Table of Contents
PrefaceChapter 1: Musical Time and SpaceAssignment 1.1: Rhythm, Meter, and AccentAssignment 1.2: More Metrical Issues, Scales, and Key SignaturesAssignment 1.3: More Scales, IntervalsAssignment 1.4: More intervals and MelodyChapter 2: Harnessing Musical Time and SpaceAssignment 2.1: Contrapuntal Motions and 1:1 CounterpointAssignment 2.2: 1:1 and 2:1 CounterpointAssignment 2.3: 2:1 Counterpoint, TriadsAssignment 2.4: Triads and Figured BassAssignment 2.5: Figured Bass and Harmonic AnalysisAssignment 2.6: Seventh ChordsAssignment 2.7: Seventh Chords, TextureChapter 3: Making Choices: When Harmony, Melody, and Rhythm MergeAssignment 3.1: Tones of Figuration and Harmonic AnalysisAssignment 3.2: Melodic FluencyAssignment 3.3: EmbellishmentChapter 4: Composition and Analysis: Using I, V, and V7Assignment 4.1: Writing and Analyzing I and VAssignment 4.2: More Writing of Tonic and DominantAssignment 4.3: V7Chapter 5: Contrapuntal Expansions of Tonic and DominantAssignment 5.1: Six-Three ChordsAssignment 5.2: More Six-ThreesAssignment 5.3: V7 and viio7Assignment 5.4: More Seventh ChordsChapter 6: A New Harmonic Function; Additional Melodic and Harmonic EmbellishmentsAssignment 6.1: The Pre-DominantAssignment 6.2: More Pre-DominantsAssignment 6.3: Accented Tones of FigurationAssignment 6.4: All Tones of FigurationChapter 7: Six Four Chords, Non-Dominant Seventh Chords, and Refining the Phrase ModelAssignment 7.1: Six-Four ChordsAssignment 7.2: More Six-Four Chords and Non-Dominant Seventh ChordsAssignment 7.3: More Non-Dominant Seventh ChordsAssignment 7.4: Embedded Phrase ModelsChapter 8: The Submediant and MediantAssignment 8.1: The SubmediantAssignment 8.2: Submediant and MediantAssignment 8.3: More Submediant and MediantAssignment 8.4: Paradigms and CompositionChapter 9: The Period, Double Period, and SentenceAssignment 9.1: Period and SentenceAssignment 9.2: CompositionAssignment 9.3: Period, Sentence, and Double PeriodChapter 10: Harmonic Sequences: Concepts and PatternsAssignment 10.1: Triadic SequencesAssignment 10.2: More Triadic SequencesAssignment 10.3: Triadic and Seventh Chord SequencesChapter 11: Applied ChordsAssignment 11.1: Spelling, Recognizing, and Writing Applied ChordsAssignment 11.2: Applied viio7Assignment 11.3: Harmonization and Applied Chord SequencesAssignment 11.4: Extended TonicizationChapter 12: Modulation and Binary FormAssignment 12.1: Closely Related Keys, Pivots, and ModulationAssignment 12.2: More Modulation; More WritingAssignment 12.3: Two-Voice Modulations, Modulation, and Binary FormAssignment 12.4: Modulation and Binary FormAssignment 12.5: Binary FormChapter 13: Expressive Chromaticism: Modal Mixture and Chromatic TonicizationAssignment 13.1: Melodic and Harmonic MixtureAssignment 13.2: Plagal motionsAssignment 13.3: Chromatic TonicizationAssignment 13.4: Prepared and Common-Tone Chromatic ModulationsChapter 14: The Neapolitan and Augmented Sixth ChordsAssignment 14.1: Identifying and Writing the Neapolitan ChordAssignment 14.2: More NeapolitanAssignment 14.3: Tonicization of the NeapolitanAssignment 14.4: Augmented Sixth ChordsAssignment 14.5: More Augmented Sixth ChordsAssignment 14.6: More Writing of Augmented Sixth Chords, +6 in ModulationChapter 15: Ternary and Sonata FormsAssignment 15.1: Analysis of TernaryAssignment 15.2: Ternary and Binary FormsAssignment 15.3: SonataKeyboard Exercises