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Overview
Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez—one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality.
The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy.
In Strictly Dynamite: The Sensational Life of Lupe Velez, author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves.
Product Details
| ISBN-13: | 9780813198101 |
|---|---|
| Publisher: | University Press of Kentucky |
| Publication date: | 09/19/2023 |
| Series: | Screen Classics |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 488 |
| File size: | 20 MB |
| Note: | This product may take a few minutes to download. |
About the Author
Eve Golden is the author of numerous theater and film biographies, including Jayne Mansfield: The Girl Couldn't Help It, Anna Held and the Birth of Ziegfeld's Broadway, The Brief, Madcap Life of Kay Kendall, and John Gilbert: The Last of the Silent Film Stars.
Eve Golden is the author of numerous theater and film biographies, including Jayne Mansfield: The Girl Couldn’t Help It, The Brief, Madcap Life of Kay Kendall, and John Gilbert: The Last of the Silent Film Stars.
Table of Contents
A Note on the Text
Introduction
1. "I never study how to sing or dance from any teacher... Maybe I don't sing so well on the key but I sing like I feel."—Lupe Velez
2. "She was like a young colt, and just as hard to tie down."— Harold Bucquet
3. "Tomorrow she'll be heralded as another discovery in the way of cinema stars."—Irene Thirer
4. "The sons and daughters of old Spain again are marching on southern California."—Arthur L. Marek
5. "The Mexican heart-breaker de luxe... reaching out for the veteran scalps of Movieland."—Mollie Merrick
6. "I do not exaggerate when I say that her talent is distinctive, far-reaching, and something at which to marvel."—D.W. Griffith
7. "Lupe's vivaciousness, her sparkling black eyes and ready laugh dispel any offense that one might take at her actions."—Dan Thomas
8. "Gilbert and Garbo haven't got much on Cooper and Velez"—the New York Daily News
9. "The realest, most unaffected, unposey child who ever came down the picture pike."— Mayme Ober Peak
10. "United Artists will be just plain crazy if they didn't keep Lupe Velez at their own studio and find some stories for her."—Louella Parsons
11. "I don't believe Lupe is ever quite still. Even when she sleeps, I'd wager, in her dreams she dances, gesticulates, pounces, shrieks with merriment, throws back her head in wild peals of primitive silvery laughter."—Robbin Coons
12. "Lupe Velez is wonderful in a role that calls for and brings to the screen one of the greatest pieces of acting of the year."—The Hastings and Saint Leonards Observer
13. "I sing, not good but loud; I dance, not good but move around a lot. I stop the show."—Lupe Velez
14. "The only way you could satisfy our Latin friends would be to show them as holy cherubs on the screen."—Harry Carr
15. "I know men. They are all the same. You love them. They want to be bosses. I will never have a boss over me except myself. I earn my own money."—Lupe Velez
16. "Who is this so-and-so who writes this stuff? What do you think I am; you write this in English!"—Lupe Velez
17. "I take the minutes as they come. When I cry, I enjoy my crying. I enjoy terribly to get mad. I enjoy to laugh and to love. I don't worry about yesterday or tomorrow."—Lupe Velez
18. "To marry, I expect my husband to be the boss, every man should be the boss of his wife. But with me it doesn't work, understand?"—Lupe Velez
19. "Tarzan Weissmuller threw Lupe Velez from deep center to the home plate at Malibu beach the other afternoon."—The New York Daily News
20. "The only way I could quiet her down was to smash one of her antiques. That used to break her spirit."—Johnny Weissmuller
21. "That film industry – what is the matter with it? They pick wrong stars for parts... Those films like Strictly Dynamite. Ugh! Two more like that and Lupe she is finished."—Lupe Velez
22. "From the moment that Miss Velez was lowered from the ceiling in a silver throne she was decidedly a hit."—Variety
23. "Lupe Velez doesn't do any picture work, but her fights with her husband, Johnny Weissmuller, keep her name in the local papers."— Harry T. Brundidge
24. "Some little—or big—voice inside me says, 'go out there looking like a star.' And I'm damned uncomfortable when I don't."—Joan Crawford
25. "The feeling concerning Miss Velez is simply that she cast her lot with Hollywood and... that there were plenty of Mexican girls who could just as well have essayed the role."—Read Kendall, Los Angeles Times
26. "I have tried hard, but we just can't get along... I am so tired of fighting."—Lupe Velez
27. "Miss Velez plays herself... in her own delightful manner."—The Arizona Republic
28. "We've been here for a hundred and fifty years, nobody paid a goddam bit of attention to us. All of a sudden they say, 'I want to be your friend."—Desi Arnaz
29. "They are not 'important' pictures... It has no rhyme, and its only reason is laughter."—Robin Koon, the Hazleton Standard Speaker
30. "Not a lady to see too much if you're inclined to be neurotic. She is very wearing indeed."—Alice Hughes
31. "I am no more a little girl. I am now a divorcée. I am mature. I am industrious. I cannot take chances with my career."—Lupe Velez
32. "Low comedy makes everybody laugh, the high-hat people and the cap people too... there is nothing to make everybody laugh like a pie in the face, except maybe the kick in the pants."—Lupe Velez
33. "They say I am too Latin, too passionate, too intense to play comedy. Now they are saying that I am too giddy and too Latin to do anything but comedy."—Lupe Velez
34. "Again Lupe Velez races about, screeching at the top of her lungs."—The Hammond Indiana Times
35. "I can't waste my time on a romance that will only mean unhappiness for both of us."—Lupe Velez
36. "It's not only him, it's all, it's everything. I'm very unhappy. Oh! I know! They'll say again that I'm an abominable woman."— Émile Zola's Nana
37. "I just want to have a little fun. I don't work – I play. Just so they keep on liking me."—Lupe Velez
38. "I'm so tired of it all. Ever since I was a baby I have been fighting. I'm getting to the point where the only thing I'm afraid of is life itself."—Lupe Velez
39. "Lupe took her own life last night... She was so full of life. Sad."—Erich Maria Remarque
40. "The air was filled with whistles and wolf cries. All in good, clean fun, understand... And that was Hollywood's adios to Lupe."— Florabel Muir, the Los Angeles Evening Citizen News
41. "We only pick on the dead because they can't defend themselves."—Hollywood Tours guide