Spilled Ink

by Nadia Hashimi

Overview

In this insightful and affecting YA novel by well-loved author of books for adults and middle graders Nadia Hashimi, an Afghan American teenager's small town is thrown into controversy and violence when her brother, taking a stand against hatred, plays a prank that some think went too far…

When Yalda hears that her twin brother, Yusuf, will be performing with his band at a local venue, she lets her friends convince her to sneak out to see his show. But the night has something else in store: After the opening band makes some ugly jokes about “terrorists,” Yusuf uses his time in the spotlight for an impulsive stunt responding to the hate speech.

Suddenly, simmering tensions begin boiling over in their Virginia town, where many Afghan refugees have sought safety. When a video of Yusuf’s performance goes viral online, it seems like everyone in town turns against their family’s restaurant, leaving their livelihood in jeopardy. And then Yusuf is seriously injured in a mysterious fall.

Despite her grieving and frightened family, friends she is not sure she can trust, and a town that no longer feels like a safe home, Yalda must try to find her own voice—and do what she can to change her world for the better. 

Product Details

ISBN-13:	9780063060517
Publisher:	HarperCollins
Publication date:	06/04/2024
Sold by:	HARPERCOLLINS
Format:	eBook
Pages:	336
Sales rank:	874,152
Age Range:	13 Years

About the Author

Nadia Hashimi is a pediatrician turned international bestselling novelist and daughter of Afghan immigrants. She is the author of four books for adults, as well as the middle grade novels One Half from the East and The Sky at Our Feet. She lives with her family in the Washington, DC, suburbs. Visit her online at nadiahashimibooks.com.

Editorial Reviews

★ 03/25/2024

Afghan American 17-year-old Yalda Jamali is much more private than her guitarist and songwriter twin brother Yusuf. As Muslim immigrants who run an Afghan restaurant, the twins’ parents “would be less than thrilled” to learn that Yusuf has been sneaking out to play with his band at “funky, punky” WhereHouse, especially since racial tensions have increased within their predominantly white Virginia town due to the arrival of Afghan refugee families. When an opening band encourages the audience to engage in racist rhetoric, Yusuf responds by leading the audience in a sing-along. He teases that it’s a profession of Islamic faith: “Say it three times and you’re officially converted.” Social media backlash follows, impacting their parents’ restaurant, and when Yusuf doesn’t come home one evening, the family finds him unconscious outside a strip mall. Utilizing Yal’s sharp-witted first-person POV, debut author Hashimi exposes how the prevalence of unchecked and unchallenged racism can lead to violence, as well as how American-born Afghans are othered and recently arrived Afghan refugees are scapegoated. Clever dialogue between the vividly individualized characters lightens harrowing depictions of anti-Islamic hate crimes in this tightly structured and engagingly paced read. An author’s note concludes. Ages 13–up. Agent: Sarah Heller, Helen Heller Agency. (June)

Publishers Weekly

"Utilizing Yal’s sharp-witted first-person POV, debut author Hashimi exposes how the prevalence of unchecked and unchallenged racism can lead to violence, as well as how American-born Afghans are othered and recently arrived Afghan refugees are scapegoated. Clever dialogue between the vividly individualized characters lightens harrowing depictions of anti-Islamic hate crimes in this tightly structured and engagingly paced read." — Publishers Weekly (starred review)

From the Publisher

2024-03-23
Afghan American twins reckon with a hate crime.

Yusuf and Yalda are polar opposites: Popular, outgoing Yusuf plays in a band. Introverted, artistic Yalda socializes with two close friends. After a musician at a local competition makes an Islamophobic joke onstage targeting recent Afghan refugee arrivals, Yusuf pranks the audience. His response goes viral, and tensions in their small Virginia town boil over. When Yusuf suffers serious injuries from a mysterious fall, Yalda tries to determine who hurt him while facing her own insecurities. The inconsistent writing unfortunately distances readers from the unfolding narrative due to awkward transitions, segues that feel random, and pivotal plot points that are relayed after the fact. Yalda’s personal growth and how the community unites against hate crimes would have benefitted from greater exploration. The twins’ immediate family is nonreligious, and religious details are at times absent or presented in ways that may strike some readers as erasure. First-person narrator Yalda struggles with whether “the hyphen sometimes used in my label means a connection between two worlds or if one side is being taken away from the other and leaving me as something less than whole.” This inner battle manifests in part in her unflattering judgment of her religious aunt and her perceptions of a refugee classmate, but the light character development may instead convey a message of assimilation.

Introduces critical themes but struggles to address them with sufficient depth and nuance. (author’s note) (Fiction. 13-18)

Kirkus Reviews