam Island, Washington, is surely destined to hit the big screen as a computer-enhanced live-action feature film a few years hence. A summer blockbuster is in the making for the kid in all of us.
The same qualities that could well make the movie unbearable—the unruly hodgepodge of characters, the hand-me-down baseball-as-life metaphors, the boilerplate late-inning heroics—actually conspire to make Summerland an amusing, if not entirely satisfying, read. Chabon, fresh off the widely admired film version of his novel Wonder Boys and the Pulitzer Prize–winning The Amazing Adventures of Kavalier & Clay, can now write his own ticket. He doesn't waste any time. Here he indulges a childhood obsession to match the comic book world of Kavalier and Clay—the sport of baseball.
Chabon's improbable wonder boy, Ethan Feld, is a fairly well-adjusted kid, except when it comes to playing ball. At Summerland, the magically sun-drenched corner of otherwise sodden Clam Island, he plays the game mostly to appease his widower father, who cheers his son's every bobble, baserunning blunder and strikeout. A batted ball sails past Ethan, who is picking daisies out in right field, and it doesn't even register. "He was dimly aware of the other players chattering,pounding their gloves, teasing or encouraging each other, but he felt very far away from it all. He felt like the one balloon at a birthday party that comes loose from a lawn chair and floats off into the sky," writes Chabon, who has a truly marvelous feel for small descriptive moments. "A baseball landed nearby, and rolled away toward the fence at the edge of the field, as if it had someplace important to get to. Later it turned out that Ethan was supposed to have caught that ball."
Ethan's dad is something of a self-taught scientific genius, and his ingenuity attracts the attention of one Rob Padfoot, who turns out to be an accomplice of Coyote—Chabon's rather fallible version of the devil himself. Mr. Feld is kidnapped and whisked off to an alternate plane, a living hell where Coyote is scheming to bring on the final calamitous inning of the world as we (and the various baseball-playing crossbreeds) know it.
Certainly young readers will delight in the author's masterful use of imagery, whatever they make of the story. When a band of marauding werewolves thunders past Ethan's hiding place, the author fully engages the audience's senses: "The yipping grew louder, and more joyous," Chabon writes, "and Ethan saw that the creatures had the shapes of men, and the heads of wolves, and the next moment he could smell their coats, rancid and sweet, a smell like the inside of your lunchbox at the end of a warm afternoon."
In creating Summerland, Chabon plunders the standard young boy's book (and video) library, from J.R.R. Tolkien and C.S. Lewis to the requisite inspirational baseball yarns—such as Bernard Malamud's The Natural and W.P. Kinsella's Shoeless Joe. And he throws in several supernatural Harry Potter–style incidents for good measure. Clearly he wants in on the burgeoning big business of entertainment for kids.
Baseball, as we have heard countless times before, really does lend itself as an all-purpose allegory. The author makes the most of it, especially near the end of the book, when brave Ethan confronts an apparition that has tricked him into believing that he and his long-dead mother are reuniting.
"The sweetness of that bitter memory, of her embrace, of holding her again and hearing her voice, filled his heart so full that all the old healed places in it were broken all over again," Chabon writes in a climactic passage that makes all his far-flung fancies seem perfectly groomed for this realization. "And in that moment he felt—for the first time that optimistic and cheerful boy allowed himself to feel—how badly made life was, how flawed. No matter how richly furnished you made it, with all the noise and variety of Something, Nothing always found a way in, seeped through the cracks and patches. Mr. Feld was right; life was like baseball, filled with loss and error, with bad hops and wild pitches, a game in which even champions lost almost as often as they won, and even the best hitters were put out seventy percent of the time. Coyote was right to want to wipe it out, to call the whole sad thing on account of darkness."
That's not how the story ends, of course. Kids' tales can't end in desolation. Not while there are movies to be made.
It's worth wondering whether Summerland's baseball fixation might land with a thud among contemporary schoolchildren, like that high fly ball that eluded not just Ethan's grasp but his attention, too. The real-life major leagues have made a concerted effort in recent years to rebuild interest among young fans, but baseball is not America's favorite pastime the way it was, say, fifty years ago.
With Summerland, Chabon sometimes seems to be offering up a lavish new marketing endorsement for the sport. "Errors ... well, they are a part of life, Ethan," Mr. Feld tells his son in the opening chapter of the book. "Fouls and penalties, generally speaking, are not. That's why baseball is more like life than other games." Baseball buffs young and old—and you can count this reviewer among them—will never grow tired of such poetic pronouncements.
Following the death of his mother, a boy moves with this father to an island, where a mystical baseball scout recruits him for a special mission and escorts him through a gateway to a series of interconnected worlds. In a starred review, PW said that the author "hits a high-flying home run, creating a vivid fantasy where baseball is king." All ages. (Mar.) Copyright 2004 Reed Business Information.
Gr 5 Up-Ethan Feld, a less-than-mediocre Little League player, is recruited by Ringfinger Brown, an old-timer from the Negro Leagues, to play in the ball game of his life-and save the world. Ethan lives on Clam Island, WA, where a place called Summerland exists. It is a link to alternate worlds where fantastic creatures reside, ruled by the trickster Coyote, who has decided that he wants to put an end to the world. Ethan, an unlikely hero, begins his journey accompanied by his friends Jennifer T. Rideout and Thor Wignutt. Along the way, they face many obstacles (with outcomes often determined by baseball games) and are joined by all sorts of beings: a Sasquatch, a talking rat, a tiny giant, a major league ball player, and characters that readers may remember from legends and fairy tales. Readers will identify with Ethan and his motley crew with their insecurities, longings, family problems, and their sometimes clumsy ingenuity. Packed with magic, adventure, myth, and America's favorite pastime, this book will enchant its audience.-Kimberly L. Paone, Elizabeth Public Library, NJ Copyright 2002 Cahners Business Information.
"Well, we got no choice, an' that's a fact. The Rade has showed up, years before we ever done expected them, and yer about ten years shy o' half-cooked, but we got no choice. There ain't no time ta go looking for another champion. I guess ya'll hafta do." Thus is 11-year-old Ethan Feld, the worst ballplayer in the history of the game, drafted by the Home Run King of three worlds to forestall the end of the world at Ragged Rock. Ragged Rock is not a place but a moment-the last out of the bottom of the ninth-and the Rade is the combined hordes of Coyote, the Changer, who is bent on poisoning the four great branches of the World Tree. After the death of his mother, however, Ethan hasn't much faith in his ability to be anybody's hero, but when his Zeppelin-designer father is kidnapped by Coyote to engineer Ragged Rock, he takes up a baseball-bat-sized chunk of the World Tree and joins the cause. Plaiting together elements from Scandinavian and Native American mythology, American legend, and world literature, Pulitzer-winner Chabon (The Amazing Adventures of Kavalier and Clay, 2000, etc.), writing for young people for the first time, constructs a uniquely American fantasy peopled by were-animals, sasquatches, giants, and ferishers-fairies who look like nothing so much as 18-inch-high storybook Indians-and fueled by a healthy reverence for the Great American Game. As catcher and slugger for Big Chief Cinquefoil's Traveling Shadowtails All-Star Baseball Club, Ethan is joined by Clam Island teammates Jennifer T. Rideout and Thor Wignutt, and an assortment of otherworldly supporters. Together they barnstorm across the Summerlands until, at Diamond Green, they meet Coyote and his team ofHobbledehoys, for one last, great game. The sprawling, vigorous narrative pulls out all the stops, gleefully reveling in the wonders it produces at every turn, from the magically ever-sunny corner of drizzly Clam Island to the varied denizens of the Summerlands. This raucous, exhilarating, joyful, and, above all, fun offering displays an enormous respect for the tradition of great fantasies that come before it, from Irving, Baum, and Nesbit, to Lewis, Tolkien, and Pullman, while confidently taking its place beside them.
Powered by Chabon’s ample storytelling skills and rich narrative voice, the novel incorporates baseball, Native American myths, and fantasy into a story that’s bound to appeal to young readers and their parents.
When he learns that he’s been chosen to save the world from Coyote, the Changer, 11-year-old Ethan Feld begins a mystical journey between dimensions. Werecreatures (half-human, half-animal), ferishers (fairies that don’t look or act like winged pixies), a sweet but smelly sasquatch, and some slow-witted giants who can’t resist a wager are only some of the delightful denizens who populate Michael Chabon’s first foray into children’s literature. Chabon performs with the finesse of an accomplished actor, adding the energy and enthusiasm that come of knowing everything about his characters. As he blends the idea of interchangeability between humans and animals found in American Indian, African-American, and European folklore with baseball and contemporary life, Chabon hits a grand slam with this spirited, unsentimental mythology for our time. S.J.H. 2003 Audie Award Finalist © AudioFile 2002, Portland, Maine
