Structure of a Flamenco Coreography

As in any other dance discipline, in flamenco a choreography is composed of several parts that are well differentiable and indispensable for an optimal result of it. These are the ones we are going to learn and analyze step by step. We will also analyze some performances uploaded to the net to have a visual sample. Whether you are a flamenco fan or a professional dancer you should read this manual to understand the dance and also to get the most out of your performances.

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Structure of a Flamenco Coreography

As in any other dance discipline, in flamenco a choreography is composed of several parts that are well differentiable and indispensable for an optimal result of it. These are the ones we are going to learn and analyze step by step. We will also analyze some performances uploaded to the net to have a visual sample. Whether you are a flamenco fan or a professional dancer you should read this manual to understand the dance and also to get the most out of your performances.

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Structure of a Flamenco Coreography

Structure of a Flamenco Coreography

by Juan Luis Heredia Navas
Structure of a Flamenco Coreography

Structure of a Flamenco Coreography

by Juan Luis Heredia Navas

eBook

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Overview

As in any other dance discipline, in flamenco a choreography is composed of several parts that are well differentiable and indispensable for an optimal result of it. These are the ones we are going to learn and analyze step by step. We will also analyze some performances uploaded to the net to have a visual sample. Whether you are a flamenco fan or a professional dancer you should read this manual to understand the dance and also to get the most out of your performances.


Product Details

BN ID: 2940164227630
Publisher: Juan Luis Heredia Navas
Publication date: 08/05/2020
Sold by: Smashwords
Format: eBook
File size: 149 KB

About the Author

Flamenco dancer and singer from Málaga who showed artistic concerns from an early age. He was interested in flamenco art from a young age. He was part of the group of choirs and dances of his native town, Cómpeta, in his adolescence and he was expanding his knowledge.
He received ballet classes under the direction of Irene Glazier Lucas, professor at the Royal Academy of London, with which he took part in the International meeting of young artists Energy in the city, held in Leeds, United Kingdom, in 1996 and 1998, in which he held flamenco demonstrations and workshops for the rest of the participants.
In Málaga, he enrolled official studies in the Ateneo of Music and Dance in 1994. His training concludes at the High Conservatory of Dance in Málaga where he completed up to the 5th year, to continue dedicating himself to teaching and the scene.

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