Staging Violence Against Women and Girls: Plays and Interviews
Staging Violence Against Women and Girls brings together three contemporary plays that denounce gendered violence, along with interviews with their creators and the practitioners who have staged them in different national contexts.

Little Stitches (London, 2014): consisting of four short pieces by Isley Lynn, Raúl Quirós Molina, Bahar Brunton and Karis E. Halsall, this play presents Female Genital Mutilation/Cutting (FGM/C) from the points of view of by-standers, anti-FGM/C activists, health professionals, women who perpetuate
the practice and, finally, survivors.

'Kubra' (Sydney, 2016): written by Dacia Maraini, this short play features a young woman who was subjected to FGM/C as a child and now, years later, brings her case to court in a search for justice.

A Trial for Rape (Rome, 2018): adapted for theatre by Renato Chiocca from the international award-winning 1979 documentary of the same name, this play reveals how judicial procedures and attitudes toward sexual violence tend to turn rape survivors from accusers into accused.

In their interviews, the writers, directors and producers discuss their conception and production of the works collected in Staging Violence Against Women and Girls. The plays and their creators highlight the urgency of raising awareness of these forms of violence and giving voice to survivors.
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Staging Violence Against Women and Girls: Plays and Interviews
Staging Violence Against Women and Girls brings together three contemporary plays that denounce gendered violence, along with interviews with their creators and the practitioners who have staged them in different national contexts.

Little Stitches (London, 2014): consisting of four short pieces by Isley Lynn, Raúl Quirós Molina, Bahar Brunton and Karis E. Halsall, this play presents Female Genital Mutilation/Cutting (FGM/C) from the points of view of by-standers, anti-FGM/C activists, health professionals, women who perpetuate
the practice and, finally, survivors.

'Kubra' (Sydney, 2016): written by Dacia Maraini, this short play features a young woman who was subjected to FGM/C as a child and now, years later, brings her case to court in a search for justice.

A Trial for Rape (Rome, 2018): adapted for theatre by Renato Chiocca from the international award-winning 1979 documentary of the same name, this play reveals how judicial procedures and attitudes toward sexual violence tend to turn rape survivors from accusers into accused.

In their interviews, the writers, directors and producers discuss their conception and production of the works collected in Staging Violence Against Women and Girls. The plays and their creators highlight the urgency of raising awareness of these forms of violence and giving voice to survivors.
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Staging Violence Against Women and Girls: Plays and Interviews

Staging Violence Against Women and Girls: Plays and Interviews

Staging Violence Against Women and Girls: Plays and Interviews

Staging Violence Against Women and Girls: Plays and Interviews

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Overview

Staging Violence Against Women and Girls brings together three contemporary plays that denounce gendered violence, along with interviews with their creators and the practitioners who have staged them in different national contexts.

Little Stitches (London, 2014): consisting of four short pieces by Isley Lynn, Raúl Quirós Molina, Bahar Brunton and Karis E. Halsall, this play presents Female Genital Mutilation/Cutting (FGM/C) from the points of view of by-standers, anti-FGM/C activists, health professionals, women who perpetuate
the practice and, finally, survivors.

'Kubra' (Sydney, 2016): written by Dacia Maraini, this short play features a young woman who was subjected to FGM/C as a child and now, years later, brings her case to court in a search for justice.

A Trial for Rape (Rome, 2018): adapted for theatre by Renato Chiocca from the international award-winning 1979 documentary of the same name, this play reveals how judicial procedures and attitudes toward sexual violence tend to turn rape survivors from accusers into accused.

In their interviews, the writers, directors and producers discuss their conception and production of the works collected in Staging Violence Against Women and Girls. The plays and their creators highlight the urgency of raising awareness of these forms of violence and giving voice to survivors.

Product Details

ISBN-13: 9781350329720
Publisher: Bloomsbury Publishing
Publication date: 03/09/2023
Sold by: Barnes & Noble
Format: eBook
Pages: 176
File size: 2 MB

About the Author

Daniela Cavallaro, from the University of Auckland, is the author of several articles on Italian theatre and two books: Italian Women's Theatre 1930-1960, and Educational Theatre for Women in Post-World War II Italy: A Stage of Their Own.

Luciana d'Arcangeli, author of I personaggi femminili nel teatro di Dario Fo e Franca Rame, was until recently Cassamarca Senior Lecturer at Flinders University, Adelaide. She is currently an adjunct professor, language consultant, translator and interpreter, based in Rome.

Claire Kennedy, adjunct senior lecturer in Italian Studies at Griffith University in Brisbane, has translated and subtitled several plays for performance, and participated in numerous community theatre productions on women's issues.

Bahar Brunton grew up in London. In addition to Dancing Feet, she has had two plays produced: The Highwayman, at the Battersea Barge and the Edinburgh Festival in 2008; and Sofka, at the Calder Bookshop&Theatre in 2012 and 2013.

Alex Crampton is an intuitive artist, theatre practitioner, ceremonial celebrant, events producer, land worker and food grower.

Melissa Dean is an actress, writer, producer and radio presenter, who uses her creativity as a means for activism.

Karis E. Halsall has been writing for theatre for the last decade, working with acclaimed companies such as the Hampstead Theatre, Theatre503, HighTide Festival,Headlong, the Bush, DryWrite and nabokov.

Isley Lynn's play Skin a Cat was awarded Pick of the Year at the Vault Festival 2016 and its production at The unker later that year led to four nominations for Off West End Awards including Most Promising New Playwright and Best New Play.

Raúl Quirós Molina has an MA in Creative Writing from City, University of London.

Ainsley Burdell is a director, performer and teacher who has worked in the arts and community cultural development in Queensland over the past thirty years.

Nicolette Kay has directed and co-translated a number of plays by Dacia Maraini as well as contributing to books about the playwright.

Dacia Maraini is one of the most widely read Italian writers in the world.

Sharon Wood is professor (emerita) at the University of Leicester and the author and editor of numerous books on writing by women in Italy.

Renato Chiocca is a director and screenwriter who works in cinema, theatre and television.
Isley Lynn is an American-born, London-based playwright and poet. They won the 'Charles Wintour Most Promising Playwright Award' at the Evening Standard Theatre Awards 2023 for their play The Swell, which opened to great acclaim as part of Tom Littler's first season at the Orange Tree Theatre and was also nominated for Best New Play, Best Director and Best Production at the 2023 Offie Awards. Their play Skin a Cat was awarded Pick of the Year at the Vault Festival 2016 and its production at The Bunker later that year led to four nominations for Off West End Awards including Most Promising New Playwright and Best New Play; it then toured nationally in 2018. Other credits include: The War of the Worlds (New Diorama Theatre 2019, international tour 2021); 'Canace' in 15 Heroines (Jermyn Street Theatre 2020); Albatross (Paines Plough and the Royal Welsh College of Music and Drama at Bute Theatre and Gate Theatre 2018); The Swell (HighTide First Commissions play reading 2018); Sie und Wir (Us and Them) for Werk X in Vienna (2016); Tether (Edinburgh Fringe Festival 2015); and What's So Special (as part of The Get Out at the Royal Court Jerwood Theatre Upstairs 2014). Her play Bright Nights was a Script6 winner at The Space in 2014.
Raúl Quirós Molina has an MA in Creative Writing from City, University of London. His plays include The Dinner, produced at the Vault Festival (London 2015), and El pan y la sal (Bread and Salt) at the Teatro Español (Madrid 2018), in addition to Where Do I Start? He was a finalist for the Nadal Novel Prize in 2018 and was awarded the Felipe Trigo Novel Prize in 2019 for Los caballos inocentes (The Innocent Horses). He currently lives and works in Barcelona.
Bahar Brunton grew up in London. In addition to Dancing Feet, she has had two plays produced: The Highwayman, at the Battersea Barge and the Edinburgh Festival in 2008; and Sofka, at the Calder Bookshop&Theatre in 2012 and 2013. Her stories have been published by Fairlight Books, Firewords magazine, The Frogmore Papers and Ether Books.
Karis E. Halsall has been writing for theatre for the last decade, working with acclaimed companies such as the Hampstead Theatre, Theatre503, HighTide Festival,Headlong, the Bush, DryWrite and nabokov. Following her recent transition into writing for the screen, her inaugural short film Period Piece was selected to screen internationally at prestigious female-centric festivals including the Underwire Film Festival (2018) and Vancouver International Women in Film Festival (2019). Her television credits include BBC Three.
Dacia Maraini is one of the most widely read Italian writers in the world. While the subject matter of her novels, short stories, plays, screenplays, poetry, essays and interviews covers a broad range, her focus is always on women's condition. She is also a theatre and cinema director, who has founded or collaborated with various experimental companies. Among her numerous literary awards are the Premio Strega in 1999 for the short story collection Buio (Darkness; 2002 in English), the Premio Campiello in 1990 for the novel La lunga vita di Marianna Ucrìa (The Silent Duchess; 1992 in English) and the Premio Campiello again in 2012 for her career. She was a finalist for the 2011 Man Booker International Prize and nominated for the 2012 Nobel Prize in Literature. Further testimony to the impact of her work around the world are eight honorary degrees – from the universities of Naples 'L'Orientale', Macerata, L'Aquila, Foggia and Bucharest, Middlebury ollege (Vermont), John Cabot University (Rome) and Chapman University (California) – the Japanese Order of the Rising Sun, conferred in 2017, and the highest Italian honour, the Knight Grand Cross, awarded in 1996.
Renato Chiocca is a director and screenwriter who works in cinema, theatre and television. He is also co-author, with Andrea Ferraris, of the graphic novel The Scar: Graphic reportage from the U.S.–Mexico border (Fantagraphics 2019), also released in Italy, France, Portugal, Spain and Latin America.
Daniela Cavallaro, from the University of Auckland, is the author of several articles on Italian theatre and two books: Italian Women's Theatre 1930-1960, and Educational Theatre for Women in Post-World War II Italy: A Stage of Their Own.
Luciana d'Arcangeli, author of I personaggi femminili nel teatro di Dario Fo e Franca Rame, was until recently Cassamarca Senior Lecturer at Flinders University, Adelaide. She is currently an adjunct professor, language consultant, translator and interpreter, based in Rome.
Sharon Wood is professor (emerita) at the University of Leicester and the author and editor of numerous books on writing by women in Italy. She has published several translations, including works by Primo Levi, Romana Petri, Gabriella Maleti, Susanna Tamaro and Dacia Maraini.

Table of Contents

List of Illustrations

List of Contributors

Acknowledgements

About the Cover Image

Introduction: the stories behind the statistics
by Luciana d'Arcangeli, Claire Kennedy and Daniela Cavallaro

Little Stitches
'Sleight of Hand' by Isley Lynn
'Where Do I Start?' by Raúl Quirós Molina
'Dancing Feet' by Bahar Brunton
'Mutant' by Karis E. Halsall

Interview with Melissa Dean and Alex Crampton
by Daniela Cavallaro and Claire Kennedy

Interview with the authors of Little Stitches
by Daniela Cavallaro

'Kubra'
by Dacia Maraini (translated by Sharon Wood)

Interview with Dacia Maraini
by Luciana d'Arcangeli (translated by Luciana d'Arcangeli)

Interview with Nicolette Kay and further reflection by Olivia Brown
by Claire Kennedy

Interview with Ainsley Burdell
by Claire Kennedy

A Trial for Rape
adapted by Renato Chiocca from the documentary Processo per stupro by Maria Grazia Belmonti, Anna Carini, Rony Daopoulo, Paola De Martiis, Annabella Miscuglio and Loredana Rotondo (translated by Claire Kennedy)

Interview with Renato Chiocca
by Daniela Cavallaro (translated by Claire Kennedy)

List of References
From the B&N Reads Blog

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