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Paperback(2011)
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Overview
Product Details
ISBN-13: | 9780230296701 |
---|---|
Publisher: | Bloomsbury Academic |
Publication date: | 09/12/2011 |
Series: | Controversies , #6 |
Edition description: | 2011 |
Pages: | 176 |
Product dimensions: | 5.00(w) x 8.00(h) x 0.38(d) |
About the Author
STEVIE SIMKIN is Reader in Drama and Film at the University of Winchester, UK. He is the author of, amongst other works, Revenge Tragedy: A New Casebook (2001), Early Modern Tragedy and the Cinema of Violence (2005), and, also in the Controversies series, a volume on Basic Instinct (forthcoming, 2013).
STEVIE SIMKIN is Reader in Drama and Film at the University of Winchester, UK. He is the author of, amongst other works, Revenge Tragedy: A New Casebook (2001), Early Modern Tragedy and the Cinema of Violence (2005), and, also in the Controversies series, a volume on Basic Instinct (forthcoming, 2013).
Table of Contents
ContentsAcknowledgements
A Note on References
Introduction
Synopsis
PART I: STRAW DOGS THEN
Production History
Genesis and Pre-Production
Shooting and the Problem of Susan George
The Editing Process: Shaping an Ending
Original Release and Reception
England Swings, America Rocks: Straw Dogs in its Cultural Context
Feminism and the Sexual Revolution
Backlash: Morality, Censorship and the MPAA
Straw Dogs and the American Censors
Straw Dogs, American Audiences and American Critics
Sixties Britain: a Quieter Revolution
Straw Dogs and the UK Critics
PART II: STRAW DOGS NOW
Home Video Release: the Video Nasties Debate
Eighteen Years in the Wilderness
Moving with the Times: the BBFC and sexual violence
Straw Dogs Unbound
PART III: KEY THEMES AND IDEAS
Introduction
Straw Dogs, Masculinity and Violence
Straw Dogs and Vietnam
A Man's House Is
The Problem of Amy
PART IV: KEY SCENE ANALYSIS
The Rape Scene: Introduction
Venner's Arrival
The First Rape
The Second Rape
Script Development
Eroticising, Endorsing
PART V: THE LEGACY OF STRAW DOGS
Straw Dogs, Survival Horror and Rape Revenge
Remake/Remodel
Closing Thoughts
APPENDICES
Appendix A: Key Details
Appendix B: List of References
Endnotes.
What People are Saying About This
A swift, compelling read. Thorough and scholarly without the faintest whiff of academic stuffiness, Stevie Simkin's study of Straw Dogs summons up the turmoil of the 1960s and 70s and illuminates the highly charged subject of sexual violence on film' - Stephen Farber, Film Critic, The Hollywood Reporter
'fascinating stuff, written in a way that thankfully avoids too much media studies pomposity and instead takes a straightforward, very readable approach to the story. ... a fascinating account of the long and complex history of this difficult but brilliant film. If the remainder of the series are as impressively produced, then Controversies looks like being the essential book series of the year.' - David Flint, strangethingsarehappening.com
'What first impresses about this book is its depth of research. There are lots of fascinating insights into production and revelations that make it a must for those interested in Peckinpah as a filmmaker. ... If you find Straw Dogs the film interesting, ... this comes highly recommended, and if you intend to go on to watch the remake, it's a must-read.' - Jennie Kermode, eyeforfilm.co.uk
'Exceptionally well-written .... needs to be read by anyone interested in understanding Sam Peckinpah's Straw Dogs as a serious work of cinematic art.' - Garner Simmons, author of Peckinpah - A Portrait in Montage.
'Stevie Simkin, one of the Controversies series' co-editors (with Julian Petley), picks his way through this potential minefield with exceptional tact, skill and thoroughness...Anyone interested in teaching on the film, as Simkin has over many years (experience which has surely enriched his understanding of it), will find this monograph an invaluable resource and an instructive model of contextual and textual analysis.' - British Universities Film and Video Council
'Both books throw out so many insights and new ideas concerning these two examples of cinéma maudites that they are studies valuable both to cinéastes and students of the way in which popular culture works. This is proving to be a most valuable series.' - Crime Time, on Straw Dogs and A Clockwork Orange