The Exploding Star Orchestra, a large group led by Chicago-based trumpeter and composer
Rob Mazurek, is an improvising ensemble that shifts from project to project. The group's debut CD,
We Are All from Somewhere Else, and its second release, co-credited to trumpeter
Bill Dixon, offered both swirling storms of funky electronic jazz and music with orchestral scope and atmospheric beauty. On the latter album,
Dixon's squiggly lines burst forth like
Cy Twombly scribbling over a
Mark Rothko painting. This disc, like
We Are All from Somewhere Else, owes something to
Sun Ra in its use of large ensembles for unorthodox purposes, but it takes a lot from other regions of the avant-garde, too, including the importation of non-musical sound effects (bicycles, insects, rain) and the use of specially prepared instruments. The
Bill Dixon collaboration proved that
Exploding Star could kick it live; this album displays their mastery of the studio. The difference is the difference between
Miles Davis' 1975 live album
Agharta and the slow-burning studio epic
"He Loved Him Madly," recorded with almost the same band on
Get Up with It. The two long tracks on
Stars Have Shapes,
"Ascension Ghost Impression No. 2" and
"Three Blocks of Light," are deep, dark, resonant caves in which musicians and listeners wander and explore; the two short pieces,
"ChromoRocker" and
"Impression No. 1," offer more conventional free jazz grooves, at times sounding remarkably similar to
Herbie Hancock's work with
Mwandishi. ~ Phil Freeman
