Spontaneous

Spontaneous

by Aaron Starmer

Narrated by Alex McKenna

Unabridged — 9 hours, 53 minutes

Spontaneous

Spontaneous

by Aaron Starmer

Narrated by Alex McKenna

Unabridged — 9 hours, 53 minutes

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Overview

Now a new motion picture starring*Katherine Langford, Charlie Plummer, and Hayley Law!

“Truly the smartest and funniest book about spontaneous combustion you will ever read.” -John Green, #1 bestselling author of The Fault in Our Stars

Mara Carlyle's senior year is going as normally as could be expected, until fellow senior Katelyn Ogden explodes during third period pre-calc. Katelyn is the first, but she won't be the last teenager to blow up without warning or explanation. As the national eye turns to Mara's suburban New Jersey hometown, the FBI rolls in and the search for a reason is on. Mara narrates the end of their world as she knows it while trying to make it to graduation in one piece. It's an explosive year punctuated by romance, quarantine, lifelong friendship, hallucinogenic mushrooms, bloggers, ice cream trucks, and Bon Jovi.
*
Aaron Starmer rewrites the rulebook with Spontaneous. But beneath the outrageous is a ridiculously funny, super honest, and truly moving exemplar of the absurd and raw truths of being a teenager in the 21st century*.*.*. and the heartache of saying goodbye.

“Wildly inventive.”*-Entertainment Weekly*“Must List”

“A*comically surreal novel that will blow your mind.”*-People Magazine

Editorial Reviews

Publishers Weekly - Audio

10/31/2016
Actress McKenna creates high drama in her reading of Starmer’s YA novel about a string of spontaneous combusting teenagers at a high school in New Jersey. Members of the Covington High School senior class keep exploding, and no one is sure why. Protagonist Mara Carlyle witnesses the first explosion in her precalc class. She and her friends want to figure out what’s going on, but that’s hard to do when FBI agents and other government agents become a part of everyday life and everyone else is deathly afraid of being contaminated. In the audio edition, McKenna’s deep and throaty voice draws in the listener hypnotically, while her emphasis and emotional expression captures the firsthand account of Mara as she witnesses many of her friends burst. Beyond the aural appeal of her voice, McKenna captures the tone, rhythm, and attitude of the different teenagers present throughout the story, giving each character vocal identities that only rarely skirt the edge of caricature. She’s at her best when the story goes deep into Mara’s thoughts to see the genuine (and not always kind) side of this protagonist. Ages 14–up. A Dutton hardcover. (Aug.)

Publishers Weekly

06/06/2016
Seniors at Covington High School are spontaneously combusting in one gloriously gory explosion after another, and it doesn’t take long for the FBI to descend on the New Jersey town to figure out what is going on. Is it terrorism? A curse? At the heart of Starmer’s story is Mara Carlyle, a senior who witnesses the first combustion up close in precalc. Mara’s blunt, sarcastic narration is well-matched to the absurdity of the plot, and while it’s tempting to think of it as a defense mechanism in response to an unbelievable situation, it seems clear that this is just who Mara is. Her lengthy internal monologues, while entertaining, can frustrate the story’s momentum and make Mara seem more like an observer and chronicler of the mayhem, rather than a participant, despite her proximity to several of the explosions. This aside, Starmer (the Riverman trilogy) adeptly uses his bloody, madcap premise to heighten just how much of life is out of our control, and how important it is to seize whatever time we’re given. Ages 14–up. Agent: Michael Bourret, Dystel & Goderich Literary Management. (Aug.)

From the Publisher

Aaron Starmer skillfully welds sharp humor, deep loss, and roaring escapades. Truly the smartest and funniest book about spontaneous combustion you will ever read.” John Green, #1 bestselling author of The Fault In Our Stars

“Wildly inventive.Entertainment Weekly

“A comically surreal novel that will blow your mind.” People magazine

★ “A blood-soaked, laugh-filled, tear-drenched, endlessly compelling read.” Kirkus, starred review

★ “A wholly original YA tale of identity, friendship, love, lust, and gory, grisly death.” SLJ, starred review

“Bursting with heartache and gore, Mara’s narration appeals directly to readers’
senses of horror and humor.” The Horn Book

“Honest and sympathetic in a way that will draw readers into this realistic and slightly horrific read . . . pretty fun.” —VOYA

Darkly absurd.” –Bustle

“Mara’s blunt, sarcastic narration is well-matched to the absurdity of the plot . . . Starmer (the Riverman trilogy) adeptly uses his bloody, madcap premise to heighten just how much of life is out of our control, and how important it is to seize whatever time we're given.” Publishers Weekly 

School Library Journal

★ 08/01/2016
Gr 10 Up—From the author of "The Riverman" trilogy comes a wholly original YA tale of identity, friendship, love, lust, and gory, grisly death. Covington High is facing a unique crisis: one by one, members of the senior class are spontaneously combusting, inexplicably blowing up in a mess of blood and guts. As the body count increases and the government gets involved, 12th grader Mara Carlyle attempts to figure out what's going on, with the help of her best friend Tess and an FBI agent. This darkly hilarious, fast-paced title will have readers turning pages to uncover the mystery along with Mara, whose witheringly sarcastic first-person voice calls to mind Alice Roosevelt Longworth ("If you don't have anything nice to say, come sit by me"). Starmer excels at crafting delightfully bizarre situations and skewering current trends and pop culture tropes. He has compiled a diverse body of students whom he kills off with gusto. Underneath the humor, however, lie genuine emotions: Mara falls in love with loner Dylan, reevaluates her friendship with Tess, and examines herself and her own attitudes. While not all readers will warm to a narrator who so blithely disregards the adage against speaking ill of the dead, many will find it refreshing to encounter an unapologetically snarky female protagonist. Sexual situations and references to drug use make this more suitable for older teens. VERDICT Those who appreciate strange and unusual fare will gravitate to this explosive new offering; hand it to fans of Libba Bray, A.S. King, David Lubar, and Andrew Smith.—Mahnaz Dar, School Library Journal

NOVEMBER 2016 - AudioFile

Best described as quirky, Alex McKenna’s narration makes the unbelievable, believable. Listeners may feel like they’re are sitting at the Food Court conversing with other teens. While the story twists in horrific ways, it’s also humorous and realistic. Through tone and inflection, distinct personalities emerge—from the quiet, misunderstood male to the overachieving, ever-good-natured best friend. One can hear each eye roll, dismissive shake of the head, and flick of the wrist, and the wriggling bounces of excitement prevalent in high school storytelling. Teen listeners will most likely appreciate these somewhat heavy-handed but age-appropriate oral gestures. S.C.E. © AudioFile 2016, Portland, Maine

Kirkus Reviews

★ 2016-06-22
A small New Jersey town is rocked by a disastrous phenomenon.Mara Carlyle's senior year is just beginning when Katelyn Ogden blows up—literally—during pre-calc. After the blood is cleaned off the walls and the class tries to move on, another student pops like a balloon during a therapy session. And then another combusts on the football field during the big game. The spontaneous combustions spread through the senior class in Mara's suburban town, claiming kids of all colors, creeds, and class, seemingly sparing no one. No one but Mara, that is. As the white teen does her best to adapt to the increasingly absurd circumstances surrounding her, Starmer weaves a dark and hilarious tale that is unafraid to provoke laughs and chills in equal measure. Mara strikes the perfect balance between snark and smarts, providing quips and heart in equal measure. Her relationship with ice cream-truck-driving mystery boy Dylan, also white, deepens as their classmates burst all around them, and their love story is just as compelling as the mystery behind the explosions. The author has no trouble pushing these characters through hell, but the book reaches true greatness when readers see them on the other side and explore what's left of them. Subplots involving an opportunistic scientist, a foulmouthed president, and a badass FBI agent push this one into must-read territory. A blood-soaked, laugh-filled, tear-drenched, endlessly compelling read. (Fiction. 14 & up)

Product Details

BN ID: 2940171877453
Publisher: Penguin Random House
Publication date: 08/23/2016
Edition description: Unabridged

Read an Excerpt

HOW IT STARTED

When Katelyn Ogden blew up in third period pre-calc, the janitor probably figured he’d only have to scrub guts off one whiteboard this year. Makes sense. In the past, kids didn’t randomly explode. Not in pre-calc, not at prom, not even in chem lab, where explosions aren’t exactly unheard of. Not one kid. Not one explosion. Ah, the good old days.

Katelyn Ogden was a lot of things, but she wasn’t particularly explosive, in any sense of the word. She was wispy, with a pixie cut and a breathy voice. She was a sundress of a person—cute, airy, in-offensive. I didn’t know her well, but I knew her well enough to curse her adorable existence on more than one occasion. I’m not proud of it, but it’s true. Doesn’t mean I wanted her to go out the way she did, or that I wanted her to go out at all, for that matter. Our thoughts aren’t always our feelings; and when they are, they rarely last.

On the morning that Katelyn, well, went out, I was sitting two seats behind her. It was September, the first full week of school, an absolute stunner of a day. The windows were open and the faraway drone of a John Deere mixed with the nearby drone of Mr. Mellick philosophizing on factorials. Worried I had coffee breath, I was bent over in my seat, digging through my purse for mints. My POV was therefore limited, and the only parts of Katelyn I saw explode were her legs. Actually, it’s hard to say what I saw. Her legs were there and then they weren’t.

Wa-bam!

The classroom quaked and my face was suddenly warm and wet. It’s a disgusting way to say it, but it’s the simplest way to say it: Katelyn was a balloon full of fleshy bits. And she popped.

You can’t feel much of anything in a moment like that. You certainly can’t analyze the situation. At least not while it’s happening. Later, the image will play over and over in your head, like some demon GIF, like some creeper who slips into your bed every single night, taps you on the shoulder, and says, “Remember me, the worst fucking moment of your life up to this point?” Later, you’ll feel and do a lot of things, but when it’s actually happening, all you can feel is confusion and all you do is react.

I bolted upright and my head hit my desk. Mr. Mellick dove behind his chair like a soldier into the trenches. My red-faced classmates sat there in shock for a few moments. Blood dripped down the windows and walls. Then came the screaming and the obligatory rush for the door.

The next hour was insane. Hunched running, hands up, sirens blaring, kids in the parking lot hugging. News trucks, helicopters, SWAT teams, cars skidding out in the grass because the roads were clogged. No one even realized what had happened. “Bomb! Blood! Run for the fucking hills!” That was the extent of it. There was no literal smoke, but when the figurative stuff cleared, we could be sure of only two things.

Katelyn Ogden blew up. Everyone else was fine.

Except we weren’t. Not by a long shot.

 

LET’S BE CLEAR

This is not about Katelyn Ogden. She was important—all of them were—but she was also a signpost, a starting point on a path of self-discovery. I realize how corny and conceited that sounds, but the focus of this should be on me and what you ultimately think of me. Do you like me? Do you trust me? Will you still be interested in me after I say what I have to say?

Yes, yes. I know, I know. “It’s not important what people think of you, it’s who you are that counts.” Well, don’t buy into that crap. Perception trumps reality. Always and forever. Simply consider what people thought of Katelyn. Mr. Mellick once told Katelyn that she “would make an excellent anchorwoman,” which was a coded way of saying that she spoke well and, though it wasn’t clear if she was part black or part Asian or part Hispanic, she was pretty in a nonthreatening, vaguely ethnic way.

In reality, Katelyn Ogden was Turkish. Not part anything. Plain old Turkish. Her family’s original name was Özden, but they changed it somewhere along the line. Her dad was born right here in New Jersey, and so was her mom, but they both had full Turkish blood that went back to the early Ottoman Empire, which, as far as empires go, was a pretty badass one. Their armies were among the first to employ guns and cannons, so they knew a thing or two about things that go boom.

Katelyn’s dad was an engineer and her mom was a lawyer and they drove a Tahoe with one of those stick-figure-family stickers on the back window. Two parents, one kid, two dogs. I’m not entirely sure what the etiquette is, but I guess you keep the kid sticker on your window even . . . after. The Ogdens did, in any case.

I learned all the familial details at the memorial service, which was closed casket, for obvious reasons, and which was held in State Street Theater, also for obvious reasons. Everyone in school had to attend. It wasn’t required by law, but absences would be noted. Not by the authorities necessarily, but by the kids who were quick to label their peers misogynistic assholes or heartless bitches. I know because I was one of those label-happy kids. Again, I’m not necessarily proud of that fact, but I certainly can’t deny it.

The memorial service was quite a production, considering that it was put together in only a few days. Katelyn’s friend Skye Sanchez projected a slideshow whose sole purpose was to remind us how ridiculously effervescent Katelyn was. There was a loving eulogy delivered by a choked-up aunt. A choir sang Katelyn’s favorite song, which is a gorgeous song. The lyrics were a bit sexy for the occasion, but who cares, right? It was her favorite and if they can’t play your favorite song at your memorial service then when the hell can they play it? Plus, it was all about saying good-bye at the wrong moment, and at least that was appropriate for the occasion.

There’s a line in it that goes, “your hair upon the pillow like a sleepy golden storm . . .” Katelyn’s hair was short and dark, the furthest thing from sleepy and golden, but that didn’t matter to Jed Hayes, who had a crush on her going all the way back to middle school. That hair-upon-the-pillow line made him blubber so loud that everyone in the balcony felt obligated to nod condolences at the poor guy. His empathy seemed off the charts, but if we’re being honest with ourselves—and we really should be—then we have to accept that Jed wasn’t crying because he truly loved Katelyn. It was because her storm of hair never hit his pillow. Sure, it’s a selfish thing to cry about, but we all cry about selfish things at funerals. We all cry about “if only.”

• If only Katelyn had made it through to next year, then she would have gone to Brown. She was going to apply early decision and was guaranteed to get in. No question that’s partly why her SAT tutor, Mrs. Carbone, was sobbing. All those hours, all those vocab flash cards, and for what? Mrs. Carbone still couldn’t claim an Ivy Leaguer as a past student.

• If only Katelyn had scammed a bit more cash off her parents, then she would have bought more weed. It was well-known among us seniors that Katelyn usually had a few joints hidden in emptied-out mascara tubes that she stashed in the glove box of her Volvo. It was also well-known that she was quickly becoming the drug-dealing Dalton twins’ best customer. Such a loss was surely why the Daltons were a bit weepy. Capitalism isn’t an emotionless endeavor.

• If only Katelyn had the chance to accept his invitation to the prom, then she would have ended up with her hair upon Jed Hayes’s pillow. It was within the realm of possibility. He wasn’t a bad-looking guy and she was open-minded. You couldn’t begrudge the kid his tears.

That’s merely the beginning of the list. The theater was jam-packed with selfish people wallowing in “if only.” Meanwhile, outside the theater, other selfish people had moved on and were already wallowing in “but why?”

As you might guess, when a girl blows up in pre-calc and that girl is Turkish, “but why?” is fraught with certain preconceived notions. It can’t be “just one of those things.” It has to be a “terrorist thing.” That was what the cable-news folks were harrumphing, and the long-fingernailed women working the checkout at Target were gabbing, and the potbellied picketers standing outside the theater were hollering.

Never mind the fact that no one else was hurt when Katelyn exploded. We were all examined. Blood was taken. Questions were asked. Mr. Mellick’s class was considered healthy, if not in mind, then in body. We were considered innocent.

Never mind the fact that there wasn’t a trace of anything remotely explosive found in the classroom. The police did a full sweep of it, the school, Katelyn’s house, the nearest park, and a halal restaurant two towns over. They didn’t find a thing. FBI was there too, swabbing everything with Q-tips. Collective shrugs all around.

Never mind “if only.” A girl with so much potential doesn’t suicide-bomb it all away. She just doesn’t. Sure, she smoked weed, and if the rumors were true, she was slacking off in pre-calc and fighting with her mom, but that’s not because senior year was her year to blow things up. It was her year to blow things off, perhaps her last chance in life to say fuck it.

It was a lot of people’s last chance to say fuck it, as it turned out.

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