From the Publisher
"An exhilarating, meticulously researched book that sheds light on centuries of borrowing, tracing the roots of Europe's major buildings." — The Guardian
"This persuasive study argues that northern Europe's greatest gothic buildings are deeply indebted to the Arab world ... [it is] a useful reminder of the interconnectedness of civilization."— The Observer "Lively and provocative, this book takes us from Christopher Wren through an exploration of how ideas from the Islamic Middle East profoundly influenced the architecture of Western Europe. Darke's enthusiasm and love for all things Syrian is apparent on every page. A great read for anyone seeking an alternative viewpoint."— Hugh Kennedy, Professor of Arabic, SOAS University of London "Diana Darke writes about Syria and its cultural heritage with love, clarity and authority."— Sir Michael Palin "In this original and enlightening book, Diana Darke takes us on a journey of discovery. Guiding us from the churches of the 'Dead Cities' of Syria to Notre-Dame de Paris, she unearths manifold connections between the cultures of the Middle East and those of Europe." — Venetia Porter, Curator of Islamic and Contemporary Middle East Art, British Museum"A fascinating account of the way in which architectural techniques, ideas and aesthetics are actively and explicitly shared between people, indifferently as to whether they happen to be friends or enemies. Darke's book reveals much that is surprising about the canon of European architecture, telling us how human relations are inevitably shared and forgotten only at their mutual peril." — Faisal Devji, Professor of Indian History, University of Oxford "An extraordinarily ambitious work, part cri de coeur and part textbook on Islamic architecture and its influence on the West."— Times Literary Supplement "Intriguing and eye-opening."— Asian Review of Books "'[A] fascinating book. Revelatory [and] eye-opening."—Los Angeles TimesDiana Darke's "Stealing from the Saracens: How Islamic Architecture Shaped Europe" is another brilliant challenge to Islamophobes everywhere, skillfully telling the architectural counterpart of Moller's tale, and showing how much Gothic architecture drew on the forms and innovations of Arab architects and mathematicians. —William Dalrymple, The Spectator (Books of the Year 2020)"Another brilliant challenge to Islamophobes everywhere, skilfully telling the architectural counterpart of Moller's tale, and showing how much Gothic architecture drew on the forms and innovations of Arab architects and mathematicians."— William Dalrymple in The Spectator (Book of the Year 2020) "As exhilarating as it is learned, this splendidly illustrated book shows how our cultures—including our religious cultures—interact and interweave in ways that challenge all kinds of assumptions we might make about our history. By studying our past, Darke poses essential questions about the possibility of a shared and humane civilization in the future."— Rowan Williams, former Archbishop of Canterbury