Sugar

Sugar

by Stanley Turrentine
Sugar

Sugar

by Stanley Turrentine

Vinyl LP(Long Playing Record - Special Edition / Dutch Import / 180 Gram Vinyl)

$39.99 
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Overview

If ever there were a record that both fit perfectly and stood outside the CTI Records' stable sound, it is Sugar by Stanley Turrentine. Recorded in 1970, only three tracks appear on the original album (on the reissue there's a bonus live version of the title track, which nearly outshines the original and is 50 percent longer). Turrentine, a veteran of the soul-jazz scene since the '50s, was accompanied by a who's who of groove players, including guitarist George Benson, Lonnie Liston Smith on electric piano, Freddie Hubbard on trumpet, bassist Ron Carter, organist Butch Cornell, and drummer Billy Kaye, among others. (The live version adds Airto, flutist Hubert Laws, drummer Billy Cobham, and organist Johnny Hammond.) The title track is a deep soul blues workout with a swinging backbeat and the rhythm section fluidly streaming through fours and eights as Benson, Hubbard, and Turrentine begin slowly and crank up the heat, making the pace and stride of the cut simmer then pop -- especially in Hubbard's solo. This is truly midnight blue, and the party's at the point of getting really serious or about to break up. By the time Benson picks up his break, full of slick, shiny, warm arpeggios, the seams are bursting and couples are edging into corners. Butch Cornell's "Sunshine Alley" is a solid, funky groover, paced by organ and double fours by Kaye. Turrentine and Hubbard stride into the melody and keep the vamp in the pocket, riding out past the blues line into a tag that just revs the thing up even further. But the big surprise is in the final track, one of the most solidly swinging, from-the-gut emotional rides of John Coltrane's "Impressions" ever taken. Turrentine is deep inside his horn, ringing out in legato with everything he has -- and it is considerable. Ron Carter's bass playing flows through the modal interludes, creating a basis for some beautifully intervallic invention by Benson and Smith by building a series of harmonic bridges through the mode to solos. It's hard to believe this is Turrentine, yet is could be no one else. If jazz fans are interested in Turrentine beyond the Blue Note period -- and they should be -- this is a heck of a place to listen for satisfaction. ~ Thom Jurek

Product Details

Release Date: 03/29/2024
Label: Music On Vinyl
UPC: 8719262033184
Rank: 30753

Album Credits

Performance Credits

Stanley Turrentine   Primary Artist,Sax (Tenor)
Lonnie Liston Smith   Guest Artist
Ron Carter   Guest Artist,Bass
Airto Moreira   Guest Artist
Hubert Laws   Guest Artist
George Benson   Guest Artist,Guitar
Billy Cobham   Guest Artist
Freddie Hubbard   Guest Artist,Trumpet
Richard Landrum   Congas
Billy Kaye   Drums
Dr. Lonnie Smith   Piano (Electric)
Butch Cornell   Organ

Technical Credits

Freddie Hubbard   Composer
Mark Wilder   Mastering
Rudy Van Gelder   Engineer
Richard Seidel   Reissue Producer
John Coltrane   Composer
Ira Gitler   Liner Notes
Stanley Turrentine   Composer
Elton Robinson   Design
Butch Cornell   Composer
Chuck Stewart   Photography
Pete Turner   Cover Photo
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