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Overview
Product Details
ISBN-13: | 9780809336623 |
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Publisher: | Southern Illinois University Press |
Publication date: | 03/14/2018 |
Series: | Crab Orchard Series in Poetry |
Edition description: | 1st Edition |
Pages: | 80 |
Product dimensions: | 5.90(w) x 8.80(h) x 0.40(d) |
About the Author
Read an Excerpt
POEM ON THE VERGE OF INTERRUPTION Things keep happening. I keep sewing the seam of the ripped shirt, the needle sawing back and forth, its slow way of binding. The cardinal flying, the sound of traffic on the avenue, drivers muted in their cars, safe behind glass. And you in the kitchen at the big basin washing potatoes, the brush back and forth until they're clean, until they hardly have skin at all. Things keep happening. No one stops anyone else on the street, no one notices small signs: the light bulb stuttering out, a flash of red blowing across the sidewalk, the subtle, unnoticeable coming of silence, easily, like the movement into sleep. My palm working, the silver needle. The raw potatoes glistening in the basin, clean and white as eyes. SONNET WITH A WISHBONE IN THE THROAT I trussed the hen and cut the breast clean, pliable, soft with cartilage. I thought my mouth could swallow it whole, but the bone went brittle, broke through the skin of my neck like two thorns. Its prongs scissored out above my clavicle. Windpipe split in a perfect Y. When I speak, each phrase kaleidoscopes, modifies, a duet of whispers I lip into air. I sound sweet when I want to be bitter. I bite back my anger's flare. My voice box grows into an echo chamber, buzzes double-alive. Forgive me, I must say everything twice: once to punish, once to entice. PORTRAIT OF MY MOTHER AS THE VIRGIN QUEEN Above all, what I have feared is love. I have been afraid of my body, of its weakness, its need that feels like a pail filling slowly with milk. I have watched kids at the teat, how their mouths are formed to pull every sweetness toward them, to suck the body tired, the nipple raw and jewel-like. Who would choose such a bitter ornament? Who could understand a creature that gladly admits anything that arrives at its gates? I have put my hand to the soft stomach of a doe, and I have heard her throat bleating in the labor. I prefer to let the rod do my speaking. I prefer to let them call my name. THE DOUBLES In the dressing room at Macy's, I run into all my old bodies. We are reunited when I hear them shuffling in the walls, sense them beneath the dirty carpet. Their hips lurching out of drywall. Their breasts swelling against the concrete floor. I congratulate one on her thin legs. We commiserate about side-boob. We try on dresses from the junior's section and laugh. Relive our proms, our red-haired date who cried the whole night about that other girl. We kiss. Arm-wrestle. Bitch-slap. Wish we were never born. When we part we look at each other longingly, doe-eyed. The way two mirrors, when you put them opposite, reflect each other forever and ever.
Table of Contents
Poem on the Verge of Interruption 3
Spitting Image 4
Poem in the Corner of a Young Girl's Mouth 5
La Monstrua Vestida 6
Horsefly 8
Southern Gothic 9
The Poetics of Fatness 10
Epithalamium 11
Interior 12
Starlings in Winter 14
Poem in the Eardrum 16
Washing 18
Splitting Image 19
Sonnet with a Wishbone in the Throat 21
Floating Girl 25
Poem at the Bottom of the Allegheny River 26
Lower Animals 27
Portrait of My Mother as the Virgin Queen 30
Poem on the End of a Lure 31
The Fisherman 32
My Mother's Pantry 33
Portrait of My Mother as Captain James Cook 35
Ode to Sea Scurvy 36
Ode to Hardtack 37
Spyglass 38
Giants of the Sea 39
Dream with Water beneath the Floorboards 41
Poem Traveling in a Circuit 45
Contrapposto 46
The Doubles 48
Excavated Girl 49
Spaceflight 50
Taking Up Space 52
Poem in the Shape of a Grand Piano 53
Madame la Guillotine 54
Queen Ant 55
Echo Chamber 57
My Apology 60
Scheveningen 61
Burned Girl 62
Controlled Burn 63
Poem Wired with Knob-and-Tube 64
Notes 67
Acknowledgments 69